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Focus On The Unicorn Tapestries For My Renaissance Art Project

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I decided to focus on the Unicorn Tapestries for my Renaissance art project. The Unicorn Tapestries are a series of seven tapestries originally known as The Hunt of the Unicorn, and are tentatively dated between 1495 and 1505 which, according to the book timeline, is during the High Renaissance in Italy and the continuing Renaissance in the rest of Europe. Very little is known about the origin of these tapestries, and they are believed to have originated in the Southern Netherlands in Brussels. They are in phenomenal condition and the colors are still brilliant. Only one of the tapestries is missing a piece—The Mysterious Capture of the Unicorn a.k.a. The Virgin’s Capture of the Unicorn is only pictured in two fragments that were recovered. They are currently housed in The Cloisters, which are owned by The Metropolitan …show more content…

If you follow the Pagan symbolism, it is a story about the classic medieval tales of love. According to mythology, unicorns are pure, immortal beings which are immune to evil. Nobody can capture them unless they are pure of heart, which was usually portrayed as virgins were the only people able to tame them, which seems to be evidenced in the fifth tapestry. The unicorn coming back to life in the last tapestry is due to unicorns being immortal creatures. However, if you follow the Christian symbolism, it is the story of the passion of the Christ. This story is told much the same way, the unicorn represents Christ and the hunters represent the Romans. It is the story of the Romans turning on Jesus and crucifying him only for him to rise again. The crucifixion is seen in the sixth tapestry when the hunters kill the unicorn, and the resurrection is seen in the seventh tapestry when the unicorn lives again. The virgin is then seen as a representation of Mary, and the relationship she had with

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When reflecting on his first trip to Antwerp, Dunstan says, “It was thus my interest in medieval and renaissance art- especially religious art- came about. The little Madonna was a bee in my bonnet; I wanted to see her again, and quite unreasonably… I kept hoping to find her. The result was that I saw a great many Madonnas of every period and material and quickly came to know a fair amount about them” (Davies 123). Dunstan’s travels help to keep him occupied and provide a distraction from his difficulties. Dunstan has many troubles and disappointments in his life, and has difficulty finding

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The Unicorn Tapestries are the mystery of woven artworks from the Middle Ages; the researchers are trying to discover exactly who is the artist who designed them and their true origin. These tapestries from the late fifteenth century are the most famous and came to public attention in the mid-nineteenth century. They were housed in the castle in the city of Boussac from 1660 to 1835 and in the last year the contents of the castle were sold to the city by the last descendant of the Carbonnieres family. In 1883, the tapestries made their way to the Cluny museum in Paris, where they are officially installed and attracted many visitors over the years. However, the exact place of origin and the identity of the artist is yet to be confirmed.

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The main focus is the beautiful white unicorn, with a tapered spiral horn coming out of its forehead, sitting calmly chained up to a pomegranate tree surrounded by a wooden fence. The unicorn lays gracefully with a smile on its face and eyes looking as if it is hypnotized, looking out into space. It has little pointy ears, similar to a real horse, and its mane draping down from its horn to its back. The horn of the Unicorn is what truly gives the distinguished presence that it carries. The size of the horn is Without the horn, it would simply look like a normal horse.

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