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Hip Hop Vs West Coast Rap History

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The rivalry between East Coast and West Coast rap has been one of the most significant chapters in the history of hip-hop music. Emerging in the 1980s, this fierce competition not only showcased distinct musical styles but also gave rise to feuds, rivalries, and tragic consequences. This essay explores the origins, the key figures involved, the escalation of tensions, and the current state of the East Coast vs West Coast rap rivalry. East Coast rap found its roots in New York City during the 1970s and 1980s. Pioneered by artists like Grandmaster Flash and the Furious Five, Run-D.M.C., and Public Enemy, East Coast rap was characterized by its lyricism, storytelling, and socially conscious messages. Meanwhile, West Coast rap emerged in Los Angeles in the late 1980s, with N.W.A. as its prominent figure. West Coast rap introduced a more laid-back sound and often focused on gang culture, street life, and partying. …show more content…

On the West Coast, Dr. Dre, Snoop Dogg, Ice Cube, and Tupac Shakur were essential in shaping the region's rap identity, blending gangsta rap with melodic hooks and smooth delivery. These artists became synonymous with their respective coasts and gained immense popularity, amassing large fan bases.
Tensions between the East Coast and West Coast escalated in the 1990s, fueled by personal rivalries and lyrical jabs exchanged between artists. The feud between The Notorious B.I.G. and Tupac Shakur was one of the most prominent and ultimately tragic examples of this rivalry. Their feud, marked by diss tracks and public insults, reached its climax with the deaths of both artists in separate drive-by shootings in 1996 and 1997. These tragic events brought the destructive nature of the rivalry to the forefront, shedding light on the dangerous consequences of the East Coast vs West Coast

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Suge Knight was involved with Death Row Records. Tupac agreed to join Death Row Records and told Suge about his anger at Biggie. At the Source Awards, Suge Knight threw shade at Bad Boy Entertainment, even though they were on good terms. Tupac is said to have made this relationship “go sour”, so to speak. The Source Awards were the first shots in what would become known as the East Coast-West Coast hip-hop wars.

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Music was the only escape from police brutality, crack dealing, 'Reaganomics ' and gangbanging. They were pushed to make music from their experiences in their neighborhood. Dre and Eazy-E, members of N.W.A., were once harassed by police for shooting paintball guns. Ice Cube, another member of N.W.A, explains how there was mistrust between police officers and people in his neighborhood. Whatever happened in the neighborhood, they would never call the police.

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“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.

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The Get Down can explain the social cohesion and power dynamics of the Bronx, how hip hop differed and was made from existing musical styles, how the various elements of hip hop interact with each other, and how hiphop affected community. Within the Bronx, most communal powers belonged to gangs and drug

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N.W.A.- Fuck tha Police was made because police officers forced the group to lay face down in the street with guns to their heads. In the 80’s police brutality was at high, and young African American teens were there target.

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Before West entered the rap scene, it was focused on gangster rap, however, West created a form of relatable rap that people can connect to. What’s more is that many musicians followed and grew to success using West’s new category of rap, for example, Drake who used West’s 808s and Heartbreak as a template for his

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He was from the East Coast and since he didn’t want to deal with that side anymore this caused controversy and for some of society to split up and a lot of rappers to be referred to as an East Coast or West Coast

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West coast and East coast also had their own gangs of B.L.O.O.D.s and C.R.I.P.S. that would also mean a lot to people when it came to repping. This played a huge role in gangster rap because it would end up being what would separate rappers and bring others

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Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.

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Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.

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The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.

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