How Did Boxer Muhammad Ali Influence Hip Hop Music

Boxer Muhammad Ali, as an influential African-American celebrity, was widely covered in the media. Ali influenced several elements of hip hop music. Both in the boxing ring and in media interviews, Ali became known in the 1960s for being "rhyming trickster" in the 1960s. Ali used a "funky delivery" for his comments, which included "boasts, comical trash talk, and the endless quotable" lines. According to Rolling Stone, his "freestyle skills" a reference to a type of vocal improvisation in which lyrics are recited with no particular subject or structure and his "rhymes, flow, and braggadocio" would "one day become typical of old school MCs" like Run–D.M.C. and LL Cool J, the latter citing Ali as an influence. Hip hop music in its infancy has

The African-American traditions of signifying, the dozens, and jazz poetry all influence hip hop music, as well as the call and response patterns of African and African-American religious ceremonies. Soul singer James Brown, and musical 'comedy' acts such as Rudy Ray Moore and Blowfly are often considered "godfathers" of hip hop music citation needed Within New York City, performances of spoken-word poetry and music by artists such as The Last Poets, Gil Scott-Heron and Jalal Mansur Nuriddin had a significant impact on the post-civil rights era culture of the 1960s and 1970s, and thus the social environment in which hip hop music was

Most of the early rap/hip-hop songs were created by isolating existing disco bass-guitar bass lines and dubbing over them with MC rhymes. The Sugarhill Gang used Chic's "Good Times" as the foundation for their 1979 hit "Rapper's Delight", generally considered to be the song that first popularized rap music in the United States and around the world. In 1982, Afrika Bambaataa released the single "Planet Rock", which incorporated electronica elements from Kraftwerk's "Trans-Europe Express" and "Numbers" as well as YMO's "Riot in Lagos". The Planet Rock sound also spawned a hip-hop electronic dance trend, electro music, which included songs such as Planet Patrol's "Play at Your Own Risk", C Bank's "One More Shot" (1982), Cerrone's "Club Underworld" (1984), Shannon's "Let the Music Play", Freeez's "I.O.U”, Midnight Star's "Freak-a-Zoid", Chaka Khan's "I Feel For