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Dana's Life Exposed In Kindred By Octavia Butler

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Recommended: Essays about slave narratives

Octavia Butler’s novel Kindred is a science fiction time travel novel, but Kindred is not like other science fiction novels. The book is told in first person by the main character Dana, a modern day black woman as she travels between her time 1976, and the antebellum South. When Dana transports to the antebellum South she is forced to endure slavery and the violence and abuse that comes along with it. As we read further into the book we see Dana’s life and relationships change because of the time travel. Dana is first introduced to us a Dana's last visit to the past brings us full circle; when she must murder Rufus to fend off his attempt to rape her, he grasps her arm as she is sent forward in time, anchoring her arm in the past. Symbolically, Dana's loss may mark the continued scars of slavery on more personally, Dana has suffered many losses throughout the text, of which the arm is a symbol. For all her literacy, self-confidence, and 20th-century knowledge, she is willing to lose an arm to escape from the past. Significantly, her final trip occurs on July 4, 1976. …show more content…

Interracial coupling is a topic that is shown throughout the book, we see it with Dana and Kevin, and somewhat with Rufus and Alice. For Dana and Kevin their marriage is not as unusual in their time as it would be in the antebellum south, they get a little criticism from their families and from people at work, but they’re relationship is not that big of a problem. When Kevin travels with Dana they have to act as a white man with a free black woman would, so that they can survive and be accepted in the antebellum south. If Kevin were to treat Dana the way he did at home, he would not be respected or accepted in slavery time. I think Butler chosen to write the book this way because we see how the relationships between races have changed between then and

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Analyzing Character Development: Dana Octavia Butler’s novel, Kindred, provides a unique look into slavery in the antebellum South through the eyes of Edana Franklin, a black woman living in the late 20th century, who is suddenly sent through time to the early 19th century where she is suddenly faced with the task of protecting her ancestor, Rufus, from many dangers in order to ensure her existence in the present. Dana begins her adventure with no knowledge of how or why she has been given this responsibility and, as a result, must adapt to her new and unfamiliar surroundings. As the novel progresses, the reader sees Dana’s internal battle with herself as she decides whether or not Rufus is worth saving, or if she should let Rufus die

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In Kindred, Dana’s narrative entirely revolves around the slaveholding American narrative of Rufus which illustrates the second fiddle notion of Dana’s identities. The fact that she can only time travel when white man, Rufus, mortally needs her demonstrates that her entire story regardless of time is dictated by the White Man (Butler 12). Furthermore regarding time fragmentation, the imagery of Dana’s body being in a constant state of scars, bruises, and general crisis in 1976 and 1819 while Rufus’ body and life continues in a progressive linear state depicts how the white historical narrative continues to strut along time whereas the black, female, American narrative continues to be an unhealed wound discarded alongside white-American-male chronology. This notion is expressed when Dana puts her bodily pain to the side in order to sexually usher love and welcoming to Kevin’s five year journey in Antebellum south (Butler 190). Essentially Dana’s body politics do not exist in a state of paradox because through Butler’s textual portrayal of embodiment, she was and still remains as an

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Situations are defined by choices. Small actions in one moment of time alter the future of what happens forever. In Kindred by Octavia Butler Dana, the main character, is a black women born in 1976, who time travels back to the early 1800’s in order to save her relative, Rufus, a white boy who is the son of the owner of the plantation. Along the way she also meets her other relative, Alice, a slave born free, but enslaved since she helped her husband run away. Alice is owned by Rufus, who is convinced that he is in love with her.

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Kevin claims that Dana is his wife; Rufus squeals and says, “Niggers can’t marry white people”, “It’s against the law” (Butler 60-61). The Deep South had banned interracial marriages until 1967. Although interracial marriage was unheard of, miscegenation was common but it “often led to complications in the South. Sometimes white men loved their black concubines more than they did their white wives” (Blassingame 84). Many of the white wives would file for divorce if this happened and they would also take out their anger on the black woman involved.

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This analysis of agency would be useful for a person pushing for more freedom of expression or freedom of speech. All in all, Bast’s successfully supports his perspective of agency through his evaluation of Kindred, and the comparison of the human instinct of expression to Dana’s want to create change with her time traveling powers constructs a powerful parallel between the novel and Bast’s article. The novel Kindred, however, serves to create an important message about society on its own, as well. Octavia Butler’s Kindred is a science-fiction novel that depicts the life experiences of a young black woman named Dana, who is given the task of traveling back in time to the era of slavery to save her ancestors, but is unjustly oppressed and has most, if not all, of her rights stripped away from her simply due to her race and gender. As a result, the most prominent overarching theme of the novel is the inequality of power and social status given to people of varying gender and race, and the struggle that those people must go through to gain as much freedom and equality as possible.

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She explores themes such as identity, oppression, community, and power through the views of a black feminist, and she treats these themes with the expression they deserve. She is a solitary voice in a genre dominated by white males and she brings emotionality, passion, and optimism to Science Fiction. One of her more popular novels, and fourth to be published, is Kindred. This book uses time travel as transportation for exploring the terror and torture of the occurring South. The main character, Dana, is a modern black woman who has both slave and white ancestry.

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