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Dramatic monologue essays
Dramatic monologue essays
Dramatic monologue essays
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More handpicked essays just for you.
Dramatic monologue essays
Dramatic monologue essays
Dramatic monologue essays
Don’t take our word for it - see why 10 million students trust us with their essay needs.
After Jeannette got a job in New York as a writer, she would attend parties, art galleries, and etc. When people ask about her background and parents, Jeannette doesn’t tell the exact truth because she felt embarrassed about her parents. She also didn’t want to be looked down upon because of her past. Maureen, Jeannette’s baby sister, left for California after getting out of jail for stabbing her mother. Jeannette felt guilty and sorry for not being able to give Maureen the life she had wanted.
Connie had a side hidden away from her family. When home she had a “childlike and bobbing walk”( Oates 1) but away from home her walk was “languid enough to make anyone think she was hearing music in her head”. The moral standards and self interpretation of Oates character Connie stems from how her parents treat
But I can’t bring myself to tell my mother that I think I understand how I made Abuela feel.” “(Cofer Ortiz 18-19)” This example shows that Connie made Abuela cry and stop talking which made more examples on why Connie started to understand why she needs to be nicer and more respectful to her feelings because of the way she made Abuela
Previous to Connie’s transformation, she despised her family and even wished her own mother dead, but she pushes all her preceding beliefs aside and puts others lives before her own to the absolute dismay of the reader. What would you do if you were in Connie’s
She becomes rebellious day by day. She ignores her mother’s criticisms and starts exploring her sexuality by flirting with boys. Because of her oblivious ways, she fails to recognize trouble when Arnold Friend shows up outside her house. Parents are the ones who should warn their child about the dangers in society and protect them from harm. Connie’s fate proves that her mother has terribly failed as a parent.
Her mom’s critical language has given Connie bad ways to view and speak of her mother due to their lack of connection. Connie’s parents’ criticism resulted in Connie being unable to be honest about who she
At the beginning of Joyce Carol Oates’ short story, “Where Are You Going, Where Have You Been” (1938) introduces Connie a fifteen-year-old girl that is merely in adulthood. Always concerned with her physical appearance and sappy love songs Connie has trouble bonding with her parents. Connie’s mother is on a constant scolding with her. Connie’s father travels for his work and rarely around. When he is home, he rarely comments anything to Connie or her sister, June who is the opposite of Connie.
She watched herself push the door slowly open as if she were back safe somewhere in the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited” (Oates). This displays the severity of the fear that Connie is facing and how it is physically affecting
Her mother and she have tension and her father rarely sees her, he works and sleeps “Stop gawking at yourself, who are you? You think you’re so pretty” (Oates page 4). Connie mostly keeps up with her own personal life more than
The beginning of the story illustrates Connie as a shallow and vapid young teen, placing an immense amount of value on her looks and ability to attract the attention of those around her. Near the end of the story, during her encounter with Arnold Friend and his companion, Ellie Oscar, the author expresses Connie’s nervousness by describing that, “her heart was almost too big now for her chest and its pumping made sweat break out all over her” (Oates). Connie is no longer comfortable with the attention and realizes that the looks that she once valued so greatly, likely brought danger to both herself and those around her. The dichotomy between Connie in the beginning of the short story and Connie near the end of the story is subtly foreshadowed when it mentions that, “ everything about her had two sides to it, one for home and one for anywhere that was not home” (Oates). By the end of the short story, the audience is able to identify the two new sides of Connie.
She tries to escape from the man but he stabs her over and over with no remorse. Connie was too self absorbed to think twice about the man watching her. The consequence is harsh but her vain and rebellious acts got her into a dangerous
“But now her looks were gone and that was why she was always after Connie.” (Oates ). Also, there is another opportunity for friendship within the family, between Connie and her sister, however, that is lost in their rivalry and hostility. “Her sister was so plain and chunky and steady that Connie had to hear her praised all the time – by her mother and her mother's sisters.” ( ).
That is the main reason why Connie wants to leave with the first person who asks her to do so. From him she feels the attention that likes very much and does not receive from her family members. She does not feel supported by anyone in the family; everyone only criticizes her, tells her that her own sister is much
In this story, Oates describes Connie character as a pretty young girl with “long dark blond hair that drew anyone’s eye to it.” (86) Because Connie led two different lives, she would dress and look different at home, then she would with
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).