Creon: The Tragic Hero In The Play Antigone

The character Antigone is the protagonist in Antigone, the second play out of the Oedipus Rex trilogy. Out of the trilogy she is apart of she is the most tragic figure, though other claims say that Creon is a more tragic figure. A tragic figure in Greek plays, according to Aristotle, is a fictional character in a story or play that has an error in judgment, known as hamartia. This error of judgment causes his or her own misery, known as peripeteia. In Greek plays, such as the one Antigone premiers in, this person is must be of nobility. A tragic figure also has a tragic flaw that incorporates into the story or play. This tragic flaw can be shown through arrogance, stubbornness, love, or any quality that usually causes conflict, this is known as hubris. A tragic figure also must be portrayed as relatable to the

Antigone’s tragic flaw is her love for her family. In the play Antigone, Creon creates a law stating that one of Antigone’s brothers, Polyneices, must not be buried for he was a traitor while the other, Eteocles, is buried with honors. “Antigone- Hasn’t Creon graced one with all the rights, disgraced the other? Eteocles, they say, has been given full military honors, rightly so-Creon’s laid him in the Earth and he goes with glory down among the dead. But the body of Polynices, who died miserably- why, a city wide-proclamation, rumor has it, forbids anyone to bury him, even mourn him.” (1.1 26-33) Also when her sister, Ismene, offers to share Antigone’s punishment with her, Antigone tells her to live her own life and not die by her side. “Antigone- Never share my dying, don’t lay claim to what you never touched. My death will be enough.” (1.1. 619-621) Creon’s tragic flaw is that he is stubborn beyond his years. Antigone’s tragic flaw can cause good to her and to others if used correctly, but it can also causing misery while Creon’s tragic flaw only causes pain and suffering to