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Narrative on a life event
Narrative about personal life
Narrative about personal life
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More handpicked essays just for you.
Narrative on a life event
Narrative about personal life
Narrative about personal life
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the story "Marigolds" by Eugenia Collier there are several figurative language sentences and symbols that have meaning to the overall theme of the story. "Everything was suddenly out of tune, like a broken accordion." (Collier 11) This means that Lizabeth is explaining everything she is going through and how her life and emotions are. She uses an accordion to describe this because an accordion is a fun and upbeat instrument and a "broken accordion" is the complete opposite.
One example of figurative language in Laurie Hale Anderson’s book “Speak” is when Melinda decides to rid her garden of all weeds, and does some spring cleaning after it finally stops raining during May. Around the same time, Melinda is realizing that she wants to make some new changes in her life and in this figurative language example, Melinda’s life is her garden. She decides first to rake the leaves “suffocating the bushes” ; Melinda is ridding the demons from herself on the first layer of her skin. She says that she has to “fight the bushes (her problems)” and the bushes don’t like getting cleaned out but it is something one has to do if one makes
Eudora Welty autobiography “One Writer’s Beginnings,” about her early experiences of reading and books. In which it help her impact her writing career. Welty utilizes strong figurative language to convey intensity and value. Welty uses imagery and metaphor when she stated “her dragon eye on the front door, where who know what kind of persons might come in front the public?”
In the novel, “Speak” by Laurie Halse Anderson, there is a young high school girl that is named Melinda, she has something to hide from people that she know and love but eventually she will reveal her dark secret. I believe that symbolism plays a major role in the novel because many of the symbols represent how Melinda sometimes acts at times. Throughout the novel, Unarmed is used to symbolize Rabbits, Prey, and Fear in relation to how Melinda develops. I believe that Rabbits represent Melinda as an unharming animal who can’t defend herself from problems in life. This symbol also represents Melinda in a way that she can’t fight back, all she can possibly do is hide like a rabbit in her closet or run away from Danger.
1. The line “We lived on a combination of irregular paychecks, hope, fear, and government surplus food” is a hyperbole and zeugma. The word that creates the zeugma is the word lived, as the narrator uses the word lived to mean different things in the same context. The narrator actually lived off of paychecks and government food, but did not literally live off of hope and fear like the line suggests. The line is also a hyperbole because the author did not literally live off of the hope and fear, as you cannot sustain yourself with emotions.
Did you know that only 310 out of every 1,000 sexual assaults are reported? Melinda was one of the 690 people that didn’t report her sexual assault. Speak was about this girl named Melinda and she had something happen to her right before school started and she didn’t tell anyone. Then as the school year progressed she wasn’t making any friends and even the only friend she had unfriended her. THen at the end she finally told someone.
In the novel Speak by Laurie Halse Anderson, Melinda Sordino struggles through high school, all while dealing with the aftermath of a rape. Throughout the story, she creates artwork of trees for art class. These trees symbolize Melinda's growth throughout the novel as she deals with being raped, depression, anxiety, drama, her parents, her grades, and her rapist continuously teasing and tormenting her. On Page 12 of Speak, Melinda is in art class and is told to choose a slip from a broken globe.
Macy Scharpf Chin Honors English 9, Period 4 23 January 2023 Past events can often define the actions someone takes and who they are in the present. If society takes the time to analyze these actions, individuals can figure out the feelings of one another in a certain moment. “Speak” by Laurie Halse Anderson delineates the thoughts and feelings of a teenage girl, Melinda, as she navigates the highs and lows of high school, while carrying the weight of a past traumatic event. In the passage from the book, “Speak”, author Laurie Halse Anderson uses different types of figurative language such as similes and metaphors, as well as repetition to reveal Melinda’s negative thoughts on her past and current feelings about high school.
1. The quote explains the scene when Liesel first sees the mayor's wife's library. The illustration depicts how the books are literally miles away. This quote is a hyperbole in the novel because it is exaggerating how far away the books are in the library. The figurative language affects the novel because it shows how Liesel feels about the books in Ilsa Hermann's library.
In Eugene Collier’s short story, Marigolds, the author used figurative language and diction to convey a serious and angry tone on poverty. Marigolds, a tale full of voice elements, addressed the theme of poverty with indignation and sincerity. Though Lizabeth, Collier narrated the story; it was about a girl recalling her life during World War 2 in a poor family. In the first example of voice element, Lizabeth described poverty as “the cage in which we all were trapped” (Collier 1). She uses this metaphor to explain how penury anchored her family.
In the novel, “Just Listen,” one of the characters, Owen Armstrong, has had experience with Anger Management classes. Owen’s classes helped him cope with his anger and he begins to teach Annabel Greene the special language they used while his time there. “I looked at Owen. “R and R?” “Rephrase and Redirect…if he says something inflammatory, you can tell him it hurts your feelings, and he has to say it another way,” (Dessen 100).
Margarita Engle was a woman who knew how to create an escape. Born September 2nd, 1951, in a cuban- american household,Engel has had a significant impact on abolitionist writing. Her most famous works are for children, however she is exceptionally adept at poems. Poems are a creative interpretation of the soul that allow us to transcend our insignificant lives and be something greater. Her poem, Tula [”Books are door-shaped”] is the paradigm of great poetry, as poetry is a creative disentanglement from our everyday lives.
In The Road, Cormac McCarthy uses figurative language, to demonstrate the difference in the people’s decisions and values when compared to the real world. The survivors of the apocalypse, including the father all had to undergo a series of radical changes in order to adapt and survive in the new world. When the father enters the house, where the people are kept for food, not only does he see naked people both male and female but also a man with his leg cut off. McCarthy writes, “On the mattress lay a man with his legs gone to the hip and stumps of them blackened and burnt” (McCarthy 110).
People of any and every background face difficulties. Many people do not even know how many people support and care for them. For example, when a family's house in a community burns down, it is reassuring to see their neighbors, friends, family, and even strangers, come together in order to protect and help the family in a time of need. In Naomi Shihab Nye’s poem “Shoulders,” she shows just how important protecting loved ones is. “Shoulders” is about a father who needs to protect his son from the rain in order to let him sleep.
The stories of the World War Two air raids on Hamburg, Germany in the summer of 1943 has forever changed how the world views the Jewish race. The impacts they have had on the modern society’s recognition, views and beliefs of the horrific events have established a better understanding of what a Jewish Hamburger in the 1940’s had to go through during those times and how they had the will to survive. Marione Ingram’s ‘Operation Gomorrah’, relives an adult Jewish Hamburg looking back at their key childhood memories and constructs this survivalist identity through her use of textual form, figurative language, idiom/register and tone in her piece.