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D. W. Griffith's Film The Birth Of A Nation

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1. To answer the first question during the early 1910s, D. W. Griffith was sent by the his production company to the west coast. He started filming on a vacant lot in close proximity to Georgia Street in downtown Los Angeles. D.W then filmed his first short film ever, it was a melodrama about California in the 19th century, when it was under the ownership of Mexico. After that Griffith begun doing a lot of short melodramas which helped evolve his style. This all came together when he created The Birth Of a Nation. Griffith created the tracking shot, Closeup, as well as utilizing different colors to show whether it was night or not. Charlie Chaplin and Buster Keaton popularized slapstick comedy during the silent area in America film and used the technique of speeding up the film to add to …show more content…

During the 1920s Buster Keaton and Charlie Chaplin were the kings of silent comedy. Chaplin, most especially as the Little Tramp, maintains a dignified manner, whether shuffling along in his dirty rags or kicking a cop in the rear. The eternally poised bum, wandering around in a wistful gloom, Chaplin often interacts with both men and women through over-elegant, slightly prissy antics full of subtle facility. A good example of that is in his film “The Immigrant” where he interacts with a ton of characters that are both male and female. Keaton often relies on this dream device, which would seem an easy way out if it were not so linked with the comedian’s foundation in realism. Though he tricks big Joe Roberts (his Arbuckle-like foil) and whole police forces, he rarely fools the viewers, at least not without quickly letting them in on it. In the beginning of “The Balloonatic”, it’s unclear if Buster is in a haunted house or a fantasy of Hell, before he is ejected swiftly onto the street, and we see that he was merely in an amusement park ride called “House of Trouble”. Him being a human prop is also showed off in “The General” as Keaton is throw around the train during the

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BBBBBOOOOOOKKKKK The relationship between film and society continue in the 1930’s. With the start of the great depression came the start of the Breen Office. The Breen Office regulated films in the mid 1930’s and the movie makers decided to embrace the American Values the Breen Office was trying to stand for. Sklar states that this new sense of American Values in film helped to “boost the morale of a confused and anxious people by fostering a spirit of patriotism, unity and commitment to national values,” (3597).

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The two of them made innovations in lighting and camera techniques. They were the first to mobilize the camera and invented the tracking shot, where the camera follows the subject or actor moving. This shot was used heavily in The Birth of a Nation and Intolerance. Blitzer also changed the use of lighting and was the first cinematographer to use entirely artificial light in a film. This allowed films to not rely on natural light and weather.

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The seven Star Wars films features a fictional universe spanning planets and star clusters far, far away; yet all its filming took place on the very real planet of Earth. The original trilogy presented arguably the vastest array of planetary geography. Episode IV: A New Hope opens with the desert planet of Tatooine. The next film, The Empire Strikes Back, introduces the frigid planet of Hoth.

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Throughout his acting career, Chaplin experimented with a few different character types. For example he often played women such as his role as the wife in "A Busy Day". However his signature roll was as a lower class misfit member of society struggling to fit in and getting himself into odd situations. Known as his "little tramp" character, the signature was first seen in the film "Kid Auto Races at Venice". This character always appeared in the same costume: a suit jacket a size too small and pants and shoes a few sizes too big for Chaplin.

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So many American citizens would spend 83 cents of every dollar going to see the movies that were out. Movies became a daily part of American society and one of biggest forms of entertainment. The movies themselves were teaching the people how to dress, talk, and to appear “sexy”. The early films during the roaring twenties were silent. The year that films actually had sound in them was in 1927.

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The Roxanne adaptation movie made a great attempt at recreating the play Cyrano De Bergerac by utilizing elements of humor. The film utilized dramatic irony multiple times throughout the play by having actors say things that differed from what the audience knows actually happened which allowed the movie to have that banter-esque feel that the play brought forth. For example, Chris talks to CD about Roxanne and says she is not a rocket scientists but the audience knows she actually is: “What am I afraid of her for? She's no rocket scientist.” The film also used Blue humor to be risky in the scene where he talks back to individuals talking about his nose, “Pornographic: finally, a man who can satisfy two women at once!

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Life in the Iron Mills is a very strong read. It deals with a lot of issues that affect worker’s everyday lives: exploitation, greed, wages, capitalism, fairness, and so on. Life in the Iron Mills was written by Rebecca H. Davis in the mid-19th century. Her writing was very visual, it told the true stories of the workers, they weren’t sugarcoated. It showed how muscles were the main drivers of productivity at the time.

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While both films are considered to be the best of Buster Keaton’s body of work in the silent film genre. The General and Steamboat Bill Jr. have slight contrasts in their lighting. The cameras themselves, as well as the techniques and lighting effects, show the small gap in time between their release dates. Considering the films short span of time between the films’ respective completions, it comes as no surprise to find miniscule variance in the use of color, hard key lighting, and diffusion despite the fact the films treat the same subject.

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Nat Turner was born in 1800 into slavery in Southampton, Virginia, about twenty miles from the North Carolina border. Turner’s experience was typical of slaves on southern plantations. He had little freedom; he could not legally marry, travel without his master’s permission, own property, or earn money. He was forced to work long, hard hours in the fields for meager rations of food and clothing, and if he refused he faced the whip or other punishment. And, like many slaves, Turner was sold several times to different masters.

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Nate Parker tells the story of a slave named Nat Turner in his movie “The Birth of a Nation”. Nat Turner was taught, at a young age, to use his ability to read to study the bible. Later on, he becomes a minister and uses his knowledge of the bible to lead slaves from bondage. Because of his belief that slavery violated the law of God, on August 21, 1831, he led a rebellion with fellow slaves against their owners. The purpose of this movie is to show the people of modern society the unjustness that the slaves endured.

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George Washington and Barack Obama had different views about how America would be like. On April 30, 1789 George Washington gave his inaugural speech and oathed to be the first president of the united states. On January 30, 2009 Barack Obama gave his inaugural speech. During George Washington speech senator William Maclay of pennsylvania remarked that George Washington looked agitated and embarrassed. During Obama's speech he looked confident and he acknowledge the crowd very well.

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Without the decision to move the film making associations to Hollywood, the movie industry might not be where it is today. A great population of people migrated to Los Angeles in search for bigger and better production opportunities. In 1910, a movie director,

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In 1927, the release of Alan Crosland’s film The Jazz Singer revolutionized the movie industry with the first feature length movie to utilize synchronized sound. Prior to this innovative film the industry was primarily focused on what are now known as “silent films,” which would often be accompanied in the theatre with live music or sometimes even a recorded soundtrack. The accompanying music would set the mood for these dialogue-less films, and in many ways convey more intricate aspects of the story that could not be expressed through the cinematography alone with the technology at the time. With the utilization of synchronized sound in cinema, the industry adapted a new type of film known as “talkies,” which were just as often musical movies

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