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Compare And Contrast Hurston And Langston Hughes

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The Harlem Renaissance marked a time in American History where black artists, novelists, and poets changed the course of literature for good. Actually, Zora Neale Hurston and Langston Hughes were two writers who truly stood out in the Renaissance era. Both so similar yet so different; in fact, their work at times seemed to conflict with one another. Hughes’s work highlighted “the resilience of black America,” as Professor Arnold Rampersad stated in his video. Meanwhile, Hurston’s work leaned more on illustrating the pros and cons of the general black culture instead of mainly focusing on its history. Hurston also displays elegance and class in her work; Cheryl Wall described Hurston’s work as being “a tree in bloom.” Moreover, Hughes’s
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In Their Eyes Were Watching God (1937), Zora Neale Hurston quotes: “She knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman” (Hurston 104). Literature, in Hurston’s view, serves as a form of didacticism that helps readers learn life lessons. Furthermore, Hurston expresses her views of literature in her manifesto “The Characteristics of Negro Expression,” which primarily expresses her views on the function of literature. In “The Characteristics of Negro Expression,” Hurston emphasizes reasons for African-American writing.

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802 Words | 4 Pages

The Harlem Renaissance was a period in American history, which occurred in the 1920s in Harlem, New York. The cultural movement was an opportunity for African Americans to celebrate their heritage through intellectual and artistic works. Langston Hughes, a famous poet, was a product of the Harlem Renaissance. One notable piece of literature by Hughes is “Dream Deferred”. However, the discussion of African American culture isn’t limited to the 1920s.

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981 Words | 4 Pages

Aria Jackson Ms. Lavelle 4/21/23 The Harlem Renaissance was known at the time as the, “New Negro Movement.” From literature to music to art, this period emphasized the struggles and experiences of African-Americans as a whole. The Harlem Renaissance explored themes of economic social prosperity, the importance of community, the power of rebirth, and the value of self-expression, and the role of spirituality. Through the neighborhood gossiping about Janie, to not being able to go to the funeral, to her taking off her head rag, and to reminiscing her flashback to phoebe, Zora Neale Hurston departs from the harlem renaissance value of community and reflects the harlem renaissance value of self expression.

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756 Words | 4 Pages

It was a period of expression in which they took pride in their culture, this sense of group identity formed a basis for later progress for blacks in the United States. The Harlem Renaissance took down previous racial stereotypes, as well as exemplified that African Americans had much to offer and contributed greatly to the creation of American culture. B) James Weldon Johnson’s excerpt argued that African Americans during the Harlem Renaissance were establishing themselves as active and important forces in society whom were also accomplishing great artistic achievements. Langston Hughes, a leading African American poet of the Harlem Renaissance, wrote literature about the pain and pride

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1180 Words | 5 Pages

Even in the helter-skelter skirmish that is my life, I have seen that the world is to the strong regardless of a little pigmentation more or less. No, I do not weep at the world—I am too busy sharpening my oyster knife"(Hardy 131). As one of the most famous Harlem Renaissance writers, Zora Neale Hurston embraced her race and sought to empower other African Americans. She had a big part in the Harlem Renaissance, creating stories that would later be used to inspire other people. The Harlem Renaissance was originally called the New Negro Movement in the early years.

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1411 Words | 6 Pages

sabella Babao, Rebekah Bartkowski Ms. Patrizio Honors English 3 22 May 2023 A Harlem Renaissance Writer to Remember: Zora Neale Hurston As influential and enduring as the Harlem Renaissance was during the 1920s and early 1930s, Zora Neale Hurston was able to commemorate and portray hardships faced by Black-Americans through stories of African American women finding their true identity. Hurston connects the concepts of racial pride as well as realities of inequality during the Harlem Renaissance era in her novel Their Eyes Were Watching God and her autobiographical essay “How It Feels To Be Colored Me.”

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Always cuttin’ de monkey for white folks. If it wuzn’t for so many black folks it wouldn’t be no race problem. De white folks would take us in wid them. De black ones is holdin’ us back”(Hurston 141). Zora Neale Hurston uses Ms.Turner and her strong opinions to illustrate how, despite the promotion of Black identity during the Harlem Renaissance, when the Renaissance was over, many Americans returned to their original position towards Blacks, which preceded the Renaissance.

