Professional diction is utilized in this passage as Krakauer describes an injury that can affect mountain climbers with low oxygen consumption. The use of strong words like "ailment," "cerebral" and "deteriorate" lead the reader to trust that Krakauer has been educated on this topic. The effect of this diction is the view that the reader has on the author. They may respect Krakauer more now knowing that he is educated on the risks of mountain
In the story, The Other Wes Moore, Wes Moore used Diction in his story to better explain the Bronx, and by doing this, he helped the readers get another perspective on a place that most don’t get to see. In chapter 3, the author, Wes Moore, goes to the Bronx with his friend, Justin. While there, he gets a whole explosion of descriptions to tell about how he felt about and saw the Bronx. On page 48, he says “As soon as we hit the Bronx bricks, our senses were assaulted. We walked through a fog of food smells blowing in from around the world…
In the novel March talks about his experiences during battles and after battles, detailing the brutality of the war. “When we came upon another turkey vulture, close enough to touch it. It was perched on the chest of a fallen man and turned its head sharply at our intrusion. A length of organ, glossy and brown, dangled from its beak.” (Brooks p. 15).
In his pom entitled “Evening Hawk”, Robert Penn Warren characterizes human nature by a transition between the flight of the hawk during the day and that of the bat, or the “Evening Hawk” during the night. The hawk, as it soars in daylight, portrays how humans appear in clear light of their peers, while the bat, cruising the night sky, symbolizes what humans hide within themselves. Warren effectively expresses the meaning of this poem and its serious mood by the use of diction and imagery to appeal to the reader’s perception of sight and sound. Throughout the first part of the poem, Warren describes the journey of the hawk in the daytime to symbolize how one’s character may seem to other beings.
The Things They Carried Style Analysis Essay (Revising) Beauty is in the eye of the beholder, just as the truth of a story is in the mind of a reader. Tim O'Brien uses this concept of the creative truth throughout the book The Things They Carried in connection with diction that creates ethos and imagery, connotative diction, and juxtaposition. This connection enables O’Brien’s reader to imagine the tale that O’Brien tells.
Bowden compared a Delta operator, Griz, who works out so well, showing machismo during his training to how the Ranger sees him as a professional soldier. Notably, throughout the book the social stratification and mutual disdain between the Delta and Rangers were present. This simile is important in the book because it let readers understand that the differences between these soldiers and their attitude toward each other, will affect how they would work out together to finish their mission and its outcome.
“Every thought and event caused by the outbreak of the war came as a bitter and a mortal blow struck against the great conviction that was in my heart: the concept of permanent progress, of movement towards even greater happiness” (Englund, 46.) The outbreak of the war evoked a new society and drastically changed the participants’ lives. The beginning of the war was a bitter blow towards society and most participants within the entries were not pleased with the outbreak; it evoked responses and accelerated changes in each society represented. Happiness and progress are common themes within the entries. The continuation of their happiness would change and the progress of society is evident.
A.S Patric’s use of diction conveys his feelings as being almost culpable for killing off the snake, but he tries to make it seem like the man was obligated to kill it. The scene where the man says, “My first instinct was to let him go this way and I would go mine”, shows that he wasn’t violent by nature. The man describes afterward that he had to look out for the other people and animals that might be harmed by this venomous creature. The effects that this passage can have on a reader is one where they may feel pity for the naive snake and the ‘violent’ man. The use of the word, hacking, seems to indicate that the man was mercilessly trying to attack the creature.
Just by reading the title of Philip Levine’s poem, “They Feed They Lion”, the reader is already given the implication that the poem may be somewhat cryptic to the non-analytic eye. After analyzing the title carefully, it becomes clear that the author was implying that the lion is a symbol for something bad. Just by deciphering this, one can deduce that the title is a metaphor for a group of people feeding into the said thing that is bad. Once the reader reads the poem several times though, it becomes painstakingly clear that the lion that Levine is talking about is the unprecedented hate that is so ingrained into human nature. A part of human nature that most members of the human race constantly feed into without fail.
“The Grauballe Man” is an allegorical poem that conveys the political crisis and regional warfare happened in Northern Ireland. During this time period known as “The Troubles”, violent and animosity erupted and spilled over like an active volcano. Noticing the brutality and adversary, Seamus Heaney figuratively utilises the context of The Troubles and elicits his message towards the act of brutality. The context of the atrocious event inspired the poet to voice his opinions and utilise poetry skills to convey his message. The poet employs multiple literary devices as well as alludes to certain historical events in order to emphasise his understanding and his vision towards the society.
The nature of war has always been a cruel and inhumane part of our world and its history. Many themes, such as desperation and trickery, play a large role in the development of the short story, “All The King’s Horses” by Kurt Vonnegut. However, what is most particularly interesting is how Vonnegut portrays war the story and is represented the most throughout the novel is the theme of how destructive war is and how impactful it can be on many lives. Firstly, Vonnegut often subtly uses symbolism and allegories in order to portray the theme of war within the short story.
In the poem “The World Is Too Much with Us”, William Wordsworth seems to be expressing his discontentment with the path society is taking away from the beautiful necessities of nature as it veers into an industrial era. Through the use of specially crafted structure, precise diction, and various allusions, Wordsworth displays his moral disagreement with the new path based on the tragedy of ignoring the tranquil state of humanity present when one is in association with nature. The use of contradictory diction by Wordsworth helps display the extreme variation he sees between the enemy of industry and the ally of nature (Marrero). The phrases “late and soon” and “getting and spending” make it seem as though humanity has been living its life amiss for some time as the focus is on self- indulgence through goods (Wordsworth line 2).
Humans do not control war, rather, war controls humans. In less then ten words, the reader understands that The Yellow Birds is not a glorified memoir of a soldier’s accounts in Iraq. Bartley is not a hero, and Powers never destines him to be one. As Bartley, the main character of the novel, confesses, the American soldiers “were not destined at all” (Powers, ch. 1). Bartley is the war’s prey.
Within the context of recent history, Wilfred Owen is often considered the greatest writer of modern British war poetry. Composing the vast majority of his poems in a one-year time span, Owen found inspiration from his personal experiences fighting in World War I and fellow poets joining in the fight around him. Born in 1893, Owen grew up the oldest of four children, enjoying a particularly close relationship with his mother while his father remained distant. Owen graduated from Shrewsbury Technical School at age eighteen. Afterwards, Owen took numerous odd jobs throughout Europe, seemingly at a loss for his purpose in life.
In this poem Henry Longfellow describes a seaside scene in which dawn overcomes darkness, thus relating to the rising of society after the hardships of battle. The reader can also see feelings, emotions, and imagination take priority over logic and facts. Bridging the Romantic Era and the Realism Era is the Transcendental Era. This era is unusual due to it’s overlapping of both the Romantic and Realism Era. Due to its coexistence in two eras, this division serves as a platform for authors to attempt to establish a new literary culture aside from the rest of the world.
