What is imagery? Imagery makes it simple to visualize the events in a story in a way that it is appealing to the reader. The author of “The Most Dangerous Game” and “The Cask of Amontillado” utilized different methods to efficiently use imagery throughout the two stories. Connell states, “Night found him leg-weary, with hands and face lashed by the branches, on a thickly wooded ridge” (Feldman 230). This example of imagery represents Rainsford’s lousy condition, lack of strength and exhaustion due to his presence on Trap Island. Richard Connell uses imagery more effectively than Edgar Allen Poe because of the setting, the characters roles, and Rainsford’s knowledge of traps.
Richard Connell wrote, “Ten minutes of determined effort brought another sound to his ears-the most welcome he had ever heard-the muttering and growling of the sea breaking on a rocky shore” (Feldman 218). Rainsford used the remaining force he had to haul himself onto shore. This illustration of imagery lets the reader visualize the consolation he felt to have acquired he would survive the abominable mishap that occurred that day. What lied ahead did not pertain to him at the time. What he did account for was that he was secure from “the enemy, the sea,” and his debilitated condition.
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He had high cheekbones, a sharp-cut nose, a spare, dark face, the face of a man used to giving orders, the face of an aristocrat.” One can conceive that General Zaroff was someone not to be fooled with. Someone already matured, prideful, humorless, and repulsive. Rainsford was modern, civilized, and intelligent. The traps he used were accurate and precise due to his background as a hunter. He created the Malay mancatcher, the Burmese tiger pit, and the recoil of the springing tree by using his