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Fyodor Dostoevsky's Notes From The Underground

753 Words4 Pages

The book “Notes from the Underground” is written by Fyodor Dostoevsky and is separated into two main parts. The first part expresses the inner characteristics of the person from the Underground and through the thinking, it provides a psychological context for the latter part of the writing; the second part describes the daily life of the person from the Underground. It can be said that the first part is the theoretical guidance, and the second part is a theory that is expressed as a concrete example. It is a close combination of abstraction and image. With the first part of the theoretical guidance, we can better understand the internal driving reasons of the behaviors of people from the underground, and through the second part we can better understand the underground.
The first part of the expression of the spiritual world of the underground should be said to be the most attractive part of this middle chapter. This part is focused on some of Dostoevsky's thoughts and is very insightful and deterrent. Like the beginning …show more content…

The loneliness of life made his temperament more invigorated, and he was not bound by group rules. Under certain circumstances, his "beauty and sublimity" has been severely impacted--he actually wanted to use the evil method to prove his freedom from the group. The fiction expresses the protagonist's state of being suspended from the frontline. The person from the underground walks and shakes at both ends. Every time he wants to be a lofty person, he does a bad thing. After doing something bad, he does regret. He started knowing and realizing his sins and he slipped into the abyss of sin. He stepped down step by step and departed from the goal of “beauty and sublimity.” His freedom, his freedom from religion and freedom from society, led him to walk away. The ideal road, deeper and deeper, is a underground under Dostoevsky's thought of

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At the same time, the dichotomy between underground and surface can represent the subconscious emotions and drives that the characters conceal or are unaware of in their conscious life; this dichotomy can also stand for the ‘underclass’ of workers and bourgeoisie or aristocracy. Although these various and complex deployments of the tunnel trope appear and reappear throughout the novel, this essay tackles the topic in three sections, corresponding

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216 Words | 1 Pages

1. The two sides of the debates in Dostoevsky’s “The Grand Inquisitor” are who can handle freedom the most. Christ gave human beings the freedom to choose weather or not to follow him, but almost no one is strong enough to be faithful and those who are not will be cursed forever. The Grand Inquisitor says that Christ should have given people no choice, and instead taken power and given people no choice, and instead taken power and given people redemption instead of freedom. So that the same people who were to scared to succeed Christ to begin with would still be stuck, but at least they could have joy and security on earth, rather than the impossible burden of moral freedom.

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In the Notes from the Underground several themes are shown about the human psyche. Human suffering, destruction and the fear of accomplishing something are just to name a few. What made this work so great was that these particular themes were seen and made sense with what the fellow was going through. Of course, the Underground Man was evidently mentally ill, but he was a well read man and made a few good points throughout his notes. Whenever he says that people like “suffering”, he means that when we see anything or anyone in pain, we become compassionate; therefore we love to suffer because we want to be compassionate.

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Dostoyevsky focuses on the semi religious part of this torment by utilizing the dialect of revival and resurrection. Dostoyevsky also presented a progression of scenes in which the pity of death is trailed by the disclosure of an upbeat fresh start, and accordingly the whole novel turns into an insistence of the fundamental message of Christ's demise and

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499 Words | 2 Pages

The Progressive Movement lasted from the late 19th century through the first twenty years of the 20th century. There were economical, political, and cultural problems during this time period, and Progressives worked to improve them. The movement sought to restore economic opportunities, and to improve the lack of fairness and justice in American life. Progressives wanted to preserve capitalism, improve working conditions, and achieve better governmental rule.

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1056 Words | 5 Pages

Notes from Underground are the tormenting thoughts of a bitter antisocial man living in St.Petersburg, Russia. The Underground Man writes down his contradictory thoughts to describe his depart from society. Although he has been corrupted by the power of spite he is an intelligent man. His intelligence leads him on the trail to conclude that man’s primary desire is to exercise free will whether or not it is in his best interest. His corruptness builds his insecurities causing him to lash out at people intentionally attempting to emotionally harm them.

