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The role of music in movies
Essays on musical score in movies
The role of music in movies
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The role of music in movies
Essays on musical score in movies
The role of music in movies
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Recommended: The role of music in movies
Most of them are non-diegetic sound and nonsynchronous sound. At the beginning of the scene, while the kids are walking across the field, the background music is light and quick. Which helps audience feel that they are kind of in hurry. When the shot turns to the father, the volume of the music become quieter. This shows that the father is not feeling very good.
There isn't as much soundtrack music compared to other thrillers so the film relied more heavily on the sounds that seem to come from both inside and outside of the shelter. Michelle often uses sounds to convey where she is and deduct whether or not it truly is safe to go outside. The sounds of the film are heightened in order to give to film a more unsettling and tense feeling. Invisible sounds help to create these feelings such as the creaking of the stairs, opening and closing of locks, moaning pipes, and when Michelle believes that she has heard a car above her room. The sounds are used to tell the inner story and convey Michelle’s emotions as she struggles to deal with her current situation.
What sets James Cain’s “Double Indemnity” and “The Postman Always Rings Twice” apart is the dynamic created between the two ‘partners in crime’: Phyllis and Walter; Frank and Cora. Cain employs animal metaphors to characterize the two proto-femme fatales, Cora, the insecure small-town beauty and Phyllis, the manipulative “out-and-out” killer (184). The comparison between these women and different predators shapes how the reader views the narrator, his decisions and culpability.
This is a form of pathos because it plays with our emotions. In every scary movie ever when you're getting to a major scene they start playing music hinting for you to get ready. In horror movies, the producers use these types of sounds to frighten the audience. Sarah uses this in her podcast for a similar effect. As humans, we take some sounds as scary because our mind has been wired to automatically connect them to danger or major events.
The film Miracle portrays one of the most significant moments in U.S Olympics history. The thought of a group of college hockey players beating the “lab-made” Russians was almost inconceivable at the time. Although this sporting achievement was immense, the political significance of the Americans beating the Russians was far more significant. Following World War II, Eastern and Western nations faced geopolitical tensions, and eventually, entered into the Cold War. While the U.S and Russia never fired a shot during the Cold War, the tension between the two nations was ever-present.
The two films, Double Indemnity (1944) and Body Heat (1981), are both very similar even with the thirty-seven year gap between them. In Double Indemnity, Walter Neff, an experienced salesman for his local insurance company, meets the seductive wife of one of his clients, Phyllis Dietrichson. They have an affair and quickly decide to kill Mrs. Dietrichson’s husband so she can collect the proceeds of the accident insurance policy and be with Walter Neff. Neff comes up with a plan to kill her husband and to also receive twice the amount based on a double indemnity clause. The police believe it was an accidental death, but the insurance analyst and Neff’s best friend, Barton Keyes, believe there is more to the story.
In this sense, Double Indemnity is a classic Film Noir film. It is a story of two ill-fated lovers lured by lust and greed to commit a heinous act: murder. The main focus of the film (and of this essay) is on Walter Neff and Phyllis Dietrichson and how Phyllis uses Neff. Phyllis is painted in a sympathetic light at the beginning of the film but, by the end, her true natures of corruption are revealed to all. The things that tell the most about Neff and Phyllis are their performances, specifically how they react to either dialogue or sound, and their character blocking.
Kurt Vonnegut's Harrison Bergeron is a short story published in 1961 that I would describe as having the theme of futuristic-science-fiction. The short is set in the year 2081 where in the United States new amendments to the constitution has equalized all humans. Although, the author does not mention how this dystopia came to be and if the rest of the world has equalized all human beings, it is clear to me that in this dystopia, equality is an illusion, equality is not real. As I read this short, it became more and more evident to me that this society was strange, and when I finished the short, I was convinced that this society was conformed to act and think in the way that they do, which unfortunately, for a country in year 2081, that claims
In the 2013 film Short Term 12, directed by Destin Daniel Cretton, a twenty-something woman, Grace, works at a place called Short Term 12, where she cares for troubled youth. Grace, who is portrayed by Brie Larson strives to make the children in the facility feel loved and cared for, despite the fact that they may never feel like that. Each child comes from a different type of family, and each has their own troubling story; however, when the children are at Short Term 12, their pasts do not define them. Grace treats each person in Short Term 12 as an equal. Throughout the film, a viewer sees Grace’s life when she works at Short Term 12, and the life she has outside of the facility.
Double Indemnity Clip Analysis The purpose of this paper is to explain and describe the stylistic choices of the selected clip from the movie Double Indemnity (1944.) Consisting of five shots, the features of the clip serve to cast feelings of uncertainty and intrigue upon the viewer. The introductory shot of the clip starts as two men enter an elevator.
Forrest Gump, directed by Robert Zemeckis shows the integration of a pop soundtrack, but not a complete abandonment of the traditional orchestrated score. The pop soundtrack consisted of a medley of sixties hits, mostly of which the soldiers in Vietnam would have listened to on the radio. The orchestrated soundtrack by Alan Silvestri was mostly light strings and piano. Additionally, complete silence was used to add drama to scenes, establishing a symbol of silence for Forrest as a character. The combination of the three accurately conveyed the swinging emotions throughout the entire movie.
Individuality is unaccepted and isolated from our society that embraces conformed values. The Copy Shop and L’homme sans tete are examples of short films that reflect this ironic problem of society where individuals are not identified with their individual morals, but conformed morals enforced by society. The 2001 short film, Copy Shop by Virgil Widrich conveys the idea of conformity. This is done foremost through the metaphor of 'copies' that fill up the film's world that represent conformity, where the composer satirises our society which is filled up by 'copies' of individuals sharing conformed ideals.
Non-diegetic sound cannot be heard by the characters but is designed for audience reaction only. An example might be ominous music for foreshadowing. Diegetic sound is sound that could logically be heard by the characters in the film. These play a role in a relationship with visual elements as fights scenes would play faster, harsher background music in sync with the actions being shown, and emotional, intimate scenes would play soft, classical or delicate background music to bring out the emotions in the actors and the audience. Soundtracks used in the film were to indicate
In the film Extreme Measures someone can find ideas of Secular Ethics throughout the film involving Utilitarianism and its basic tenets along with Kantian analysis. The basic tenets of Utilitarianism include the principle of utility, Hedonism, and the viewpoint of a disinterested and benevolent spectator. While the tenets of Kantian Ethics, which include good will, the formula of universal law, the formula of the end itself, and the categorical imperative. These basic ideas setup arguments for and against the Utilitarian ideas set up by doctor Myrick. In the film doctor Myrick makes the claim that it is worth the deaths of unwilling subjects in order to help/save the lives of millions.
References: Bradshaw, P. 2011. Real Steel Review [Online]. Retrieved from: http://www.theguardian.com/film/2011/oct/13/real-steel-film-review . Accessed on May 10th 2016. Ebert, R. 2011.