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Analysis of the novel The lord of the rings
Analysis of the novel The lord of the rings
Analysis of the novel The lord of the rings
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Recommended: Analysis of the novel The lord of the rings
(Tolkien 376). When Gollum led them into the lair he quietly ran way leaving Sam and Frodo in the darkness with a giant spider. They get out of the cave alive, but the Shelob came out of the cave and attacked Frodo. Sam tried to help but was wrestled by Gollum, who after a fight ran away. Shelob then poisoned Frodo in the fight and this lead Sam to think Frodo died.
After Shelob catches Sam and Frodo, Gollum says to himself, “we’ve got him, yes, the nasty hobbit. We takes this one. She’ll get the other. O yes, Shelob will get him, not Sméagol,” (903). Gollum was willing to have his friend, Frodo, killed so he could get to the Ring, which kept tempting him.
After the Black Riders start to follow Frodo and his crew, the fellowship starts to have nightmares about their plans failing. “In the dead night, Frodo lay in a dream without light. “Black Riders!” thought Frodo as he wakened, with the sound of the hoofs still echoing in his mine. He wondered if he would ever again have the courage to leave the safety of these stone walls.” (177) When Frodo looks into the elf mirror he sees a vision of the terrible things that will happen if he continues on his journey.
There end is not a happy one but one involving the ultimate act of persistence. In the face of death, they persist meaning they make one last ditch attempt to be together and end their lives
; when Frodo makes a mistake Sam is there to fix it. Frodo blindly trusts Gollum and that leads Frodo close to death multiple times. Sam always tells him
The story is written in a way that makes you believe the main character is alive and free, but in reality you are reading the last wishes of a dead man. The ending definitely caught me by surprise due to author’s efforts in playing with the main character’s point of view. I think the author also performed well with descriptive words as I could paint the scenes in my head like the, “...whirled on with a velocity of advance and gyration which made him giddy and sick” and “...the abrasion of one of his hands on the gravel...” (Bierce 604). The use of this imagery also helped the author convey the illusion of fantasy and
Being in Mirkwood Forest, far from home, was very new to Bilbo. Not too long after they entered, the spiders came. They spun the dwarves into little webs and were planning on having a nice meal, that is until Bilbo stepped in and saved the day. He slid the ring onto his finger and was no longer visible. Using this to his advantage, he freed the dwarves from their tightly bound prisons.
Bilbo is a hero in several ways. Bilbo is hero for going on the quest in the first place. Bilbo is also a hero because he saved the dwarves from giant spiders. Bilbo is also a hero because he saved the dwarves from the elves. Bilbo is a hero for going on the adventure in the first place.
Before putting Frodo on his back, Sam thinks “that he would have barely strength to lift his master alone, and beyond that he expected to share in the dreadful dragging weight of the accursed Ring. But it was not so,” (Tolkien 919). In this scene, Frodo can no longer move because of his weakened state to which a variety of factors contribute, but the ring’s heavy toll on him is the most damaging. Sam’s “absolute” commitment to Frodo drives him to do whatever is necessary to keep Frodo moving (Milne 120).
Bilbo Baggins was a Baggins and is now a Took. The Baggins family is no more, this is the rise of the Tooks. Bilbo baggins was born into a Baggins family. A family full of food and relaxation. This comes from his father a Baggins.
The Lord of the Rings is a novel by J.R.R. Tolkien that tells the story of Frodo Baggins, a hobbit who is tasked with destroying the One Ring, a powerful artifact created by the evil Sauron. The characters in The Lord of the Rings are also experiencing internal conflicts in various ways. Frodo, the main character, is struggling with the burden of carrying the ring and the responsibility of saving Middle Earth. He is torn between his desire to fulfill his mission and his fear of the dangers that lie ahead. The novel explores themes of power, corruption, and the nature of good and evil, as well as the importance of friendship, loyalty, and sacrifice.
To achieve this happiness in life we sometimes must suspend our disbelief, having a childlike literary belief in the fantasy in, which is created inside of our minds. Even though we don’t live in a world free from peril we can escape through a happy ending of being redeemed from death or sting from this life through fantasies. The hope of a happy ending is to escape from death,” there is the oldest and deepest desire, the escape from death”. Tolkien highlights that we gain more joy as we find truth in our fantasy. The nature of fairy-stories is commonly dazzled with a happy ending that we humans long for, that gives us a taste of heaven in the primary world.
Tolkien’s highly intricate imagery of malignance makes apparent the uncertainty encircling the company and sets the frightful mood over which Bilbo’s courage must prevail. His ominous description of Mirkwood Forest explains the hesitation in the company to pass onto the realm where “The entrance to the path was like a sort of arch leading into a gloomy tunnel”(153). The imagery evoked by “Trees … too old and strangled with ivy… to bear more than a few blackened leaves” (153) places the reader in the foreboding atmosphere in which the company is presently ensnarled, and effectively forewarns of sorcery, monsters and misery at play. Days into the forest, constant hunger gnaws at the company, leading them to disperse round and round in an entranced dream-like state. Then, somewhere in the pitch-dark night, Bilbo strikes dead a most nefarious enemy.
When adapting pop culture into different forms of media, it is necessary to change a variety of aspects to fit individualized nuances of each medium. The transformation of The Lord of the Rings, by J.R.R.Tolkien, from a novel onto the screen is not an exception to this notion. However, Peter Jackson, the director of the popular film series, is known for staying fairly accurate to the original plot of the book. After all, when creating a film based off a novel, the director is not creating something completely his own, rather, he must stay accurate to the plot, in order to observe the wishes of the author and the expectation of his fans. While for the most part Jackson succeeds in his mission to fortify the narrative, rather than stray from
Bilbo escapes being captured by killing the spider that was attacking him. Bilbo kills the spider with a sword and says, “I will give you a name, and I shall call you Sting” (154). With Sting and his ring, Bilbo sets off to save his friends. Bilbo slips on his ring when he became close to the spiders. He decides to try and lure them away from where they had the dwarves hanging from a tree branch.