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760 Words | 4 Pages

During the Harlem renaissance, there were many popular figures like Louis Armstrong, Duke Ellington, and Langston Hughes, but one that usually isn't mentioned is Zora Neale Hurston. Zora Neale Hurston was an author, and a Civil rights activist during the Harlem Renaissance. Zora Neale Hurston is both a reflection of and a departure from the ideas of the Harlem Renaissance because, She wants the women to have lots of freedom, and talks about how women should be more dependent and stand up for themselves, but in contrast shows how the women are somehow tied down to working, and she mentions slavery and how racism is still a problem. To begin with Hurston Talks in her book, “Their Eyes Were Watching God” about how women should live a free and

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1071 Words | 5 Pages

Through the rise and fall of the Harlem Renaissance there were a variety of influential writers and poets that preached their dreams to the generations that would listen. These authors centered their writings, be it books, poems, or papers, on promoting equality for the black community. The Harlem community strives to tip the scales of progress, aspiring to rise above all others as a beacon of advancement and prosperity. Zora Neale Hurston had a different mindset when it came to expressing her ideas through writing. Hurston was not trying to bring one side higher, but instead balanced the scales and made everyone equal.

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1508 Words | 7 Pages

Zora Neale Hurston is recognized as an important writer of the Harlem Renaissance, an era of unprecedented achievement in the black American art and literature, during the 1920s and early 1930s. Although, she influenced the writers such as Ralph Ellison, Toni Morrison,Gayl Jones, and Toni Cade Bambara, interest in her has only recently been revived after decades of neglect. The world has finally rediscovered Zora Neale Hurston. Her books are back in print, a new wave of African American women writers have claimed her as their literary ancestor, and today’s generation is eagerly exploring Eatonville and its citizens in the nation’s classrooms. Zora must be somewhere, riding high and having the last laugh.

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929 Words | 4 Pages

The Reconstruction Era was a period of ‘repair’ and progression of African-Americans, throughout the North and South. African American figureheads of the Reconstruction Era racial uplifts focused heavily on education and practical knowledge, while Hurston offered a different perspective. Although Zora Neale Hurston is now a ‘literary genius,’ her contemporaries criticized her, saying she was hindering the advancement of Blacks. Her literature described by Richard Wright had “no theme, no message, no thought. ”(PBS 1).

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1707 Words | 7 Pages

Many criticisms claimed her work was missing the suffering, pain, or the harsh reality of the African-American struggle. Hurston was beyond her time because she didn’t have to write about the bitterness; she was uncovering the other unexplored parts of black

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132 Words | 1 Pages

The Harlem Renaissance was a period of great cultural growth in the black community. It is accepted that it started in 1918 and lasted throughout the 1930s. Though named the ‘Harlem’ Renaissance, it was a country-wide phenomenon of pride and development among black Americans, the likes of which had never existed in such grand scale. Among the varying political actions and movements for equality, a surge of new art appeared: musical, visual, and even theatre. With said surge, many of the most well-known black authors, poets, musicians and actors rose to prevalence including Langston Hughes, Countee Cullen, Louis Armstrong, and Eulalie Spence.

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1545 Words | 7 Pages

The shame wasn’t a cause for them to turn away from the love for their culture, it just made the proud of their deep black beautiful roots. The black artists of the Harlem Renaissance put a visual scene to the joy, pain, laughter, tears, and the ugly truth within this endearing culture. The literature of the Harlem Renaissance gave an intellectual opinion in American during in the turn of the 20th century. Writers of the Harlem Renaissance have had a profound impact on the American society today.

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1157 Words | 5 Pages

In the 1920’s, creative and intellectual life flourished within African American communities in the North and Midwest regions of the United States, but nowhere more so than in Harlem. The small New York City neighborhood was filled with black artists, poets, intellectuals, writers, and musicians. Black-owned businesses, from newspapers, publishing houses, and music companies to nightclubs, cabarets, and theaters, helped fuel the neighborhood’s thriving scene. During the Harlem renaissance era many poets used their poems as a platform to bring about African American voices into the conventional American society. These poems touched people and encouraged them to read more.

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