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The influence of culture on film
Edward scissorhands themes and meaning
Edward scissorhands introduction
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In the movie, of Edward Scissorhands there are multitude stranger. The stranger can be who is new to the community or can be outsider. Most of the time they look different and weird because they have different culture, or lived in different environment. Edward, Esmeralda, and police officer are the stranger in the film. Edward had very tough time to fit into neighborhood.
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
The unknown is often associated with danger because of society. Tim Burton would argue that the abnormal could often be the uttermost significant in life. Through color contrast and physically abnormal characters, Burton displays in his films that society wrongly teaches people to fear the unknown. Burton uses color contrast to show the isolation and the unknown of the outcast characters in his films. For instance, in Edward Scissorhands, Edward was introduced when Peg found him sitting in a corner all alone.
By employing high key lighting, tilt camera movements, and close-up shots, Tim Burton effectively conveys the theme that things are not what they seem and underscores the significance of looking beyond appearances in "Edward Scissorhands." He prompts viewers to question the sincerity of outward appearances and understand the true intentions and actions of individuals. In doing so, Burton educates the audience about the dangers of prejudice and emphasizes the importance of empathy and understanding in a world where looks can be
Many people believe that Tim Burton is the most unique director of our time. By using cinematic techniques he points out the isolated character in the movie and shows how different they are than everyone else. Although it is consistent that these protagonist characters never fit in, what does vary is their desire to do so and many people argue that this reflects Burton himself. In Charlie and the Chocolate Factory and Edward Scissor Hands directed by Tim Burton, the use of a wishful protagonist and exaggerated characters conveys that no one should change who you are to meet society's expectations.
Tim Burton’s creative costuming has created a new perspective on movies. In the film “Edward Scissorhands” Burton uses dark costuming for Edward to show what he’s been through and to show how everyone sees him. The people in the town wear colorful clothing that portray that they are cheerful, dramatic people. The costuming shows what time they are in by giving them clothing like mom jeans, pops of color, mismatched patterns, and puffy or permed hair. “Anybody that has seen a Tim Burton film will recognize that the director has a fondness for costumes with a 19th century Victorian flavour, even if the story is set in more modern times.”
Here, this clever metaphor illustrates the outward beauty of pastels to underpin the hidden truth: evil. To remove emotion, the mid shot is used mainly to focus on the characters’ costumes, showing unimaginative colour variations. Edward’s costume is an obvious metaphor in gothic black and white, conveying his seclusion and inability to understand implicit meaning. His metallic silver scissors hands impairment, reflect like a mirror, his creativity and individuality. This unique quality, provides Edward with an edge, making him stand out in comparison to the other
The setting of the movie in a classic suburban community around the 1950’s. The community aims for perfection in a way, that nothing odd is okay. That is why the mansion, where Edward Scissorhands has got residence, is a spot of dirt of the picture of perfection the community is trying to show. The color scheme makes the good versus evil theme very clear in the movie, in the way there is a clear contrast between good and evil. For example, the ‘good’ of the movie is shown, when we see the colors of the characters and the surrounding area.
Tim burton, renowned for his incorporation of gothic styling into many of his films, throughs characters and themes to establish his noticeable signature in his films. In, Frankenweenie and Edward Scissorhands, the use of socially incompatible characters, unique identity traits, and contrasting a life of one that has conformed gives the both film a gothic identity with a sense of german expressionism tim burton autuer. Burton does this in order to communicate his thoughts on conformity and to
Although gothic fiction was popularized a few centuries ago, its common themes are still important today. Social Isolation is still an idea that occurs now more than ever. Tim Burton’s film shows the theme of social isolation through the character, Edward Scissorhands, being affected by other people’s actions and through his surroundings. At the start of the film, all of the townspeople loved Edward at the start because they were curious about him. They had him cut their hedges, dogs, and hairs.
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
A good aspect used in the movie was character portrayal. Each character in the movie brought a new, different piece to the story. This made the movie more effectively entertaining because, even if there are characters that aren't necessarily likeable or nice, they are still portrayed in a way that puts a smile on the viewer's face. One example of this is Audrey’s boyfriend, Orin. While Orin is a horrible guy who does terrible things not only to his girlfriend but his patients, he’s portrayed in a comical manner when shown on screen.
The film “Edward Scissorhands” directed by Tim Burton, released in 1991, is based on a creature’s everyday life in society and how he is treated differently to others. The way we see ourselves influences the way we interact with those around us. These experiences we have in the world shape our identity.
American Horror Story: Coven is undoubtely a controversial TV series, as it is at the same time both chauvinist and feminist. The show clearly adopts the male gaze and is limited by chauvinist stereotypes, but it simultaneously challenges the tropes it relies upon. The concept of the male gaze, theorised by Laura Mulvey in the 70s, suggests that we tend to see media products from a male perspective, as most of the producers are male and heterosexual. Therefore, the female characters are sexualized and objectified, in order to appeal to the audience.