This, the briefest of all the books in the New Testament, is affectionate note from the elder (which is John the disciple) to the elect lady and her children (vs.1). Such a form of address seems most naturally to suggest correspondence between individuals. And since the Third Letter begins in the same way, as a note addressed from the elder to and individual who’s name was Gaius this is quite possible. The text may also translate to “the lady Electa. ”If this was the correct translation of the verse, we would have in each of these the name of the person addressed in these short letters.
“How do you call Heaven! Whore! Whore!” (Miller Act III: 831). She, Abigail, is a very manipulative and is opportunist, of any and all situations.
Elizabeth calling Abigail a “whore” displays how much hate and disgust Elizabeth feels toward Abigail, which reveals her disturbed tone. The second
She also actively talks down about Elizabeth throughout the play. “She hates me, uncle, she must, for I would not be her slave. It’s a bitter woman, a lying, cold, sniveling woman, and I will not work for such a woman!” (Miller
To what, my love, shall I compare thine eyne?¨ 3.2 140-141. This quote shows Demetrius was controlled and now treasures Helena. This shows Oberon is capable to control others such as Demetrius. Another example from the play is when Oberon commands Titania for personal gain. Oberon wants the little boy to make him into his henchman, but Titania will not let him have the boy because she feels responsible for the child as a mom.
Or say they strike us, (...)” (Act IV, Scene 3). She then continues to talk about how just like men, women also have their own desires and their own weaknesses. She claims that it is the man's fault if their wives choose to be unloyal due to the men's neglect of their women and prioritization of
The actions of the play Libation Bearers by Aeschylus occurred in Argos after Clytemnestra killed her husband Agamemnon. Libation Bearers is like Sophocles’ Elektra regarding using the same myth and plot but differs with character development. Libation Bearers expands more on Orestes killing his mother rather than on Electra’s life after her father is killed like in Elektra. The play starts with Orestes calling out to the god Hermes asking him to protect him on his journey to carry out the deed to avenge his father. While at his father’s grave, Orestes sees his sister and her ladies in waiting, heading toward their father’s grave to give libations from their mother.
This may also present to us that the women in this play are quite strong and independent despite the times this play is set in, Hermia's father Egeus treats Hermia as though she is his property and that she has no freedom of choice Egeus threats his daughter by death or to become a nun which shows some state of
Two women in the play that display this ability are Elizabeth Proctor and Abigail Williams. The first example of an influential woman, is Elizabeth Proctor. She is wife to John Proctor and, though she may seem to wield little power in her relationship with him, she has great influence and power over his eventual fate. Many women in this novel are submissive and often hysterical but Elizabeth holds her ground and when accused and put on trial, is confident in her innocence.
Eventually the king decides that Hermia and Lysnader can be together and Egeus accepts the king's decision. Shakespeare uses Hermia's character to display a strong headed women who will stand up for her
Elizabeth is the victim of Abigail’s heartless actions and affair. These two women are almost complete opposites. Both characters struggle and fight through the story in their own ways. Abigail is the villain in this play.
Women such as Dido encounter opportunities to overpower their male counterparts, yet ultimately fail as emotions hinder their judgement and overall fate. The Aeneid differs from other literal works because of its ability to question the actions of females based on their overall narrative and voice. This narrative is relevant to their passion and the aspects to which they hold important throughout the epic. The passages relating to Dido and her transformation to a fallen ruler shows a great juxtaposition between the role and influence women pertain as political leader. Dido, a once powerful Carthaginian, failed in having the power to bend a political man’s will to abandon his obligations, yet held the capability to do so.
I will also discuss how does the Chorus represents the Athenian audience. The role of the Chorus is like the role of a narrator. It gives detail and insight into the events and help to guide the audience. However, as Electra being a
Elizabeth counts herself as “plain”, which exemplifies her character’s stereotype as a housewife (Miller 137). Puritan beliefs held that women served their husbands, which Elizabeth strives to do (Miller 50). At one point in the play, she finds herself unable to prevent a servant from leaving the home, which leads to her husband having to “hold back a full condemnation of her” (Miller 52). Elizabeth would be punished for this failure if she were any other woman with any other husband, but John shows an example of a better man in Salem, which only proves to show how misogynist Salem society is. Although not treated as poorly as some of the other women in The Crucible, Elizabeth stays within a certain behavioral pattern of
This piece of literature demonstrates the roles for men as the dominant gender and women as submissive, which are obsolete stereotypes. Shakespeare portrays the roles of the dominant males when Egeus tells, “as she is mine, I may dispose of her, which shall be either to this gentleman or to her death, according to our law immediately provided in that case” (1. 1. 42-45). He states this to let readers know that Hermia will not marry Lysander, and he gets the final decision. He gives her options, which are to marry him or die.
