Choices Distinguish the Individual
A man defines himself by his choices. The Picture of Dorian Gray by Oscar Wilde and Frankenstein by Mary Shelley both embody comparable characteristics about selfishness, prejudice, and desiring excess knowledge. The victims, Dorian Gray and Victor Frankenstein’s creation, become adversely influenced by Lord Henry and Victor Frankenstein respectively in divergent ways. Choosing to ignore his creation, Victor Frankenstein disregards any physical or emotional care needed by the creature. On the opposite hand, Lord Henry subjugates Dorian to his teachings by dominating his thoughts and lifestyle. However, Dorian Gray and Frankenstein’s creation stand in the wrong equally with Lord Henry and Victor Frankenstein
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Because Victor turns a blind eye to the creation, he vows revenge against him and all the people Victor loves. Even though the man receives little guidance and support, he becomes a monster similar to Victor because of his choices to do evil: murder and take revenge. Critic Magill explains, “His revenge, although excessive, is motivated” (322). The creation could have the decency to move on with his life, but one factor prevents him. His appearance restrains him from having a normal life despite the capacity for love and affection he harbors in his heart. In both The Picture of Dorian Gray and Frankenstein, Shelley and Wilde offer an insight to British people in the nineteenth century; they focus too much on outward appearance versus the character of a person. Dorian asserted that “[e]ven those who had heard the most evil things against him . . . could not believe anything to his dishonour when they saw him” (Wilde 111). Dorian’s acceptance from society comes from his looks, not his actions. Oppositely, Victor Frankenstein’s creation receives rejection from society for his looks, not his actions. If he were to have Dorian’s handsome stature with his own intelligence and kindness, the creation would resemble a positive figure, but that was not the point of Shelley’s and Wilde’s argument. They propose that people should look beyond a pretty face or an ugly one to truly see the man