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Augustus's journey to power
Augustus's journey to power
Augustus's journey to power
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Augustus wrote the Deeds of The Devine Augustus, it was a first person account of his rule over Rome. It was written before his death in 14 A.D. Augustus wrote this document as part autobiography and part last will and testament. The main story line of The Deed of The Devine Augustus describes Augustus’ political career, his military success, and ultimately serves as propaganda to inspire the Romans to continue in the path of his empire.
The accounts of Agrippina’s death, as narrated by Tacitus and Suetonius, take on an almost farcical tone, but eventually, according to the sources, Nero successfully killed Agrippina. Before her death, Agrippina wrote an account of her life and career, becoming the first known woman author in Roman history, as she was the only woman on record to have published her memoirs. (Wood, 481) She was also the first imperial woman to bear the title Augusta during her husband’s lifetime.
The Kelsey Museum Augustus, First Emperor of Rome, is similar and different to many Roman art pieces. The first very obvious style that can be seen is the Augustan period approach, the Augustus of Primaporta statue from Italy, marble copy, from early first century is a great example of this approach. They both have the same exact straight hair strand placement, face shape, and youthful idealized face. Augustus uses the same style throughout all his statues and reliefs, where his forehead is very wide and longer than his chin area. Unlike the prior Republican period style, the Augustan period rejects the veristic style, which is the very extreme expression of oldness.
Agrippina the Younger’s role during the Claudius’ principate was quite simple, she was to establish a familial connection between Claudius and both the Julian and Claudian linage. The commonalities between Claudius and Agrippina resulted in a beneficial relationship that allowed her influence to increase. By being the great granddaughter of Augustus, Agrippina held a powerful position which helped legitimise the reign of Claudius, hence she was given the title Augusta with her official name on coins and inscriptions as Iulia Augusta, which conveyed the notion of being an empress. Consequently, this enforced his position as princeps, especially persuading the senate which doubted his ascension to emperor. Because of her power and influence, Agrippina had a positive relationship with the senate which brought stability between them and Claudius, thus she was given the right to use the carpentum at festivals, as well as to sit in the senate itself and discuss various matters--
Elizabeth Cameron Dalman, is a renowned teacher, choreographer, director and performer who is known as the founder of modern dance in Australia; 1965 saw the Australian Dance Theatre open under Dalman, further cementing Australia’s respected position internationally on the dance stage (Australian Government, 2013). Modern or contemporary dance, is seen as similar to ballet with small elements from other styles of dance. The movements in contemporary dance are performed on the floor with less structure than the strict movements seen in ballet. In addition, dancers often perform in bare feet, further emphasizing the freedom this style of dance allows; performers emotions are expressed through movements (Bedinghaus, T. 2015). Versatility, unpredictable
After his reign, Augustus had conferred his power to his adopted son,
Wallace-Hadrill makes the argument that the seat of Augustus’s empire, the Imperial home on the Palatine Hill, was where the sovereignty of the emperor would become the most effective. When Augustus garnered control of the Roman Empire, the aristocracy of Rome—both the friends and enemies of the emperor-- flocked to his side in hopes of joining his Imperial court. Each courtier had a varying degree of intimacy with Augustus; the closer one was to him, the more of his borrowed authority they could access. Successful courtiers were masters of manipulation who could maneuver through positions and relationships to ingratiate themselves to the court and to the emperor. In the Imperial court, being close to the emperor and being powerful were synonymous.
Nero now became the adopted son of the emperor. Claudius already had a son named Britannicus, but Agrippina wanted Nero to be the next emperor. She convinced Claudius to name Nero as the heir to the throne. Nero also married the emperor's daughter Octavia to further secure the throne. At the age of 14, Nero was appointed to the position of proconsul.
Claudius also has two siblings, Germanicus, and Livilla. Claudius was declared the emperor when Gaius was murdered by his own bodyguard, Claudius was found cowering behind a curtain. On 25 January 41 A.D. Claudius was formally invested with all the powers of theprinceps,
In the first chapters of Book VI of the Annals, Tacitus describes the early youth of Aelius Sejanus. Almost immediately, we are aware of the fact that both Tiberius and Sejanus, in some way, are responsible for the end of Rome’s peaceful reign. In this way, Tacitus portrays the negative impression received from both characters in a multitude of ways. Firstly, Tacitus recalls the events of Sejanus persuading the emperor Tiberius to situate the praetorian guard outside the city of Rome and by the gate instead.
When Agrippina the Elder, returned to Italy carrying her popular husband 's ashes, she publicly declared Piso guilty of murder and hinted at the involvement of more hidden agents. Agrippina the Elder, believed that Tiberius had conspired to kill Germanicus, and “she waged a relentless vendetta against the emperor.” Tiberius probably felt that he was blamed, by many people, for the death of the popular Germanicus; Tiberius had two motives to kill Germanicus: Germanicus was a potential rival of Tiberius himself, and he was a rival of Tiberius’ son, Drusus.
By preselecting which events were to be released to the public, Augustus incorporated judgements of his own actions into the work. This directly prevented the people of Rome from effectively vetting the collection of exempla. It was impossible for Romans to judge negatively, for example, Augustus’ mercy in sparing the lives of foreign captives; yet if a Roman were witness to all the facts of the situation instead of the manipulated accounts of the Res Gestae, it is likely that Augustus’ exempla would have been less
Two important classes were senatorial class (senators) and equestrian class (any person, who possessed a certain amount of wealth.) For instance, the wealthy dominated the legal system; they had control over properties through ownership rights and the use of sanctions, and could distribute them in their favor. As it could be seen, the elite group took the government, possessed vast amounts of land (most of which was conquered during the expansion) and owned slaves. On the other hand, people from lower class (freedmen and slaves) almost owned nothing and had to win the affection of confidence of their masters. The great enrichment of the Roman’s upper class directly and indirectly led to the worsening of life and daily struggles for many plebeians.
You’ve Got a Friend in Me: Tactics of Amicitia in Cicero and Pliny’s Letters of Request In the highly stratified culture of ancient Roman society, knowing how best to communicate with one’s social betters was necessary in order both to avoid offense and to potentially gain political or social advantages. This is especially apparent in letters of recommendation, or indeed, any letter that made a request of another, as a refusal of a request would have been potentially damaging to one’s reputation. Methods and tactics of form, content, and tone were of paramount importance for writing a successful letter of this nature. This paper seeks to examine how aspects of amicitia were used in the form, content, and tone of Pliny and Cicero’s letters of
Augustus was only 17 year old when he had a positive relationship with the Senate because Augustus wanted to raise the tone of the Senate, reduce, its numbers, restore its former dignity, increase responsibility of its members and improve its efficiency. This relationship with the Senate remained for the rest of the Julio- Claudian Dynasty. Thus shows that Augustus had a positive relationship with the Senate. One of Augustus main aims was to reduce the size of the Principate he would work with, Augustus had reduced its numbers from 1000 and 800 in 23BC and then 600 in 27BC, and then 400 in 18BC by removing disreputable members who entered the Senate prior to Augustus through bribery or influence. Augustus laid down a monetary qualification of one million sesterces and added worthy men from the equestrian class.