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Recommended: Art analysis
When I analyze this painting, my eyes are drawn to the building in the bottom left which seems to resemble a church. It has a white steeple and roof line along with light red brick for the walls. The color, style, size, and position of this particular building sets it apart from the rest of the buildings which all seem to blend together along the composition. The building’s edge meets right with the fence line along the field in the bottom left corner of the piece. It prompts viewers to begin their focus on the left of the painting instead of drawing our eyes directly to the center.
The subject of the painting is a depiction of a mountain landscape. Near the bottom of the picture plane in the foreground there’s a canal through the mountain side. If you look closely you can see someone in the water climbing up the rock. The overall theme of the piece seems to be very peaceful and exciting. Hassam uses a few visual elements of form to support his painting.
2), it has been created with the same materials as the previous work of art in which I discussed however it measures 244 x 244 cm. In this work of art, we are able to see two females standing still and facing towards the sunset as two older men are on opposite sides of them facing towards us. It seems as though this image depicts individuals who have just finished their workday based on the way in which they are dressed. It is evident that he puts forth some of the same techniques used in Iceberg Blues (Fig. 1) such as the images containing city people and the sunset landscape. Also, the individuals in this painting are not communicating with each other or making any eye contact perhaps because they also have different beliefs and cannot relate to one another.
Therefore, I will be looking at this piece of art work with the four step process. This sculpture is one of my favorite all time that I was able to be there when it was reviled to the public. The sculpture of Ray Lewis has a lot detail in it. The sculpture is of Ray Lewis during his most famous dance that he did coming out the tunnel at every home game. I have seen Ray Lewis do this many times since I have been to a lot Ravens game while Ray Lewis was playing.
In the image "Going to the Olympics,1984" by Frank Romero, He addresses the mural artwork on the freeway wall as events that occur around Los Angeles. The symbols of a heart, palm trees, cars, sumo wrestlers, horses and Blimps are all things that happen around Los Angeles. The images are to let the people driving down on the freeway look to their right or left depending on your direction in the freeway. Concerts occur in L.A, that is the reason for the concert symbolization. The hearts may show how everyone loves the artwork or everyone loves Los Angeles for those who grow up here.
The symbols of this story I think can be very closely related to modern times. The symbolism of if you take a shortcut it usually will take you longer than if you take the way you’re supposed to go. I think that this goes along with the story of the Tortoise and the Hare, slow and steady wins the race. I think then and now the greediness, manipulating ways and cheating ways are the same. There is still a lot of all of those different things today and it should change but it doesn’t.
This sculpture craves attention as is stands outside, on a concrete platform with four steps, facing each side of the detailed pedestal. This pedestal possesses quotes such as “I have a
You never know what someones going through until you step into their shoes and walk around in them. Empathy by definition is the ability to understand and share the feelings of another. It is often developed through exposure to other peoples' worlds. Among the many other lessons in To Kill A Mockingbird empathy is one of the most prominent in the book. After reading one can truly come to the conclusion that loss of innocence can lead one to develop empathy, when they see the mistreatment of others.
Chris writes about how he is living in a bus and that he makes it into a living space for him. He finds the bus that was fully equipped to fit his needs: “It was outfitted with a bunk and a barrel stove, and previous visitors had left the improvised shelter stocked with matches, bug dope, and other essentials” (Krakauer 163). He finds a nice living space to live in while in Alaska. He sees the bus, equipped with his needs, as his new home for a while: “He decided to lay over for a while in the vehicle and take advantage of its crude comforts” (Krakauer 163). He takes advantage of the bus and its equipment.
The painting that I chose to analyze was William Maw Egley’s Omnibus Life in London (1859). Painted on an oil medium, it depicts a scene of an omnibus, a horse-drawn carriage that acted as public transportation, pulled over at a certain stop along a particular route (Tate). In the painting, it features a crowded bus as more people attempt to board it. There are various people from every type of social class, which will be examined during the contextual analysis section to interpret the meaning historically. Also, this paper will analyze the formal structure of the painting through color, lines, space and mass, and composition.
In The Boat the author uses the roll of money as a symbol of hope for Mai, “her mother had hooked her fingers under her waistband and handed her a damp roll of money”. Mai’s mother had hope for her future by handing her the roll of money, which was also a symbol of hope that they would make it to their destination. Another symbol of hope is Truong, his singing is the driving force that gives Mai hope. The Road also uses symbols to relate to the theme hope. “The fire” is a symbol of hope in the road, it gives light and warmth is a guide of how to live and it designates the difference between the cannibals who have no hope and people that “keep carrying the fire”.
It was the best of times and it was the worst of times. The 1920’s was a great time in America. Business was booming, cars were everywhere, there were daring new fashions, and happy jazz music to listen and dance to. Despite all the good things happening, there were some very dark times. During the early 1920’s
The two paths signifies that the life of the traveler
In Rasmussen’s Experiencing Architecture, the author differentiates architecture from sculpture through utility. Therefore, the eye-catching curvilinear shapes of the hall’s exterior are more than bizarre geometric shapes. Surrounded by an urban setting, the concert hall’s undulating contours invigorates the cultural atmosphere of downtown Los Angeles. Spectators feel free to creatively interpret its ambiguous and novel shapes; whether the curves represent the crashes and clashes of orchestra or the frenzied hand gestures of the conductor, the concert hall ultimately reshapes the cultural landscape of LA as a unique architectural statement. Additionally, the materials used to construct the hall are stainless steel panels that hover above an asymmetrical band of glazing at the building’s base.
‘Stopping By Woods on a Snowy Evening,’ ‘Birches,’ and ‘Mowing’” (Rukhaya). The woods can also dually represent self-reliance and nonconformity. By acknowledging his choice in the woods alone, the traveler shows that he is willing to “oppose social norms” (Rukhaya) and rely on his own instinct to come to a decision. As an extended metaphor for choice, it makes sense that the roads represent the journey of life and decision. There are two roads, two choices, and two representations of decision.