The separation of Elizabeth Keckley’s mother and stepfather caused so many intense feelings in me. You could tell that Elizabeth’s mother, Agnes Hobbs, and her step father, George Pleasant, were truly in love with one another until George had to move away. The separation of Agnes and George was very intense “my father cried out against the cruel separation; his last kiss; his wild straining of my mother to his bosom; the solemn prayer to Heaven; the tears and sobs—the fearful anguish of broken hearts” (312). Keckley used words like “cruel” (312), and “tears and sobs” (312) to describe the scene that unfolded in front of her. Reading this excerpt from the story was intense enough to cause the reader to feel like they were there when the scene
In Julia Alvarez’s On Not Shoplifting Louise Bogan’s* The Blue Estuaries, tone, attention to detail as well as imagery convey the speakers discoveries. The author discovers that deep down within; she is a poet as well. Another discovery she makes, is that she is no longer a young girl and is now a woman.
In the following essay I will discuss and form a clear analysis about Elizabeth Bishop’s poem ‘Exchanging Hats’ that was published in 1979. Elizabeth Bishop is an American short-story writer that was born in 1911 and loved writing poems to describe the dominating side between male and female. It addresses many things such as crossing dressing, gender roles and it brings out a deeper meaning of fashion. It refers to the world famous story of Alice in Wonderland. It is done in such a way where everything that is being describe is not being said directly but rather describing actions that symbolizes different principals of theories.
Annie Proulx is an American novelist who has won many prestigious awards for her writing including The Pulitzer prize for fiction. Her writing is unique when compared to others because she writes in a very poetic way which makes the reader seem like they are reading a long poem. Her word choice or diction helps achieve this. Annie Proulx’s diction in The Shipping News is in the verge of poetry. She takes simple things and turns them poetic just by adding a few words or phrases.
In the poems “To Helen” by Edgar Allen Poe and “Helen” by Hilda Doolittle both speakers vividly portray conflicting opinions about Helens beauty through tone, imagery, and alliteration demonstrating physical beauty as an obsession. In both poems Poe and Doolittle both portray Helen as a very beautiful woman. Through the use of allusion, alliteration, similes, and personification both authors are able to create a vivid image for the reader of just how beautiful Helen actually was. In Poe’s poem he compares Helen to a “perfumed
“Maude Clare” is about two people who are soon to be married, but someone from the groom’s past is trying to cause tension. Maude Clare is the groom’s past loved one and she thinks that she is better than the groom’s soon to be bride. Maude Clare has given the couple a gift, but the gift turns out to be an item the groom and Maude Clare shared in the past with each other. Maude Clare wants to get back at the groom for all the hurt he had caused Maude Clare.
"The Poet’s Occasional Alternative" by Grace Paley and ‘In My Craft or Sullen Art’ by Dylan Thomas are poems which portrays writing as an arduous and under-appreciated form of art. In "The Poet’s Occasional Alternative", the speaker’s disillusionment with the poor reception of his poetry is exacerbated by the contrasting attention his pie receives, while the speaker in ‘In My Craft or Sullen Art’ reveals his motivations for persevering in his writing despite the lack of attention it receives. Both poems illustrate how the act of writing receives little attention from the masses and is thus an unappreciated form of art. In "The Poet’s Occasional Alternative”, the speaker likens the process of writing poetry to that of making a pie with starkly different results. The pie is described to “already” have a “tumbling audience”, and these expressions show how the pie is able to garner a substantial and excited following with ease, even from “small trucks” which are inanimate objects, presumably toys.
The poems “Tableau” and “Incident” were written by Countee Cullen, an African American poet in the early 1900s, who became famous during the Harlem Renaissance in the 1920s. He was a poet famous for writing out against racism. In the poems “Tableau” and “Incident,” Cullen uses tone, figurative language, and theme to show the racial interaction between a black and white boy. Countee Cullen uses the tone and figurative language to develop the theme of the poems. The theme of the poem “Tableau” is unity and equality.
Elizabeth Bishop was born an only child on February 8, 1911 in Worcester, Massachusetts. Her father died when she was eight months old and at the age of five her mother was committed into a mental institution. At the age of three Elizabeth moved to Great Village, Nova Scotia, with her grandparents on her mother’s side but was taken three years later to live with her father's family in Worcester and Boston where she attended high school and then went to Vassar. While at Vassar she met the poet Marianne Moore and the two became close friends. This is where she started her first piece of work influenced by George Herbert, Gerard Manley Hopkins, and Marianne Moore and once it was completed was published in her school's magazines, Elizabeth was
Biography of Elizabeth Bishop Elizabeth Bishop was an American poet and short-story writer and is considered one of the most important American poets of the 20th century. Elizabeth Bishop was known for her highly detailed and objective point of view. In some of Bishop's writing she used details about her life and the people in her life , but she was always cautious because she had tried to avoid using personal details from her life in her poetry. Elizabeth Bishop was born February 8, 1911 in Worcester, Massachusetts. Bishop was a only child and her father had died when she was eight months old, Bishop's mother had became mentally ill and was institutionalized in 1916 and had remained in the asylum until her death in 1934.
In detailing the events that led up to her change in perspective, she made note of the honeysuckle that covered the walls of the well-house, the warm sunshine that accompanied going outdoors, and the cool stream of water that she felt as she placed her hand under the spout. These details kept the reader with her in the moment as she felt something less simple, but still universal; the returning of a, “ misty consciousness as of something forgotten.” In using rich diction, she maintained a sense of intimacy with the reader which allowed her to call on personal details from her own life and theirs. Later in the passage, she described how, once the reality of language was opened to her, and she returned to the house, “every object which I touched seemed to quiver with life.” She had gone through a complete shift of perspective, one that, to her, was felt entirely through senses other than sight or sound.
and although the time period was in the 1700s she is still capable of using these strategies to enhance her literary work. All of the uses of figurative language help piece together what the mother wants for her son and helps convey the mood and tone of the
In “Nightwatch”, a chapter of the novel Pilgrim at Tinker Creek, Annie Dillard guides the reader through an experience with migrating eels, creates vibrant mental images, and involves the readers with her own thoughts. This is all accomplished through the use of rhetorical strategies, namely diction, figurative language, syntax, and imagery; these elements culminate in Dillard’s intense, guiding tone that involves the readers with the eel experience. Diction is vital to creating Dillard’s fervent and guiding tone throughout “Nightwatch.” The use of gruesome and detailed words like “milling… mingling” and “seething… squirming, jostling,” causes the reader to erupt in silent shivers.
In Elizabeth Bishop's “One Art”, she explores the themes of memory and sadness. In the first stanza, the speaker says “So many things seem filled with the intent to be lost is that their loss is no disaster” which shows that she understands some things are meants to be lost. This is important because in the end of the poem, she wants to believe that all losses can be accepted. The line in the third stanza “None of these will bring disaster” is read as if she is trying to convince herself that loss isn't a “disaster.”
“Bishop’s carefully judged use of language aids the reader to uncover the intensity of feeling in her poetry.” Elizabeth Bishop’s superb use of language in her introspective poetry allows the reader to grasp a better understand of feeling in her poetry. Bishop’s concentration of minor details led to her being referred to as a “miniaturist”, however this allows her to paint vivid imagery, immersing the reader in her chosen scenario. Through descriptive detail, use of metaphor, simile, and many other excellently executed stylistic devices, the reader can almost feel the emotion being conveyed. Bishop clearly demonstrates her innate talent to communicate environments at ease.
