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Essay about the history of hip hop music
Essay about the history of hip hop music
Essay about the history of hip hop music
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In this particular article, Ivan Fernandez discusses the unique connection between hip-hop and indigenous people. In the past few years, many more indigenous music artists have begun to voice out their stories of oppression and their traditions that have been suppressed for such a long time through hip-hop. This is because hip-hop is utilized as a medium for indigenous artists to take back their culture and tradition. This is connected to the historical material that we have studied because it pertains to the history and background of hip hop. Hip-hop and its culture originated in the rough neighborhoods in South Bronx.
Hip hop has a message that reveals the social inequalities of our nations. In addition, McBride wants people to keep an open mind about hip hop and new thing that they may not be used to. In conclusion, he declares hip
This article focuses on the color-blind ideology that allows white people to participate in and appropriate hip-hop culture. Rodriquez notes that they do so by using the guise of inclusivity of all races to justify their participation in hip hop and to adapt characteristics of the culture without respecting Black identity. He uses his own interviews of several white audience members of hip hop concerts who identified as participants of hip hop culture. Rodriquez identifies two groups resulting from social collectivity to reinforce his argument: consciously collective white groups, who actively reinforce racial segregation and passively collective white groups, who unknowingly unite and reinforce systematic racism through their adherence to color-blind ideology. The participants of his research are part of the latter, who unconsciously reinforce systematic racism through treating cultural objects, namely aspects of hip hop culture, as shareable products and experiences.
How the Cultural Turn has allowed music to be transformed into oral histories: music about migration and the borderland between the USA and Mexico from the album Border Song Introduction This essay will explain how the cultural turn has affected the study of migration through the advent of music. The cultural turn was a movement in the 1980s and 90s that changed how geography is studied (Eyerman, 2004). This has allowed for a much broader range of topics to be researched through a geographical lens, such as identity, race, gender, sexuality, and intersectionality, that take a more human-focused approach rather than just a physical one (Jacobs and Spillman, 2005).
He defines hip-hop nation as a “colonized extension of a predating and continuing colonialism that engulfs its progenitors and governs still the process and necessity of the theft of soul or the grossest forms of distortion of communication.” (Ball, 2011: 20) The origins of hip-hop in the South Bronx during the 1970s can be seen as a response to the social and economic marginalization faced by African American and Latino communities. The creative expression found in hip-hop was a form of resistance and empowerment, reclaiming space and voice in a society that sought to silence them. Tupac Shakur's origins and his body of work also tie into Ball's arguments.
When people imagine hip hop, they think of DJs, street style, gold chains, and graffiti – images that project a style that matches the loudness of the music. In a well-argued essay, Krista Thompson questions the visual manifestations inspired by hip-hop through an analysis of Kehinde Wiley and Luis Gispert’s work to gain a better understanding of the relationship between light and sound with regard to African American culture and black urban youth. She defines the word “bling,” details the history of hip-hop, and discusses the history of surfacism and materialism to uncover what hip-hop represents, what bling reveals about the ways of seeing, and how visual production propagates Black commodity. After detailing the emergence of hip-hop, Thompson discusses the connection between materialism and surfacism, and she explains how materialism
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
The use of rhyme and rhythm has therefore been used to represent the plights of the black people The plights of the black people is seen to be stemming from slavery Hip-hop is largely seen a music genre pre-dominantly celebrated by the black people singing about the historical injustices as well as their fight for recognition, money and fame
Slaves would in some cases exchange sentiments of their songs and narratives to oppose the real meaning of their lyrics. When singing about oppression or the unfair conditions of their slavery, slaves would use tunes that implied that they were singing songs of joy (Sundquist, 2006). This made sure that only the slaves identified with their true emotions since they all share deep cultural backgrounds and had a good understanding of the situation they were facing. Hip-hop uses the same strategy in passing its message. Hip hop, just like most of the 20th and 21st centuries music genres, it identifies with loud beats and controversial words.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power.
The genre of hip hop or “rap music” has produced a great deal of influential music and people. Beginning in the early 1970s, rap music consists of rhythmic sounds, followed by rhythmic speech. With melody’s continuing for over 40 years, hip hop has created statements that define exactly why its reign will be everlasting. Hip hop is also a culture, popular simply because it is purely creative, and truly genius. Illmatic illustrates that exact authenticity, and originality through outstanding lyricism, and production.
Because the lyrics of many rap songs tell stories of an artist’s personal experience of their everyday lives growing up, urban youth can relate and connect to the lyrics because they see and experience very similar things. Listening to the artist’s lyrics about their own experiences can teach the listeners to not make stupid mistakes and if they continue to follow the right paths, they can achieve more and be successful like the rappers. Hip-Hop literacies can be applied in and outside of the classroom. Students can identify themselves through Hip-Hop culture. In the article, “You Don’t Have to Claim Her”, the author and English teacher Lauren Leigh Kelly, explains that women of all ages can use Hip-Hop to identify themselves despite the genre
Subcultures are values and norms different from those of the majority and are held by a group within a wider society, these social groups are organized around shared interests and practices. A subculture is usually attached to clothes music and other visible fronts within the given community, that is part of the general society. Subcultures contain individuals who think alike who feel like they are not a part of the bigger culture of society and then create a sense of identity for themselves. The term Hip Hop is used as a subcultural movement. Scholars such as Carl and Virgil Taylor emphasize “Hip-Hop is not only a genre of music, but also a complex system of ideas, values and concepts that reflect newly emerging and ever-changing creative correlative expressive mechanisms including but not limited to song, poetry, film and fashion.”
