Welcome, Ladies and gentlemen, Gary, or Gary Dunn,to give him his Sunday name, or if he was in trouble, which was a lot, when he was younger, but most just called him Gary. Gary was a son, a brother, big and little, he was a boyfriend then a husband, a dad and a granddad too, but he was also a friend, and he was definitely a bit of a lad. Gary had been many different things to many different people over the years, but today they all have, at least, one thing in common, they will all miss him very much. Gary was a real character, what you saw, with Gary, was what you got, and if you didn’t like it, well, tough, but he was also a loving family man, a dependable man, and a hard working man too, he would never do you a bad turn, but don’t hold your breath waiting for
Their bodies so malodorous and empty; Detective Johnson stood at the crime scene. The bodies of 5 teenagers lie before her; Hailey, Giselle, Troy, Penelope and Logan. "Not a single drop of blood. Suffocation? Pernicious gas?"
Habitat for Humanity Financial Review This paper will evaluate Habitat for Humanity’s overview of their income statement, balance sheet, statement of cash flows, and analyze changes over the next three years. It will provide an overview of the nonprofit organizations ability to provide understandable and reliable financial information to the public. It will also discuss the importance of following the Financial Accounting Standards Board’s (FASB) ruling on what nonprofits are required to report. Pie Chart of Income Statement Habitat for Humanity shows a very well rounded pie chart of their revenue sources verses their expenditures in 2016.
Hell isn’t all they crack it up to be, honestly. In the stories, it’s all fire, hopeless souls hopelessly screaming, endless pain. I mean, yeah, there’s fire. Lots of it.
The researcher decides Oscar Wilde’s The Picture of Dorian Gray and Fitzgerald’s The Beautiful and Damned to be the objects of the study on inferiority and superiority complex causing hedonistic lifestyle in main character. The first reason, both of literary works cover the changing of each life of the main character, society and ultimately the individual. Second, they both share the same social background of the main character in The Picture of Dorian Gray, Dorian, displays a well-respected young man. He doesn’t recognize his own beauty until he sees it reflected in Basil’s portrait, and, once he does, it’s all too late. While Anthony in The Beautiful and Damned is illustrates reaching pleasure as the lifestyle and it becomes a habit.
INTRO I have done it. I have brought upon the death of another man! I have blood upon my hands. For that I feel I should have changed but desperation has replaced the sorrow I feel for my actions.
He has a lot of different ideas on life and how to live it. He is a friend of Basil and is visiting with him when Dorian comes to sit for the painting. Henry stays and talks to
Dorian Gray is a handsome, narcissistic young man enthralled by Lord Henry 's new enjoyment. He satisfies in every pleasure of moral and immoral life ultimately heads to death. Henry tells
As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.
Morality and The Picture of Dorian Gray “The pendulum of the mind oscillates between sense and nonsense, not between right and wrong.” C.G. Jung The Picture of Dorian Gray, by Oscar Wilde, was first published in 1890, right in the middle of the Victorian Era, an era that was characterized by its conservatism. Ever since, and due to the content of the book, it has been condemned as immoral. Furthermore, on 1891, Wilde published a preface protecting his book from public punishment in which he said “There is no such thing as a moral or an immoral book. Books are well written, or badly written.
“” At least you are like it in appearance. But it will never alter,” sighed Hallward. “that is something.”” (Wilde 33) The reader begins to perceive that Dorian is both intrigued and disgusted by the never changing portrait of his innocence.
The Picture of Dorian Gray, one of Oscar Wilde’s masterpieces, portrays one of the most important values and principles for him: aestheticism. As a criticism to the life lived during the Victorian era in England, Wilde exposed a world of beauty a freedom in contradiction to the lack of tolerance a limitation of that era; of course inspired due to Wilde’s personal life. All the restrictions of the Victorian England lead him to a sort of anarchism against what he found to be incoherent rules, and he expressed all this to his art. His literature is a strong, political and social criticism. He gave a different point of view to controversial topics such as life, morality, values, art, sexuality, marriage, and many others, and epigrams, for what he is very well known, where the main source to the exposure of his interpretations of this topic.
Relatively all authors are very fond of creating an underlying message to criticize society. Authors do this through social commentary. The book “The Picture of Dorian Gray” is no exception. The author, Oscar Wilde, criticizes the upper class through the consistent underlying idea that people are often deceived by one's beauty and are unable to understand the poison that fills the world is corrupting it. From the beginning of this book, the social commentary towards the upper class begins with the structure of the novel.
Basil has come to ask Dorian about all the horrible rumors surrounding him, and hopes they turn out false. Basil also asks about the portrait and why Dorian hides it, so Dorian decides to show him his “to see your soul. But only God can do that—you shall see it yourself to-night!”. Dorian then takes Basil to see his picture, which at first cannot be recognized by Basil, but soon he realizes the true horror of the situation, “an exclamation of horror broke out from the painter’s lips as he saw in the dim light the hideous face on the canvas grinning at him” (Wilde 113). Dorians soul has become rotten to the core with selfishness and pleasure, mainly because of Lord Henry’s poisonous words.
As the portrait significantly becomes more hideous, Dorian gradually loses his mind. The reader understands that what eventually leads Dorian to kill Basil Hallward, the only true friend he has, is the constant reminder of the evil found at the heart of Dorian’s nature, as represented by the portrait. In Dorian doing so, the reader realises that not only does Dorian kill Basil, he also kills his only chance of redemption of his soul. The reader realises that the statement that Dorian had expressed earlier in the story was the truth: “Yes, Basil could have saved him. But it was too late now.”
