The story of Bernhardt “Bernie” Tiede is well known for its realistic and entertaining motion picture. This adaptation depicts the impression of a warm, caring man who the community wouldn’t believe partook in the murder of an elderly woman. It is not the question if Bernie committed the act, rather than “did he plan it?” I believe this crime was not premeditated, but was done in the “heat of the moment”.
The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.
What typology of rapist would best describe Parker Ray? Justify your choice with factual material to support your argument. I believe that David Parker Ray woild best be described as a Sexual Sadistic rapist. WIthing the first 13 minutes or so you have 3 individual all describing Ray as a man who gets pleasure from sexual victims who are in some sort of severe mental or physical pain. Another example of the way Ray was is the fascination he had with certain types of pornography.
In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue
Tim’s Vermeer Tim’s Vermeer is a documentary film. It is about the struggle of a man to recreate a painting of Vermeer by seeing a rebuilding of the studio of Vermeer through a mirror arrangement. Tim Jenison got the encouragement from David Hockney’s theory that painters used visual strategies to accomplish their fascinating quality and established a double-mirror version of the camera lucida. He spent approximately 130 days to create a perfect and flawless imitation of Vermeer’s music lesson. He finally reached to the conclusion that the double mirror technique is a practical clarification for the distinctively lifelike painting style of Vermeer (Howard).
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
In the year 1945 Fritz Lang directed Scarlet Street, a truly classical film noir. The screenplay consists of two criminals who take advantage of a middle-aged painter in order to steal his artwork. Absolutely one of the finest of all film noirs, Fritz Lang’s Scarlet Street is a remake of Jean Renoir’s La Chienne. These two films share essentially the same structure. “The ineffectual nebbishy cashier and protagonist, Maurice Legrand in La Chienne and Chris Cross in Scarlet Street, demonstrates a level of cowardice and naiveté in grown men that is simply unforgivable, thereby resulting in a fate that must be tragic” (Hassannia Para. 1).
Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.
The following line from The Florida Project best sums up the film: “You know why this is my favourite tree? Cause it’s tipped over and it’s still growing.” Spoken by Moonee while eating jelly sandwiches with Jancey on the trunk of a lush, collapsed tree, the line draws a perfect similarity between the fallen tree’s continued growth and the motel residents’ efforts to trudge through poverty despite their representations in society. Sean Baker’s The Florida Project depicts Moonee, a six-year old living at the Magic Castle (a dilapidated motel just outside Walt Disney World) with her unemployed mother Halley.
It is neither a rant, nor a confession, nor lesson; nor does it offer a catharsis. At one point Rankine quotes James Baldwin's statement that "The purpose of art is to lay bare the questions hidden by the answers"(p 115). Citizen is a book interested in questions; it is open-ended and innovative in form. It includes numerous images, quotations from other writers, as well as several scripts for experimental videos, and what she calls a script for a "public fiction. " Rankine often documents incidents without much commentary leaving a great deal of space for the reader to make meaning.
The filmmaker Stanley Nelson has a stunning accomplishment in “Freedom Riders,” a documentary that chronicles a crucial, devastating episode of the civil rights movement, an episode whose gruesome visuals impinged on the perception of American liberty around the world. Commemorating the 50th anniversary of the freedom rides, the film (to be shown Monday on PBS) is a story of ennobled youth and noxious hatred, of decided courage and inexplicable brutality. In May 1961 the Congress of Racial Equality sought to challenge the segregation of interstate travel on public transport and sent forth activists, both black and white, and many of them students, on a bus journey through the South, where they were received with violence that law enforcers
Get Out (2017) is a horror film directed and written by Jordan Peele. The film is about a black male named Chris, performed by Daniel Kaluuya, who is going out of town with his girlfriend Rose, performed by Allison Williams. The purpose of this trip is to meet her parents for the first time at their estate located deep into the woods. Little does Chris know Rose’s parents do not really care to meet him but are more interested in auctioning off his body. Chris figures this out towards the end of the film and he barley figures out a way to escape.
The film Bicycle Thieves (1949) directed by Vittorio De Sica, is an Italian Neo-Realistic film set in post-war Italy. The film follows Antonio Ricci and his son Bruno on a quest to retrieve his stolen bike in an attempt to remove himself and his family from the cycle of poverty. Bicycle Thieves (1949) discusses themes of struggle and desperation causing one to sacrifice their morality and become the evil they initially fought. De Sica expresses such themes to the viewer through the culture of poverty and the continuous pain that poverty is capable of inflicting. De Sica also employs simplistic narrative, dramatic sound, and mise-en-scene that highlights the depressing nature of poverty.
“Hacksaw Ridge”: the Film Review Hacksaw Ridge is a war drama based on documentary materials; it was directed by Mel Gibson and first demonstrated in 2016. The film tells story of Desmond Doss, a man with difficult fate. The character does not want to interact with weapons because of his faith and negative previous family experience, like an assault on his brother with a brick or an attempted assassination of own father, which hit his wife, Desmond’s mother. But Doss decided to join the army despite of his believes; the main part of plot happened in Japan in 1945. His refusal of weapons’ usage created contentious relationship with officers and fellow soldier; Doss even fell for tribunal, but was saved by his father, who participated in the Great War.
Transitioning from a killing machine to a civilian can be a difficult task for anyone, and transitioning from a man to a woman can be just as hard, and both can be traumatizing to the mind. Kristen Beck, a Navy SEAL veteran, has gone through both transitions and shares her story in the film Lady Valor. Kristen has gone through the horrifying events of war and has faced the hardships of being transgender, both of which have been tough on Kristen both physically and mentally. From a male war hero to a female veteran, Kristen has gone through several experiences that are all psychologically interesting.
