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Desire To Move On In Tennessee Williams A Streetcar Named Desire

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A Desire to Move On “A Streetcar Named Desire,” a play by Tennessee Williams, follows Blanche moving in with her sister Stella and her fiancé, Stanley, after the sisters’ home, Belle Reve, is no longer in their family’s possession. Set in 1950s New Orleans, the story sees Blanche’s time trying to adapt to her new surroundings. Her interactions with others are often flamboyant, her actions tend to catch up with her, and her “finale” sees her going out on a low note. The lessons that can be extracted from the story are valuable, but they can be seen in other media, many times over. Even though this play teaches its readers that one’s loved ones come first, aiding somebody in need is admirable, especially when it hurts, and that a true bond will …show more content…

After the rape, many of the other characters view her as hysterical, not believing her about the rape. Stella, worried about her sister’s health, eventually admits her into a mental hospital (or any mental health institution as this is not specifically stated). However, Blanche was resistant to leaving and had to be coaxed into leaving by the doctor that came to pick her up, resulting in a tearful departure. Seeing her sister being taken away was painful for Stella, but that was what she believed was right for Blanche (Booth et al., pgs. 1597-1602). There is a balance struck in this compromise, but it can be seen elsewhere. In Harry Potter and the Goblet of Fire, at the end of the tournament, Voldemort crashes the party and Cedric Diggory, a fellow student, ends up being killed. Harry could have just teleported out of there with the last relic, but he instead selflessly put himself in more danger to retrieve Cedric’s body for the sake of everybody at Hogwarts. He was able to bring some sort of closure for Cedric’s parents, but not without a few close calls (Rowling). Being selfless to help others can be painful, but many people already know

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523 Words | 3 Pages

Blanche tells a lot of lies, not just to Mitch but to Stanley and Stella also, and this starts a long trail lies she has to cover. Upon the coming to New Orleans, Blanche tells her sister false information about the loss of Belle Reve. Stanley always suspected her to be a liar and searched for evidence. He finds the truth about her, and this is significant in the play because it turned everyone against her just like back in Laurel. It is also significant because in the play Stanley raped Blanche and Stella does not listen to her because she thinks Blanche has lost her mind from all the traumatic experiences.

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1919 Words | 8 Pages

A Streetcar Named Desire “A Streetcar Named Desire” is a symbolic and mythical play by Tennessee Williams. The author’s successful play focuses on social matter and the everyday life of the characters. The characters in this play include Blanche DuBois, who travels on a streetcar named desire to visit her sister, Stella, in New Orleans. Through the play, several unusual acts happen such as the violence towards women, male dominance and a tense relationship occurs between Blanche and her brother-in-law, Stanley Kowalski. Also Blanche realizes her sister’s attachment and affection towards her husband who has a rough and harsh character throughout the story.

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264 Words | 2 Pages

I am writing this letter to support Jessica Evans’ application to the Master of Arts in Psychology program (Industrial/Organizational concentration) at the University of West Florida. I have served as Ms. Evans professor and academic advisor since fall 2016. Currently, she is enrolled in my Research Methods and Statistics II course and is working with me for Psychological Research and Investigations. Over the past semester, I watched Ms. Evans work as a full-time student, work an internship, and work a part-time job all while earning a 3.529 GPA. As a result, I observed her strengths to be determination and hard work.

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1166 Words | 5 Pages

Tennessee Williams is one of the most recognized playwrights that lived during the mid-twentieth-century (“Tennessee Williams”). After finishing college, Williams decides to move to New Orleans, where he writes A Streetcar Named Desire. His career starts to take off as he begins to write more plays (“Tennessee Williams”). A Streetcar Named Desire talks about the life of a woman, Blanche DuBois, who is very secretive about her past and does not expose her true intentions of coming to live with her younger sister Stella. As the play goes on Stanley, Stella’s husband, starts to dig into the dark past that terrorizes Blanche when they begin to have a conflict with each other.

