Dee still has yet to educate her family but counties to make fun of them and chastise them about not having the cognitive ability that she us. Dee moved toward other traditions and went again her own traditions involving her on family, in resulting in quest if trying to link into her “African
She felt that her original name, Dee, came from people that oppress her (Kirszner & Mandell, 2012). Her mother felt the name Dee was special because it represented her family heritage that was passed down through generations. The dasher was symbolic to both but in a different way. Dee felt it symbolizes artistry.
Social class changes a person into something that isn’t always good. Dee went to the extreme end of the line, instead of trying to help people like her mother and sister slowly go into society she throws it all
Alice Walker’s “Everyday Use” illustrates Dee’s struggle for identity by placing her quest for a new identity against her family’s desire for maintaining culture and heritage. In the beginning, the narrator, who is the mother of Dee, mentions some details about Dee; how she “...wanted nice things… She was determined to stare down any disaster in her efforts… At sixteen, she had a style of her own: and (she) knew what style was.” Providing evidence to the thesis, she was obviously trying exceptionally hard to find for herself a sense of identity. She wanted items her family couldn’t afford, so she worked hard to gain these, and she found a sense of identity from them, but it also pushed her farther away from her family.
The short story, Everyday Use, is written by Alice Walker. This short story tells about the narrator, mama, and her daughter Maggie wait for a visit from Dee, mama’s older daughter. Throughout this short story, the reader can see the distraught relationship between mama and Dee. The reader can see how Dee is different than mama and Maggie; she thinks that she knows way more about her heritage than mama and Maggie, when she really does not. In the short story, Everyday Use, Walker uses imagery, symbolism, and point of view to show that heritage can only be understood when one is true to their roots.
Dee doesn’t truly know what her culture represents, but instead she tries to use everything from college to apply to everyday life. Dee never appreciated her roots as a child, and she still don’t. Mama and Maggie used the churnand dasher daily with care, and all Dee wants to do with the churn and dasher is “think of something artistic to do with it” ( Walker 273.) She sees the churn as a project she can work on; on the other hand Mama and Maggie see it as a churn with a lot of meaning behind it. Maggie and Mama cherish the handmade quilts that were made by Grandma Dee.
Have you ever not seen eye to eye with your mother? In Alice Walker’s short story “Everyday Use”, we are shown how many of the choices we make and the things we value create our identity. This story focuses on two characters, mama and her daughter Dee (Wangero), who struggle to see the same way about their heritage. Dee wants the things made by her grandmother, to not admire it as an artifact, but rather to remake it. She wants to take them, and change them to match her lifestyle as it is today.
This appreciation also leads to Dee changing not only her lifestyle, but several other things such as her apparel and name; which is described as “stereotypically African.” However, Dee’s new-found appreciation does seem, like Hakims, to be more of a fad. In Diane Ross’s article, “Everyday Use,” she states, “To Dee, artifacts such as the benches or the quilts are strictly aesthetic objects. It never occurs to her that they, too, are symbols of oppression: Her family made these things because they could not afford to buy them” (Ross 1-2).
The character Dee represented in Walker 's story shows how easily one can completely depersonalize heritage while showing mannerisms of condescending nature. Dee’s name was in fact passed down from her grandmother and given to her as a symbol of respect for family and fondness for their grandmother. Dee completely oblivious to the nature of her given name simply changes it to what she believes is her authentic African name. “No, Mama,” she says, “Not Dee; Wangero Leewanika Kemanjo!”(492). Displaying the name in boastful temperament and parading it in front of her mother and sister.
“Everyday use stresses the mother daughter bond and defines the afircan American womens identity in terms of this bond and other family relationships”(Andrews and McCann). Seeing the different views of the sisters really helps the readers understand the meaning of heritage. We don’t only see it between the sisters but the readers see it through minor characters like hakim a barber. “when hakim-a-barber says that he does not eat collard greens and pork- traditional African American foods- he symbolically denies his heritage despite his complicated African name” (“everyday use”). Hakim a barber is dee boyfriend who seems to be not so passionate about his heritage.
Dee has always been ashamed of her African culture and family. Dee would prefer that her mother and sister look different and that her home would be nicer. Her mother always knew how Dee felt about her, “My daughter would want me to be a hundred pounds lighter, my skin like an uncooked barley pancake. But that is a mistake” (par. 6). Dee has returned from college to visit her family, but with a different attitude.
She seems to be brutal in her assessment of her daughters, but one gets the feeling that it is out of love. For example, she says that Dee has become ungrateful and uppity since she got her new life. She however daydreams of the day they will meet on a talk show, and her daughter will thank her. She muses, "I am
Dee has also changed her overall appearance and has recreated a new image for herself by wearing brightly colored clothing and changing her voice. Critic of the story, David Cowart, describes Dee changes, “She now styles and dresses herself according to the dictates of a faddish Africanism and thereby demonstrates a cultural Catch-22: an American who attempts to become an African succeeds only in becoming a phony” (Cowart). She alienates herself from her original culture and values the items from her past
Separating from one’s true values may lead one to betray their own family and culture. In the short story Everyday Use a young woman who disregards her family inferiorly is faced with the conflict of self identity. The author reflects betrayal of family values through his exposure of heritage and education in the story. Heritage unveils the concept of who Dee is and the disconnection from her own shows her inadequacy to have one. Dee tries her best to stray away from the life she once had and went the extent of changing her name.
And, womanism here represented through Mama, calls for a critical relatedness to the heritage. The narrative articulates the shallowness of Dee’s
