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Henry Clerval Quotes

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“Victor, no.”: Henry Clerval, Tough Love, and Good Intentions Some have a natural charisma that renders them likable to the majority of the population. People are attracted to those who portray characteristics that are genuine and would be favorable directed towards themselves. These kinds of people are easy to root for and support. Henry Clerval from Frankenstein has several of these traits, including being perceptive and sensitive. He is a man that wouldn’t hesitate in bestowing such qualities upon everyone he meets. Thus, Henry Clerval is the best candidate for the nomination of Everybody’s Friend. While Victor Frankenstein was more interested in the science behind the world, Clerval was entranced by the human and moral side, yet he still …show more content…

Instead of being spooked and abandoning him, he stays by his side for several months, nursing Victor back to health, knowing “that [Victor] could not have a more kind and attentive nurse than himself; and, firm in the hope he felt of [Victor’s] recovery, he did not doubt that, instead of doing harm, he performed the kindest action that he could towards [Victor’s family]” (64). The kindest action, in this situation, is to not inform Victor’s family of the seriousness of the situation. Simply staying with Victor speaks to Henry’s loyalty and him choosing to downplay the circumstances speaks to a high level of sensitivity. It is hard to make a decision that seems dangerous, especially if one isn’t sure of their ability to handle it, yet Henry, a man of the humanities, persisted because he was aware of the negative emotional effect it would have on the rest of the Frankensteins. Not getting a sick man help is an event with negative connotations out of context that Clerval knew could do good. Not to mention he is also good friends with Elizabeth, Victor’s adopted sister, and didn’t want to worry her. He is also preserving Elizabeth’s best interests and not sacrificing any of his friends needs for the other, choosing to take full responsibility over both. Henry is a well-meaning person that positively affects everyone around

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Henry Limpet is a shy bookkeeper that loves fish. He has a friend named George Stickle who decides to enlist in the United States Navy. Mr. Limpet also tries to enlist but is rejected due to his physical physique. Feeling upset Henry travels to Coney Island where he accidentally falls into the water. Ironically he can’t swim and when he doesn’t resurface his wife and friend George assume he drowned.

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This proves that he was not ready and only wanted to prove his mother wrong. As one can see, there are many reasons that Henry is considered a

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Henry appeals to his audience in a way in which they have the urge

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“I have no special talents. I am only passionately curious.” -Albert Einstein. This quote is very relevant to the book Frankenstein because Victor Frankenstein, though he is a very intelligent scientist, has a passion to explain how life is created.

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The Creation of Human Life The laboratory from where the creature in Frankenstein was created, to the DHC in Brave New World , and the creation of humans by God in Paradise lost all share one thing in common. They both share the common theme which the art and science of creating a human life. All three of the novels want to have pure human beings free from disease and distress. But the novels also want to have social stability. As the plot begins in Frankenstein we are introduced to a group of explorers of which Victor is part of on a journey to a new world .

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Brandon McCormick Ms. Headley English 2013 8 December 2014 Allusions to Paradise Lost in Frankenstein In the nineteenth century gothic novel Frankenstein, Mary Shelley uses numerous allusions within her novel that can easily be interpreted by the reader. These allusions make it easier for readers to understand the characters and compare their circumstances throughout the story. The most significant and most used was from John Milton’s epic Paradise Lost. It is known that, “…Paradise Lost stands alone in the eighteenth and nineteenth centuries atop the literary hierarchy, and Milton’s epic is clearly rooted in the history of Puritanism and in the bourgeois ideal of the individual, the ‘concept of the person as a relatively autonomous self-contained

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When Victor fell ill and it was apparent Henry asked, "How ill you are. What is the cause of all this?" but he never received an answer, but that didn’t stop Henry from being there and nursing Victor back to good health over a span of several months. Throughout those several months Victor never told Henry of the insane project that he had done, he left him in the dark of how dangerous this creature could be and thanks to his negligence of telling the truth to those around him Henry was murdered by The Creature as a way to get back at Victor. The same incidence happened to Elizabeth but The Creature actually gave Victor a warning and yet Victor still decided to not do anything to possibly keep his lover out of harm’s way.

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Victor falls ill with anxiety, and as a result of Victor’s neglect the monster begins to destroy his life. Even when the monster confronts Frankenstein, threatening that he “will glut the maw of death, until it be satiated with the blood of [Frankenstein’s] remaining friends, 102" Victor does not acknowledge the problem he has caused, the literal embodiment of his anxiety. He does not attempt to confront the monster head on or alleviate his loneliness, both a form of acknowledgement and thus a healthy way to respond to his fears. Instead, he once again pretends the monster doesn’t exist which only further enrages and empowers him. Once again, this mirrors the fact that when fears and anxiety go undealt with they will only grow and confirms that the monster is the embodiment of this

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For years the human race has been obsessed with playing God. Often people blamed God for the death or injury of a loved one. Many wanted to make a change. Change the way we live and die. They were playing God.

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„I desire the company of a man who could sympathize with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend” (Shelley 163-164). This is the wish of the scientist Robert Walton whose letters start Mary Shelley’s novel Frankenstein. Unlike the first thoughts coming to mind when hearing the title, friendship is one of the main topics in the story and the wish Walton expresses in the beginning stands for the desires of all the main characters. Not only Walton feels to be in need of companionship, the central character Victor Frankenstein does so too and even the Creature he brings into being expresses its strong wish to belong to someone.

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Once noted, the parallels between Frankenstein’s fears and desires and the reality the monster experiences are many. Now that Victor is in university, he no longer has family and friends to fall back upon in the unknown territory of his university. Frankenstein voices is that “[he] believed [himself] totally unfitted for the company of strangers,” irrational as it may be, and believes himself solely dependent on his family and childhood friend for companionship. Without the love guaranteed to him by his family, Victor believes he is unfit to make companions by himself and destined to a life of loneliness. He places much importance on the fact that his father and Elizabeth love him and are concerned with his well-being.

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Tom Robinson is a mockingbird in that he doesn't do one thing wrong. All he does is provide help to the people he interacts with. That is exactly how he got in trouble. Tom Robinson was helping Mayella with some chores. He was humming a melody and when he chopped up the dresser drawers.

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Henry and Victor needed each other to get through school and life. Everyone needs at least one friend, who will bring his or her balance and love, into their life. To go further in depth, the characters in Frankenstein expressed the need of a companion to feel the need and want in life. The character to introduce the want for a friend is Robert Walton.

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The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.

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Frankenstein: From Benevolent to Feind “I was benevolent and good; misery made me a fiend.” (Shelley 69) Said by Frankenstein’s monster, this quote truly defines him: initially an affectionate, love-seeking creature, he transformed into an enraged killer, angry at humanity for the undeservedly poor way he was treated. Victor Frankenstein is an unique, complex individual who encounters a similar change of nature for similar reasons. The quote—though spoken by the monster—encapsulates the evolution of Victor Frankenstein’s personality; misery—a product of isolation and loneliness—aroused a deterioration of temperament from an initially benevolent Frankenstein.

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