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783 Words | 4 Pages

In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

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917 Words | 4 Pages

It has been said that the setting of a story shapes its course of events, its narrative and the perspective of its characters. This notion is proven to be true in the play A Streetcar Named Desire by Tennessee Williams. The city of New Orleans, Louisiana provides the perfect backdrop for A Streetcar Named Desire; The home of Mardi Gras, Jazz and Bourbon Street provides a unique blend of old wealth, traditional southern sophistication, and a new immigrant blue collar culture. This blend of different cultures provides the ideal environment for the development of the main character, Blanche Du Bois. Much like Blanche, the once pristine city has fallen onto hard times in the post World War Two world.

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1266 Words | 6 Pages

A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.

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1697 Words | 7 Pages

(10.225). towards the end of the play Stella, Mitch, and Stanley play a role in imposing reality into her allusions. As Stella calls for the Doctor to pick Blanche up it rips her away from her fantasies with Shep Huntleigh. When Mitch reveals to Blanche that she isn't pure enough to take home to his

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1245 Words | 5 Pages

Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.

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1534 Words | 7 Pages

Overall, A Streetcar Named Desire is showing the downfalls of not expressing sexuality while doing the rare thing of showcasing sexuality in the context of a society that dismissed and condemned it. Tennessee Williams was a gay man who knew the frustration of living in a time period that demanded his sexuality be repressed. Through the play, he communicates how high a price individuals had to pay for expressing their desires. In Blanche’s case, her expression of sexuality led to her being committed to a mental institute, and in Allen Grey’s case death. Despite this Williams also imparts to his audience the negative impacts of disguising one 's sexuality behind the guise of what is considered normal and proper.

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668 Words | 3 Pages

In the avid pursuit of happiness, an individual can feel compelled to fabricate the truth about themselves in order to achieve the joy that they believe they deserve. The harsh truth of reality can force us to turn to the warmth of a fantasy to ease us in our search of contentment. Such is the case in Tennessee William’s play “A Streetcar Named Desire”, where sisters, Blanche and Stella both lie to themselves and others in order to become satisfied with their lives. Through the eyes of the beholder, happiness is measured differently; to Blanche, happiness is measured in wealth, particularly a wealthy man, whereas to Stella, happiness is in the comfort of a husband whom she refuses to call abusive. When we are first introduced to Blanche, Williams

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1000 Words | 4 Pages

In the play, Blanche loses her family 's estate, and goes to stay with her sister Stella.  Stella lives with her husband Stanley.  From the start of the play, the audience begins to notice Blanche and Stanley’s contrasted personalities. Williams uses symbolism to allow his characters to represent something stronger than themselves. Past and present are intertwined in A Streetcar Named Desire through Blanche and Stanley; Blanche represents the past: the Old South, aristocracy, and former sensitivity, while Stanley represents the present: the New South, the industrial class, and modern straightforwardness.

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608 Words | 3 Pages

In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with

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1220 Words | 5 Pages

The 1947 play “A Streetcar Named Desire” by Tennessee Williams tells the story of the sweet, polite, but willfully oblivious Blanche DuBois’ difficult relationship with her rough & tough brother-in-law, Stanley Kowalski. When Blanche loses the family plantation, she travels to the French Quarter of New Orleans, Louisiana, to visit and temporarily live with her sister, Stella. Blanche is in her thirties and, with no money, she has nowhere else to go. Problems arise between Stanley and Blanche when Blanche begins a series of lies and half-truths, and belittles Stanley, labeling him as “common” and “barbaric”. Things escalate between the two because of Stanley’s drunken rage taken out on Stella, but also because Stanley begins to become suspicious and aware of Blanche’s many lies and cover-ups.

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1429 Words | 6 Pages

Coping Patients often go through many challenges especially at the end of life care. One of the problems is coping with the stress and stressors. Coping is an integral part of any treatment; therefore, the patient often needs to develop some managing mechanisms. These are learned although, at some point, the patient is only left with few or no coping mechanisms (Caswell et al. 2015).

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