In Jerry Spinelli’s novel, Maniac Magee, Spinelli describes the character Amanda Beale as passionate. When we first see Amanda, we see her lugging around a suitcase of books. She has all of her the books that she owns in that suitcase because if they were not in that suitcase they would be getting destroyed by her little siblings. Amanda is so passionate about her books, that she would carry all of them to school everyday, just so that they would stay in nice condition. Another example of Amanda being passionate is that when Jeffrey Magee asks Amanda if he can borrow one of her books, Amanda truly did not want to lend him one.
Doris’ mother fed the Kansan family who lived across the street from the Lees. When the family arrived in Minnesota with nothing, and after the father stole a 50-pound bag of flour to feed his family, he could not find a job or afford food because, according to Doris, “the mayor had it out for him.” Beyond disapproving of the Kansans, the mayor of Blackduck disapproved of feeding railroad riders. Nevertheless, Irene Lee fed the railroad riders who came to her home looking for food, asking them to chop wood for her before feeding them on her back porch. Once, she gave a man from Kansas long underwear to stay warm.
A young women’s body had been found in a shallow grave in Lindley Woods. This body was wearing the exact same clothes Leanne wore on the day she went missing; police knew it had to be her. The body had been wrapped around in green bin-liners, tied with twine. Covering the head was a black bin-liner, held together with a dog collar tied around the neck. The hands had been tied together with cables.
The family owned a telephone, a large wireless radio, and a record phonograph that connected her mother to the world, but they had parted with many valuables in recent years to pay for her mother’s doctors’ bills. Feeling like the cat’s meow, Nell crossed the room to her mother, who was in her wheelchair listening to the wireless. Her mother put her hand to her throat when she saw her daughter. “Oh, Nell how lovely you look. You look like you just stepped out of Vogue magazine.”
The main character of the book, Allison Mackenzie, came from a middle-class family that owned a home off Chestnut Street. Her mother, Constance, owned a shop in town called the Thrifty Corner Apparel Shoppe. Allison was born out of wedlock and her father was out of the picture. Constance was ashamed of this fact and hide her secret past from society. The situation surrounding Allison was an example of the time period’s denial of family dysfunction.
Villisca Axe Murder House By. Hope Husemann On a Sunday morning, the Moore family left their house to head to church. Once they got home from church some unusual things happened when they were sleeping. This is an important part of the topic because this is what mainly happened in this mystery.
She is a devoted wife and mother. Always behind her are her three children who are all back to back in age, and although Mr. York is somewhere in his fifties, Mrs. York is twenty years his junior. Despite the York’s conforming to the basic 1930’s stereotypes, each has a few aspects that distinguish them from the others. Mr. York owns his own place- a white house with a white patented gate; many farmers of that time rented from their
The protagonists of both Erik Larson’s the Devil in the White City and Denis Johnson’s novella Train Dreams share similar experiences despite being located in different parts of the country. “That he'd taken on an acre and a home in the first place he owed to Gladys. He'd felt able to tackle the responsibilities that came with a team and wagon because Gladys had stayed in his heart and in his thoughts.” (Johnson, 82). At a time where women are beginning to venture out and become increasingly present in society, Grainier acknowledges the strength and support he received from his late-wife Gladys.
The grandmother took cat naps and woke up every few minutes with her own snoring. Outside of Toomsboro she woke up and recalled an old plantation that she had visited in this neighborhood once when she was a young lady” (O’Connor 45). In Toomsboro, the grandmother initiates the chain of events that will soon lead to the family’s demise. Here, she makes the false realization that the plantation she visited was in Georgia, when really, it was in Tennessee. “Just as she said it, a horrible thought came to her.
Hurt by how Roxie had turned on her and had even been watching her have sex with her man in her own home, was the ultimate betrayal to Racine. Assuming jealousy had always been Roxie’s problem this reality had not been lost on Racine. She allowed this talkative bitch to free her damn mind. Roxie spoke to Racine with her arms crossed about her chest. To Racine it appeared that this bitch really thought she had her this time.
(1) describes Janie’s rollercoaster of a life throughout the novel. She has had a rougher and more emotional path than most other women. Janie is mentally and physically abused by various men, and
Jane Addams was born September 6, 1860 in Cedarville, Illinois. She was the daughter of John and Mary Addams. John was a successful business owner, and a respectful businessman within the community. Jane was two years old, when her mother, Mary died giving birth to her ninth child. As a child, Jane dreamed of becoming a medical doctor, but she became depressed after the sudden death of her father and that’s when she decided to change her career path.
Jeannine had to hide with a Christian lady a little ways away from her old home. Jeannine’s mother worked as a “Christian” nurse and Jeannine’s little sister went away because she was so sick. Jeannine, though, had to stay with this Christian lady for two whole years. She was not allowed to go outside or be in the warm sunlight of the vibrant days that she had missed. Most of Jeannine’s childhood would be spent up in the attic of this new home.
The old woman had been gone for weeks, but passing through the front walls, he saw a vehicle driving down the worn dirt road toward the house. The grounds had been visited twice since the old woman’s death, officials of one sort or another, looking the grounds over, inspecting pipes and furnace ducts. But this ‘car’ towed a trailer behind it, packed with boxes and odd pieces of furniture. The driver of the car was a lone young woman, and as he observed her features and form, he felt something he had not felt for decades: the desire for her companionship, her
According to (Dirks, 2014) fantasy film is unlike scene fiction films that base their content upon some degree of scientific truth, take the audience to netherworld, fairy-tale places where events are unlikely to occur in real life. In mythological or legendary times, they transcend the bounds of human possibility and physical laws. Fantasy films are often in the context of the imagination, dreams, or hallucinations of a character or within the projected vision of the storyteller. Fantasy films often have an element of magic, myth, wonder, escapism, and the extraordinary. They may appeal to both children and adults, depending upon the particular film.
