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Frankenstein Act 1 Scene 1 Mood Analysis

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Frankenstein Songs/Scenes In Frankenstein by Mary Shelley she conveys various types of moods throughout the story. There a plethora of songs that convey a similar type of mood and tone that can be used to further expand on powerful scenes throughout the book. In one scene, Caroline the mother of Victor ,is on her deathbed and gives her dying words to Elizabeth. “ Elizabeth… Allas! I regret I am taken from you; and, happy and beloved as I have been, is it not hard to quit you all?”.(Pg. 24) The main emotion conveyed in this scene is sadness due to the death of Caroline. The sad piano music will convey the tone within the scene and create a dismal environment. It will accompany this scene which will further …show more content…

To a tragic tone once he realizes the grave mistake he has committed of bestowing life upon the repulsive being in front of him. “The beauty of the dream vanished and the breathless horror and disgust filled my heart.”(Pg. 34) This scene will be accompanied by a song that, like the scene has a shift of tone and mood. The music will pick up its pace and temp to showcase the excitement of Victor as he is in proximity of completing his goal. As the music enters its climax, it will change into a different song to exhibit the shattering of Victor’s arduous work and horrid thoughts of Victor as to what the monster he created is capable …show more content…

“...The figure passed me quickly, and I lost it in the gloom…He was the murder!” (Pg. 48) The music instantly invokes a suspenseful tone which showcases Victor’s physical and mental state, tense and shocked, as the theories he has been conjuring up are becoming more and more probable. The music will continue to play as Victor, who is closing in to his hometown of Geneva, is starting to connect the pieces how he would have to face his family. Who are more than likely searching for the murder of his brother even though he already knows in his heart who it

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Many years later, Victor’s father continued to listen to the famous recording while drinking time and time over again. As years went on, Victor’s parents began to grow apart and eventually separate and get a divorce. In this story, there is a plethora of symbols of “escape,” from problems and pain in many different and unique ways in this story. Music, drinking, a

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Frankenstein Rhetorical Analysis Essay An abandoned life from society and that doesn’t follow normal activities could make you a romantic hero. In Mary Shelly’s Frankenstein, she portrays the main character, Victor, as a man that is intent of learning more about nature. Victor begins to make mistakes which causes him to be full of sorrow and exiled from society. Victor begins to possess some traits from Byronic list of traits that romantic heroes possess.

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Valverde 1 Joseph Valverde Mr. John Salmon Ap Literature October 2014 Volume 2 - Chapter 1: Victor Frankenstein is going through great sorrow and grief as his conscience cannot handle the guilt caused by the death of the innocent Justine. He “wandered like an evil spirit” (Shelley 103) as he was unable to conceive peace. This state of mind preyed upon [his] health” (Shelley 103) as he was unable to cope with the present events and his guilt, this marks the mood at his part of the novel as that of despair and of regret. . Victor is then taken to Belrive in order to find peace, there he pondered about the outcome caused by his actions.

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His family and home is everything to him, especially his love for Elizabeth. However, as the story progresses and Victor begins to realize the magnitude of his mistake in creating the monster, his outlook on life changes drastically and shifts to a darker tone. During his trek through the wilderness in search of himself, Victor finds peace and comfort in the bleak and powerful mountains. Specifically “...while rain poured from the dark sky and added to the melancholy impression I received from the objects around me… My heart, which was before sorrowful, now soared with something like joy” (Shelley 67).

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Further, this loss of family and friends causes Victor to lose his attachment to the world. Secrecy ultimately brings about his inability to save himself. In this paragraph I will show

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Victor’s first look at his “masterpiece” horrifies him and he proceeds to run away; leaving his “child” all alone. The paths both Victor and the monster will lead will be obvious as the story progresses. Through indirect characterizations, it is obvious that, both characters undergo changes as the story furthers. The author conveys Victor Frankenstein’s change by expressing his actions and feeling throughout

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Contemplating suicide, Victor realizes that his life has become empty. The void that only family and love could have filled is widened even more. His chances for happiness are dead; everything he has ever loved is vanished. The guilt Victor feels is uncomparable; the creature he made became a cold blooded killer. In a sense, one can argue that Victor is responsible and maybe, if he hadn't made the creature in his lab that gloomy day, he could have been happy.

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Finally, Victor shatters his life when he ultimately causes his own death. As a result of his mind being consumed with grief and revenge, he becomes morose, melancholy, and eventually lifeless. Victor allows the monster to rummage his head, and he permits his creation to drive him crazy; consequently, he slowly kills

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Passion and Destruction As W. Somerset Maugham once said, “Passion doesn’t count the cost... Passion is destructive.” In Mary Shelley’s Frankenstein, Victor Frankenstein leaves Geneva, his home town in the pursuit of knowledge, ding so he created a creature. Frankenstein gets frightened after the created the creature, so he leaves the creature in fear, only when he returns the creature is no longer there.

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Victor is stirred by his work, but not in a positive manner. He goes on to explain his feelings towards the creature by saying, “… my heart sickened and my feelings were altered to those of horror and hatred” (136). Victor is so bewildered and repulsed by the creature that he misses key signs of violence, from the creature, that may have saved Victor’s family had he not been so

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Student: Omnia Saad Kamel (Code: 351) Emotions as a Feature of Romanticism in Marry Shelly's Frankenstein The overflow of emotions in Marry Shelly's Frankenstein defines it as a Romantic work. Emotions unify the characters at various points in the story, portray their individual personalities, and contrast them against each other. The influence of nature on the thread of emotions and how the inner feelings of main characters are interpreted by others emphasizes the importance of emotions to the Romantics.

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Shelley sets the challenging tone in the beginning by hinting to a possible dangerous predicament that Victor may find himself. He describes the landscape as “terrifically desolate” (66). This is a recurring description that Shelley often uses when Frankenstein desires solidarity and secludes himself from society. It can be seen again when he isolates himself on the Orkneys Islands, “[…] whose high sides were continually beaten upon by the waves”, as well whose “soil was barren” (119). Shelley’s description of the soil and the roaring tides add to the dreary and treacherous scenery she attempts to create.

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Dr, Frankenstein is the true victim of the novel Frankenstein The term victim describes anyone who suffers as a result of one or multiple unfortunate incidents. In Frankenstein, Mary Shelley portrays a number of different characters as potential victims, in particular: the creature, and Dr. Frankenstein. The similarities among the two in initial experiences create difficulty in labelling one as the true victim. However, as the story progresses, it is evident that the creature is able to overcome his fate of victimization by actively responding to his unsuccessful experiences.

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Sleep fled from my eyes; I wandered like an evil spirit…” Shelley’s use of imagery in this situation gives over the feelings of Victor’s intense guilt at having been the cause of the death of an innocent girl. This also implies that in a sense Victor questions his own existence because of the weight of his actions “Press[ing] on [his]

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Mary Shelley’s Frankenstein examines how the presence of a mother, negatively or positively, affects the development of a child. Victor’s mother, Caroline Frankenstein, dies while Victor is still a young man (he is about 17 years old), breaking their relationship between mother and son. Because Victor loses his bond with his mother, he is unable to act as a mother would when he creates his creature. Caroline Frankenstein’s absence in Victor’s life creates a disunion between the mother and child bond, which is evident in Victor’s creation and his fragmented relationship with the creature. Caroline Frankenstein, Victor’s mother, portrayed a traditional mother in the Frankenstein household, until her death.

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