Cultural Appropriation Of African American Culture

Korean pop music, also known as K-pop, has recently gained mass international popularity, catching the public's attention with its assimilation of African-inspired choreography and fashion trends, and through the application of African American Vernacular English implemented in their lyrics. However, K-pop lacks originality and tends to steal its ideas and styles from a wide array of non-Korean cultures, particularly Black culture, raising concerns of cultural appropriation among critics as well as their international fans. According to Cambridge Dictionary, “cultural appropriation is defined as the act of taking or using components from a culture that is not your own, especially without showing that you understand or respect this culture.”

The integration of these African American genres and K-pop’s signature captivating melodies and electronic music resulted in the generation of a distinct and popular fusion that appeals to an extensive international audience. While cross-cultural music is not inherently problematic, blending these two musical styles raises questions about the authenticity and representation of Black culture, and whether the appropriate recognition of its origin is acknowledged. This appropriation counteracts the significant contributions Black musicians, songwriters, and producers have made to the development of the genres that are being plagiarized by the K-pop industry. This also reinforces a power dynamic where non-Black K-pop idols and producers substantially profit from these musical styles, while marginalized Black artists are often overshadowed. Consequently, this exploitation not only prolongs a cycle of cultural extraction but also fortifies a belief that appropriating Black culture is a convenient means to success within the K-pop

The claim that K-pop artists are paying homage to Black culture by providing opportunities for marginalized cultures and promoting diversity can be argued as well. Proponents of this argument suggest that K-pop’s popularity contributes to the international exposure of Black individuals in the music industry, creating possibilities for collaboration. While it is true that cultural exchange and appreciation can be beneficial to both parties, the power dynamics and consequences of such actions need to be critically examined within the K-pop