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Effective Use Of Imagery In Memoirs, By Malcolm Lowry

672 Words3 Pages

In this 1933 novel, written by Malcolm Lowry, we follow a young man as he ventures off to become a sailor. The sense of imagery and personal narrative within the novel correlates hand in hand with the plot, and would not be the same without it. Without literary elements, novels would not have the same sense of intriguement and excitement we know today. Lowry uses imagery and interior monologue within his novel to paint a picture of the main character and his journey in Ultramarine, by Malcolm Lowry. To begin, the authors adventure with placing imagery can be seen in such mere senses that give the readers a sense of setting and placement. Such as, "...as I sit here upon the number sixhatch drinking ship's coffee." (Lowry 2). Which therefore, …show more content…

In well written literature, there is no senseless writing. Continuing with the imagery within the text, there are also some instances where the imagery is placed to describe omething other than scenery, it could be used to describe differences in characters emotions and tone. For example in Line 31, "...Ah well, but this life has compensations, the days of joy even when the work is most brutalizing." (Lowry). Which ges to show Dana's love for the see and the triumph in hard work. Continuing with the sense of imagery reveling more and more details within the story. Yet there is always more to be discovered that enhances the style of the images throughout the …show more content…

From the section of the piece read, the whole cutting is one monologue. Dana covers in lines 1-58 where he is, the labor he has to endure, the magic land that is the sea, and his longing for love. When these hardships are revealed by the character, it makes the moment ten times more personal with the reader. Interior monologues serve as a gateway to the mind, they allow readers to feel the emotions that the character is feeling and truely get a sense of the state of life they are enduring. You can tell just when the writing is transforming ( or has already become ) a narrtive due to the pronouns used within the writing. Which could also be confused for point of view, but a monologue has no other speaking parts or other characters. The only thing that should be focused on is the character and their mind. Because in the end, that is what gives the readers the connection. You can see it clearly from line 54 to the end, "And so I sit, chipping, dreaming of you Janet, until the iron facing shows, or until eight bells go, or until the bosun comes and knocks us off. Oh, Janet, I do love you so. But let us have no nonsense about it." (Lowry). The connections formed lead readers to truly feel just how Dana feels about his lover. Yet, one thing that is almost used in every interior monologue is what makes it truly special-

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In the two scenes on pg 61-65, Wiesel uses the stylistic technique such as imagery to give the reader the feeling of being in that scene and imagine it. Another stylistic technique is metaphors and diction give a better feeling of the story and give it more dramatic. An example of his imagery is when Wiesel said: “He was still alive when I passed him, his tongue was still red, his eyes not yet extinguished. ”This quote helps the readers make the words Wiesel uses to create an image of them and picture it in their mind.

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In the short story “The Most Dangerous Game,” the author Richard Connel uses vivid imagery at the beginning of the story to set the mood and foreshadow the conflict for readers. For example, after Rainsford, the main character, fell off the boat, the author wrote: “The light of the yacht became faint and ever-vanishing fireflies (page 63)” This certain description sets up the mood of the description, both desperation and hopelessness and presents it to the audience. Nevertheless, the author also wrote: “...a high, screaming sound… in an extremity of anguish and terror.(page 63)” to illustrate the upcoming conflicts adroitly.

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The answer lies in the craft in which the author uses. In the book, Between the Shades of Gray, the author, Ruta Sepetys, showed her writing abilities by using many author’s craft moves, most effectively her use of imagery. Along with Sepetys’ symbolism and letters showing the character’s past life, one craft move that had the most impact on me would be her vivid imagery. Because the lives of so many innocent people were taken and turned upside down from a dream life to a nightmare, Sepetys was able to use vivid imagery to show the hardships that these unfortunate people experienced.

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“The Most Dangerous Game” by Richard Connell and “The Cask of Amontillado” by Edgar Allan Poe, both portray many examples of imagery. As the two stories progress, both of their imagery levels become very detailed and create an entertaining plot for the reader to imagine. From going in depths to give imagery of the island, the characters, and the scenery in the story, “The Most Dangerous Game” uses many examples of imagery for the reader, making the story better and more senseful. Even though both of the stories provide imagery, “The Most Dangerous Game” provides the better of the two stories. There are many ways “The Most Dangerous Game” uses imagery to create imaginative ways for the reader to look at the story.

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In the opening pages, Connell uses sensory language so readers can experience the story more than visually. Connell says, “The cry pinched off short as the blood-warm waters of the Caribbean Sea dosed over his head. ”(Connell 2). This literary element is sensory language. The reference of “blood-warm waters” is used to attract the reader's sense of touch.

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Imagery is used in this poem to make the poem come to life so you can relate and understand it. This device has enhanced the reader to use descriptions of earth and explain the situation of how earth can be viewed in different perspectives. Tim Seibles says in is poem “someone very different could look up from a garden to see something silver-white candling faintly above a hilltop and think that dull star seems so weary near the rest.” Another line that is state is “ While we build houses and fences and thousands of churches as though this globe were just a flat blossom atop some iron stalk grown from God’s belly.” Imagery is shown a large amount through the whole poem.

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When an individual reads something historical they cannot fully comprehend the story because they did not live in that time period nor did they experience the event in the character’s shoes. In this story the writer uses imagery to make the reader feel as if they were present during the event. The entire story takes place on a beach where the author is a young child posing for a picture her grandmother is taking. While narrating this event in her life the writer describes the ocean, she says “The sun cuts the rippling Gulf in flashes with each tidal rush” The way in which she described the sunset on the ocean illustrates the event in a descriptive way in which the reader can imagine it and feel as if they were there. She also uses forms of imagery to create nostalgia, for example she states “ I am four in this photograph…

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Ray Bradbury uses several craft moves throughout his dystopian story names ‘The Veldt’. Using imagery, foreshadowing, and irony; Ray Bradbury enriches the story with these varying craft moves. Each is used to place the setting and feel of the story in the readers’ minds. Imagery is a craft move that was used to detail important areas in the story and help sell the scene Bradbury is creating to the reader. This is used to build a mood; one in particular is suspense.

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