How Did Hiroyuki Ono Change The Spirit Of Buth Dance
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The stage was proscenium type, having the audience seated in the front of the stage, which helped the audience to watch all the artists at the same time. The stage settings, café set,
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Throughout this process, the director talked about the idea of identity, but in my opinion, the focus became blurred toward the end of the production process. Perhaps this was due to the fact that the main method for communicating the concept of identity was through dialogue. Although they were executed very well, the sound design and the set design actually did very little to help communicate the main concept of identity in this production. The songs selected for the production during the pre-show, intermission, and during the play did not contribute to the overall message and might even be considered distracting. Because the dialogue was so important, perhaps a better choice would have been to utilize subtle instrumental music in addition to the water sound effects.
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A key element that was present was the use of sound. The use of sound and music can help to create atmosphere in a production. The production of Nosferatu used music to help present the story. All music that was used in the production was performed live on the stage. Anna Scott was a cellist that was based on the edge of the stage, all music she played was live as was her singing.
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At the end, he encourages the audience to do what people in his stories have done. His unique way was effective in grabbing the audience and persuading them into a whole new
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The Alvin Ailey modern dance company is known internationally for their works and dancers but how they began is a very interesting story. The company formed in 1958 and just two years later one of the most memorable and notable performances of the company was created, “.Revelations”. Although Alvin Ailey was the creator and director of this company, Ailey’s style and the technique he used and that the company still uses stems from Lester Horton. Horton was a pivotal teacher for Ailey and inspired him to create a company and carry on this technique from Horton. This paper will illustrate the beginning influence Horton had on Ailey and how the company has grown overtime.
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Burton's use of lighting proves that he a unique, gothic style. Sound and music both
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In America, Martha Graham (The Queen of Modern), Rudolph von Laban ( Time Energy and Space), and Alvin Ailey (Gospel or Lyrical Spiritual dance) developed and are developing for human movement and methods of instruction that led to the development of modern and expressionist dance. The reason that modern dance is so popular is because it 's the ability to move your body in a way that is comfortable to you. Also people in that time were trying to get out of the strictness of ballet and wanted to be more free in there dancing. The society change during the 20th century changed in the dance style.
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The play uses many naturalistic techniques. These techniques are some of the most important elements of the play. The
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Because it was a musical, the sound effects had to be perfect in order for a good preformance, and that it was. The preformers used approbnbpiate microphones for the various scenes; vintage microphones for the 1940s and 1950s songs and scenes from that time period theater preformances for example. The sound was not as crisp during these scenses, bringing the viewer into the world and time period of the song. Like from the video, this was very subtle and I would not have noticed had the lady next to me not pointed it out. The next element were the light schemes.
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Everyone is being watched judged for their actions in the novel, The Great Gatsby. The motif of eyes is shown throughout the novel The Great Gatsby by F. Scott Fitzgerald. Eyes are used to show how everyone is always watched and should be careful and think about their actions because each action is very important and will not be forgotten or unnoticed. Fitzgerald’s use of the symbol of eyes in The Great Gatsby, develops the theme that there is always someone watching and nothing goes unnoticed. It is better to think about all actions so that later, one will not have to be warned.
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The dancers were observed to be full of energy which showed through their movements and dancing. Every movement was sharp and clean. Furthermore, the action portion of the basic dance elements was seen through the dancer’s basic movements that turned into dancing. For example, in one scene, the actor jumped off the table and broke into a little skip-glide dancing movement.
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A production starts with an idea for a play. The director wants to come up with an idea that will entice the audience and make them leave satisfied and possibly want to see the show again. With this specific production, I believe Mata did
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“Imagination no longer has a function”, says Emile Zola in his essay, ‘Naturalism in the Theatre’. Many of the ideas which Zola has discussed in this essay have been taken up by modern theatre, both in theory and practice. Modern theatre, for instance, is aware of the fact that analysis and not synthesis should be the basis for theatrical production. It is with this theory at the back of his mind that Bertolt Brecht has discussed theatre’s role as an educator only if the elements associated with spectacle are removed from theatre.
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