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Underground Men’s Eloquence and Ellipses The stream-of-consciousness modernist novel is incomplete without ellipses. In Dostoevsky’s Notes from the Underground, they are a marker of the nameless protagonist’s immense interiority; yet in Wright’s rewriting of the novel, they are a sign of the protagonist’s failure to communicate with those aboveground. From this distinction, Wright diverges from existentialism to a discourse on the condition of the marginalised.

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Raskolnikov 's act of violence is what causes him to go insane, impacts the lives of the people around him, and finally violence is Raskolnikov’s way of proving himself as an above-average individual. Dostoyevsky used violence to change the course of not only Raskolnikov’s life but also the lives of the people around him. The story shows how one man 's image of himself as a higher being can cause him to commit violent acts, which impact everyone around

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In Fyodor Dostoyevsky’s, Notes from Underground, we are presented with a complicated character named The Underground Man. He is exceedingly egocentric and believes that he is more intelligent than those in his surroundings. Despite all this, he is also a man who hates himself and often times feels humiliated. As a person who has isolated himself from society, he consistently analyzes and critiques every interaction with another person. For example, when an officer casually shoves the Underground Man In order to deescalate the situation in the tavern, the Underground Man takes offence to this and plots a long term solution to a meniscal problem.

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951 Words | 4 Pages

Petersburg is a labyrinthine city whose streets mirror the maze-like jumble of thoughts ever-present in Raskolnikov’s mind and work to remove his sense of free will. Whenever Raskolnikov leaves a small space, such as his apartment, or someone else’s apartment building, he loses the ability to navigate from one place to another in an ordinary fashion of his own free will. His feet take him places he does not consciously intend to go. For example, Dostoevsky writes, as Raskolnikov walks home through the Haymarket as opposed to by a more direct route, “it had happened to him dozens of times that he would return home without remembering what streets he had taken.” The streets, like the new utilitarian ideas, are inorganic and have a tendency to discombobulate the pedestrian protagonist.

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1359 Words | 6 Pages

In Notes from the Underground, we witness this peevish man express how he is much more intelligent than most people. He intrinsically brags about how everyone should be just as sullen as he is. If we take this expression at face value all we are left with is a man who is conceited and angry. However ,if we dig a little deeper, we find that underneath his boastfulness, this man secretly wants change. Even though one can argue that the man is looking for counterproductive change.

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679 Words | 3 Pages

He was unable to socialize with anyone other than himself due to his depression, anger, and nastiness. He avoided socializing with anyone he came in contact with, even people such as his co-workers or classmate friends. These certain problems would never be considered a tragic hero, which is a sign that the Underground Man is indeed the anti-hero. Most tragic heroes would have no problem talking to people in general, let alone people they know. If he were to be the tragic hero, he would be able to interact with people and his environment in a positive

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1370 Words | 6 Pages

In particular, the Underground Man experienced a traumatic incident where he was lifted from his shoulders and removed from the path of an officer (Dostoevsky 49). As a result of this incident, it created a profound feeling that he is meaningless to society. This act was not only humiliating but also stripped the Underground Man from his masculinity. “I could even have forgiven a beating, but I simply could not forgive his moving me and in the end just not noticing me” (Dostoevsky 49). His masculinity grants him a personal sense of power, but that had been taken from him.

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1588 Words | 7 Pages

Raskolnikov confronts reality and can never again legitimize his activities in light of political perspectives. The writer of Crime and Punishment, Fyodor Dostoyevsky composed this book uncovering some of his own perspectives on legislative issues and consolidating them all through the story. Like Raskolnikov, Dostoyevsky was captured by the administration and punished for his offense. He was rebuffed for his radical communist positions, just to later reject these thoughts. Through the story, the creator fuses a solid message of exactly how intense the legislature is and the solid impact of governmental issues.

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1052 Words | 5 Pages

Saint Petersburg, the setting of Crime and Punishment, plays a major role in the formation in Fyodor Dostoyevsky’s acclaimed novel. Dostoyevsky’s novels focus on the theme of man as a subject of his environment. Dostoyevsky paints 1860s St. Petersburg as an overcrowded, filthy, and chaotic city. It is because of Saint Petersburg that Raskolnikov is able to foster in his immoral thoughts and satisfy his evil inclinations. It is only when Raskolnikov is removed from the disorderly city and taken to the remoteness of Siberia that he can once again be at peace.

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