ipl-logo

Gun Crazy Analysis

378 Words2 Pages
bulb-icon

Recommended: Film noir was strongly influenced by

I hope that everyone (well, at least some of you) had the opportunity to enjoy the special programming block shown on TCM during the months of June and July known as TCM 's Summer of Darkness. Every Friday during this period, the TCM schedule was jam-packed with key noir pieces (eg. Detour), as well as films that were great "influencers" - essential viewing that established the mood and essence of what would come to engender this film movement/genre (eg., Fritz Lang 's M). And not to be left out, there were a even a few contemporary pieces that had clearly had a noir DNA imprinted on them.

If, however, you did not have the privilege of catching any of these gems, here is a list of a few that whether I saw them for the 1st or 50th time, I …show more content…

You may have missed them on their initial TCM run, but have no fear, you can catch many of these (as well as other) titles using the Watch TCM application/website.

Gun Crazy (1949) aka Deadly is the Female Directed by Joseph H. Lewis Shown: Peggy Cummins (as Annie Laurie Starr), John Dall (as Bart Tare)
Gun Crazy (1949) aka Deadly is the Female
Directed by Joseph H. Lewis
Shown: Peggy Cummins (as Annie Laurie Starr), John Dall (as Bart Tare)
Side Note: My initial vigor for participating in the FREE companion course (TCM Presents Into the Darkness: Investigating Film Noir) offered in conjunction with Ball State University, was unfortunately dampened by life 's happenstance. So while an abrupt change in schedule meant I unable to engage in real time with my community of fellow cineastes, thanks to early enrollment, I have an archive and invaluable resource to call upon when discussing and referencing film noir. Here 's hoping that in the future TCM forms similar partnerships.

TOO LATE FOR TEARS, Lizabeth Scott, Dan Duryea, 1949
TOO LATE FOR TEARS, Lizabeth Scott, Dan

Show More
Related
123 Words | 1 Pages

The very first sentence of the chapter makes me believe that the setting is obviously in Oklahoma and a little while after the Oklahoma Land Rush of 1889. It makes me believe that because of the way that the narrator writes and him/her calling it “the red country and part of the gray country,” which is referencing the red, white, and gray sand often associated with the state. Later on in the first page, the narrator begins to describe a drought taking place. Perhaps the drought will last a long time and lead to the narrator and his/her family moving somewhere more viable. On the second page, the narrator describes “wheels” milling the ground, which leads me to believe that he/she lives

Read More
280 Words | 2 Pages

According to The Greatest Femmes Fatales in Classic Film Noir, “The femmes fatales in film noir are mysterious, duplicitous, subversive, double-crossing, gorgeous, unloving, predatory,

Read More
1497 Words | 6 Pages

However, in the 1920s, a new era of crime fiction arose: American hard-boiled crime fiction. In this type of crime fiction, a sense of “graphic sex and violence, vivid but often sordid urban backgrounds, and fast-paced, slangy dialogue” is added to the environment (“Hard-boiled dectective…” Ralph Willet). In the Maltese Falcon, a film adaptation of Dashiell Hammett’s the Maltese Falcon, Sam Spade is presented with a case to find Ruth Wonderly (who later turns

Read More
1708 Words | 7 Pages

The two-part movie “Murder in the Heartland” from 1993, is the historical take on the bloody months of 1958, where mass-murderer, Charles Starkweather, killed 11 people in Lincoln, Nebraska. Directed by Robert Markowitz, the main roles of Charlie Starkweather, and Caril Ann Fugate, are played by actor Tim Roth and actress Fairuza Balk. The film shows Charles, called Charlie or Chuck, as an obsessed nineteen year old boyfriend, with his girlfriend being the much younger girl, Caril, who was fourteen at the time. Charlie’s first murder is a stranger working at a gas-station, before moving on to killing Caril’s family without her knowing. With his first four murders in place, the remaining part of the movie depicts his remaining murders, however,

Read More
1199 Words | 5 Pages

The movie "On the Waterfront" is an example of Film Noir which literally means black or dark film. Movies like this were more serious and explored more realistic and depressing subject matters. The movie was mainly about the struggle of the working longshoremen in Hoboken, New Jersey against the gangsters who bullied and extorted money from them. The protagonist of the movie is Terry Malloy.

