Cootie Williams Swing Analysis

Cootie Williams was an iconic trumpet player during the swing era as he was part of Duke Ellington’s Orchestra and then later branched off. He has conducted a terrific form of rhythm and beat when it comes to the swing format. When looking further into his style you can notice the pattern of consistent swing like tone. For example, when listening to Juice Head Baby (1945), you can notice how sets off the song with the swing like tone and continues with melody, and during the vocals section you can notice how the tone drops but still continuing the sense of swing in the song. Swing is truly an artistic form of jazz as it gives the audience some ideas of being spontaneous and feeling ambitious. Cootie Williams is truly an artist in the form of

The Swing era was mainly established in the mid 1940’s and just continued to show some success with the audience as they just truly admired the new form of jazz. Swing is form of jazz that is considered to be a more a free form than the traditional that was first introduced in the earlier years. Swing jazz is considered to be one of the most influential form of music back in the day since it opened the door to pop music and people from all over the country and all races caught on to the new form. Swing was truly admired since this form had a “soloist” perform right in the middle of the stage, and when analyzing Juice Head Baby by Cootie Williams, he did just that since he mainly composed the song and had vocals and other complementary instruments added in order to create the swing like song. What swing mainly had was expressional form of mutes and improvisations, most songs had the soloist as the main improviser in order to construct the song. African Americans adopting swing and became wildly popular to everyone, swing was extremely influential and interesting to listen to. What’s interesting about Swing is that it was considered to be socially unacceptable