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Cinematic techniques essay tim burton
Cinematic techniques essay tim burton
Tim burton cinematic techniques
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More handpicked essays just for you.
Cinematic techniques essay tim burton
Cinematic techniques essay tim burton
Tim burton cinematic techniques
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Recommended: Cinematic techniques essay tim burton
Music can make a scene more compelling because it adds emotion to a scene. For example, in the beginning of the documentary when the narrator was talking about Kristallnacht, there was a frantic orchestra accompanying his more and added sound effects of glass breaking. It makes a person feel more anxious and frightened of what is to come and sets the tone for the documentary, since the event of Kristallnacht is one of the best pieces of evidence as to why Jewish people need to be able to escape the terrors of Hitler’s control as soon as possible. Another example is when there would be a transition of a scene to the Klein family, and the music had a melancholy tune to it and it added more to the scene to draw out more emotion from the viewers.
Tim Burton Tim Burton; director, of Charlie And The Chocolate Factory, Big fish, Edward Scissorhands, and many more loved films. Uses many different cinematic techniques to portray mood and setting. Some of these techniques are, lighting, camera angles, and music. Tim Burton first uses camera angles to portray distances and sometimes height comparison. For example;
Tim Burton's technique “Maybe it's just in America, but it seems that if you're passionate about something, it freaks people out. You're considered bizarre or eccentric. To me, it just means you know who you are. ”(Burton) Tim Burton has directed multiple iconic movies, in his movies he uses many different cinematic techniques to establish his personal style.
Burton uses sound to express something he has firsthand experience with being an outsider. For instance, in Edward Scissorhands, Edward starts walking towards Peg in the beginning there was eerie music. Once Peg saw the shadow of Edwards scissors she quickly turns away, and apologizes for intruding. Edward soon speaks up in a very soft voice teller her not to go. Edward is explaining what happened to his hands to Peg, and while he is talking choral music is playing the background.
In the 1980s, during the apogee of the AIDS crisis, many conservatives came forward to blame homosexuals for the epidemic. For instance, according to Armstrong, Lam, and Chase, Kaposi’s sarcomas, alongside other diseases, composes a list of conditions that serves as a criterion for the diagnosis of AIDS. In fact, its relation to AIDS is so remarkable that it became a label; in a society that is divided by pre-conceived ideas of morality, it became a visual representation of HIV as punishment for homosexuality. However, in Angels in America: a Gay Fantasia on National Themes, Tony Kushner attributes a deeper meaning to the lesions caused by Kaposi’s sarcomas – from death sentence to change, and finally, to redemption. Through these lesions, the author symbolizes the paradox of AIDS in an American society that refuses to embrace minorities, and how its destructiveness has fortified the sense of community amongst homosexuals.
Burtons use of sound supplies an effective tool to allow the audience to understand the mood of the setting. This technique can also be found a while earlier in the movie, when the grandmother sits with the granddaughter to tell a bedtime story. There are bits of audio between the two, describing Edward Scissorhands and produces an idea of the movie topic. The grandma is almost set up as the narrator for the first part of the movie so that the audience can understand (or get an idea of the movie) the plot of the film. This also connects the opening credits to transition through scenes and carry on with the
Have you ever been dragged into a magical world? The strange and mysterious mind of Tim Burton's allows him to use cinematic techniques to make his films fun yet frightening. Tim Burton uses certain cinematic techniques, such as low key lighting, diegetic sounds, and low camera angles to create a gothic fun style. In his films he also creates a theme about outsiders and how they somehow fit in crazy mixed up ways. Tim Burton’s films “Charlie and the chocolate factory”, “Edward Scissorhands”, and “Bigfish” all show this.
The final film technique Tim Burton uses is sounds he uses. The most popular type of sound techniques is the non-diegetic sounds. In the 1989 Batman film, Tim Burton uses a ton of non-diegetic music. In multiple scenes in the movie, often combat scenes, there is dramatic music playing in the background to enhance the tension in the audience. During the scene in Charlie and the chocolate Factory when Charlie won the last golden ticket and he was running home there was non-diegetic happy and exciting music playing in the background.
Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.
Tim Burton’s films utilize music to enrich the viewing experience of all of his films. In the introduction of the movie Edward Scissorhands, Tim Burton
As I stated, Tim uses cinematic techniques to specialize certain scenes of his films against the others. He uses lighting and camera angles to point out visual elements, and he uses composition to point out audial elements. Overall, Tim Burton has a very differentiated style compared to most modern American directors. He uses the cinematic tools given to him in unique ways and that is why so many people love his
“Innocence is what he knows, beauty is what she sees.” -In the words of Edward Scissorhands. The well-respected and director Tim Burton is always admired for his distinctive yet astonishing films. He uses many cinematic techniques in one of his most popular films, Edward Scissorhands, but a wide variety he uses would be some such as framing/angles, music/sound and lighting.
When the inventor died in Edward Scissorhands there was music that projected a sad mood. This helps the audience connect with the movie more and intrigues the audience more. As Edward and Kim were talking there was angelic, happy music that becomes louder as Edward and Kim hug. In Charlie and the Chocolate Factory, when Charlie finds the money on the ground, Burton uses happy music to project an exciting and magical feeling to the audience. In Big Fish, Charlie and the Chocolate Factory, and Edward Scissorhands Burton uses camera movements, camera angles, and non-diegetic music to set a certain mood that the audience should feel.
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
Music’s role in animation can also be to set the scene , which I came to realize in Monsters’ inc. For example, when Mike and Sully