Read More
155 Words | 1 Pages

In Molly Ivins publication of “Get a Knife, Get a Dog but Get Rid of Guns”, she brings up an interesting argument from the well-known thriller titled Jurassic Park. In this movie one of the main characters makes a statement that power without discipline, is making society into a wreckage. From what I can infer individuals who are power-driven or do not fully understand discipline are at danger, not only to themselves, but people people that they have authority over; at times with little to no regard for their well being. It is this ideology that can do great harm in many different ways. Ivins makes this comparison with the argument of American individuals, and their belief about the Second Amendment and how those individuals interpret their

Read More
1029 Words | 5 Pages

The documentary 30 Days: Gun Nation places a gun control activist from Massachusetts in Leesburg, Ohio to live with a gun enthusiast and his son. The gun control activist, Pia, came in with stereotypical preconceptions about the two. The primary focus of the documentary was Pia’s transition in feelings toward firearms. At times, this transition felt drastic to the point it seemed scripted. During her time, in Leesburg she was exposed to guns on a daily basis, took gun safety classes, and worked in a sporting goods store selling firearms.

Read More
1012 Words | 5 Pages

Femme fatales are usually destroyed in the end, either by being killed or being domesticated, as though they are being punished thinking they can compete with men. Male dominance is always restored by the end of the film. In established film noir, the new economic, social, and sexual freedom that women experienced during the war years as they joined the workplace was quite unsettling to many American men. This fear of strong, independent women and the need to show the danger of this independence was shown, whether consciously or not, in most film noir. The Maltese Falcon, like many films of its era, joins in the distrust of all things foreign.

Read More
1074 Words | 5 Pages

Taking A Good Look At Handguns Are handguns necessary for the average citizen or should handguns be banned? In the article “Why Handguns Must Be Outlawed” by the author Nan Desuka, she argues on the matter and issues of handguns. Throughout the entire essay Ms. Desuka gives her point of view on why guns should be outlawed for everyone. Everyone, except for the police officers.

Read More
1922 Words | 8 Pages

In modern society, guns are seen as a form of control. Those who have guns are able to overpower those who do not. This trend was set when guns were first invented and has stayed the same throughout history. The one place where guns are not a symbol of power and control is in literature, specifically “The Old Gun” and Hamilton. In Mo Yan’s short story “The Old Gun”, the protagonist is a hungry boy who does not even know how to use the titular firearm.

Read More
721 Words | 3 Pages

Our presentation topic was about the 2017 Las Vegas Shooting. My group members are Michaela Finneyfrock, Riya Patel, Bridget Cichon, Jack Zigler, and Mason Parker-Loan. This event had occurred on October 1st at 10:05 PM, where a man named Stephen Paddock had fired many bullets at a concert from the window of his room on the 32nd floor of the Mandalay Bay Hotel. About 58 people were killed and 546 people were injured. He had also killed himself.

Read More
1184 Words | 5 Pages

Gun Control Debate Jake Novak, in an article for CNBC titled, “Gun control isn’t the answer. We already know how to stop the violence,” gives his opinion regarding the controversial issue of gun control. Novak argues that gun control is not the answer to rising gun violence but that proper enforcement of the law would go a long way in reducing the cases of gun violence in America. He states, “We actually solved the issue of rising gun violence in America in the mid-1990’s and again in the early 2000’s by doing something radical. We enforced the law” (Novak 28).

Read More
1712 Words | 7 Pages

The French New Wave was a film movement in the 1950’ and 60’s that consisted of an explosion of new film techniques, values, and styles that became a defining moment of cinematic innovation that’s impact is still present in the modern film industry. An influx of new, young directors sought to narratively, ideologically and stylistically veer off from the dominant, traditional mainstream cinema production standards and redefine the French film industry. The movement didn’t happen overnight and its origins and influences stem back to the occupation of France by Nazi-Germany during World War II, the subsequent Italian Neo-Realism movement, and a combination of previous film periods. During World War II, Paris was occupied by the Germans. This was a

Read More
1647 Words | 7 Pages

Application of Conflict Theory to the Gun Control Debate Being a debate, the conflict theory is a very applicable theory that can be applied to guns/gun control laws and their roles in society. A debate is something that is associated with conflict, so by observing how deep and exactly in what directions this conflict extends, one might be able to understand this topic in a new light. In other words, by analyzing the very nature of this argument, this sociological perspective can be used to generate a deepened understanding of the debate on the extent of gun control laws. The Conflict Theory

Read More
935 Words | 4 Pages

The most common archetype seen in noir is the femme fatale. The femme fatale becomes a distinct part of film at the end of World War II as well as a threat to transgress the patriarchy (Grossman, p.4). The origins of the femme fatale comes from "the historical need to reconstruct an economy based on a division of labor by which men control the means of production and women remain within the family, in other words, the need to reconstruct a failing patriarchal order" (Jancovich, 2011, p.100). Furthermore, Jancovich claims that the femme fatale was created as an effort to encourage women to revert back to their womanly duties and to quit their jobs that they took on while the men were overseas. He calls them a “demonization of the independent working-woman” ( 2011, p.105).

Read More

More about Gun Crazy Analysis

Related Topics

Open Document