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Maus 1 final Essay Introduction: The book Maus is by Art spiegelman, The book takes place in Poland, during World War II. Artie is Vladek's son, and Anja is Vladek's wife who passed away. Artie who is Vladek’s son who writes a book of his father's crucial experience during World War II . Vladek is a Jewish survivor of World War II.
The Holocaust was a very traumatic event for everyone who experienced it and those who came after, and it gave many people experience, trauma, and disorders that they should never have had. Those of us who did not personally experience the pain will never know what those Jews went through in those camps, but Maus and Night share the experiences and horrors that millions of Jews had to live through. Maus is a survivor tale that tells the author, Artie Speigelmen’s father’s experiences in the Holocaust and his retelling through a graphic novel. Night is an autobiography written by Elie Wiesel that recounts the experiences of a teenager in a concentration camp during the Holocaust. Some of the survivors became obsessive or paranoid, and others
Page 80 of MAUS by Art Spiegelman uses various artistic devices such as framing, visual symbolism, and shading to show the hopelessness of Jews during the Holocaust. They were victims of fate, trapped with no control over their lives or the wonton horror inflicted by the Holocaust. Page 80 is comprised of five contained panels, and one unbound panel that bleeds over into another. Several of these panels are larger than average, most notably that of the top and bottom, allowing Art to show more detail and emphasize the importance of those specific panels. Page 80 shows Vladek’s near abduction by the Nazis in 1941.
The Concept of Discourse Community In “The Concept of Discourse Community”, John Swales tries to outline a definition of a discourse community. Swales argues that there are several differences between a “speech community” and a “discourse community”. He later sates there are six major characteristics for a group to be a discourse community. Swales then gives an outline on what does a discourse community and what parts make it up.
In the novel Maus, Art Spiegelman writes about the past and present traits about a survivor of the Holocaust. Throughout the novel, the author goes back and forth between the character's past and current traits. Art is able to think about what the holocaust is about and how his father fought through it to create a novel. Vladek shows how the holocaust has affected his entire life and how his life has become more complex. When Vladek was a young man, he was a quick thinker; he was able to come up with last-minute plans that saved his and many others' lives.
Night and Maus represent Elie’s and Vladek’s (Artie’s father)historical perspectives through the time of the Holocaust. Night focuses heavily on memories from the concentration camps, especially Auschwitz… one of the most notorious concentration camp. Maus focuses on life throughout the Holocaust outside of the concentration camps and measures taken to avoid being caught as a Jewish. Elie’s relation with his father is similar to Artie’s relation with his father during the beginning of both stories; both relations were distant.
Maus is the graphic depiction of Vladek Spiegelman’s life as a Polish Jew in the 1940s trying to escape the Nazis. Night and Maus have many similarities and differences regarding style, genre, and structure. Night and Maus have similar styles because they both use figurative language. In Night, when Weisel is finally freed, he looks in the mirror for the first time in years. He says, “From the depths of the mirror, a corpse was contemplating me” (Wiesel 115).
Maus is a comic book that illustrates the story of Vladek’s life during Hitler’s reign through interviews with his son Artie. Art Speigleman tells this story through the eyes of Vladek to depict a more human experience. Most of the story of Auschwitz and the holocaust comes from what Vladek tells his son. This format of the book allows the reader to get a more personal experience from the survivor, Vladek. You can see that Vladek’s story contains a lot of personal details when he tells Art, “I can tell you other stories, but such private things, I don 't want you should mention.”
If one is in a situation where speaking up against an injustice would result in being killed, what should they do? This theme is apparent in both the graphic novel Maus and the memoir Night as they focus on life during the holocaust for Jews. Maus by Art Spiegelman is the story of Art’s father Vladek and his experiences leading up to his capture and placement into the concentration camps. Night is a personal memoir by Elie Wiesel. The memoir guides the reader through Elie and his father’s experiences at concentration camps.
Although not so many words are used in Maus, Spiegelman gave a creative way of depicting the Jews as rats, the Polish as pigs and the Germans as cats. This gives a wonderful sense of how each race was viewed. Diversely, Night goes deeper into detail with emotion, diction and expression. Elie profoundly dictates every moment he lives while at the concentration camp, from the moment he and his family are dragged off those wagons to the moment he is nearing the gas chambers. Night gives a depth not shown in Maus due to the fact that this is a first hand survivor of the holocaust.
Maus by Art Spiegelman is a World War II survivor written from a Jewish perspective. The book is however not representing a typical survivor tale, as Spiegelman has decided to tell it in a new, unconventional but revolutionary way; a comic strip. Even though comic strips are said to represent fiction, they can actually successfully transmit real stories and add a new dimension to it. This new dimension is generated by combining text and image. Spiegelman has decided to fully make use of this unique genre by portraying different ethnicities or nationalities in form of anthropomorphic creatures.
In Maus, Art Spiegelman records his personal accounts of trying to delve into his father’s traumatic past. His father, Vladek, is a Jew from Poland who survived persecution during World War II. Art wants to create a graphic novel about what his father went through during the Holocaust, so he reconnects with Vladek in order to do so. Due to the horrifying things that the Jews went through he has trouble opening up completely about all the things that happened to him. But after Art gets together with his father many times, he is finally able to understand the past legacy of the Spiegelman family.
Often times in life we try to hide our guilt by putting on a fake smile and pretending everything is okay. People are attracted to see why people pretend to be okay, and it is been incorporated into books and movies. Art Spiegelman, the author of Maus I and Maus II, shows his guilt in his books by the way he draws himself. Art makes humans be animals, and then sorts them into groups: Jews, Nazis, Poles etc; and makes himself wear a mask after the death of his father, Vladek. Throughout the books, Art Spiegelman tries to illuminate his guilt by using masks, making himself small, and telling what he does outside of working on the story.
In the scene 'Time Flies', Art Spiegelman uses multiple literary devices to convey both the story and it's important themes. In this scene there is a large focus on Siegelman's emotions. During the making of this scene, Spiegelman was suffering from depression; He attempts to portray exactly how he is feeling through his imagery and use of literary devices. One literary device used throughout the scene is the image selection. At the beginning of the scene we see Spiegelman sitting at a writers desk positioned on top of a pile of the decaying bodies of Jewish people.
Art Spiegelman's graphic novel Maus is a story that clearly displays the appalling treatment of the Jew's during this time. To effectively show this, Speigelman uses a variety of powerful literary devices. These include the use of black, white and shading, the way people are depicted and font & text size. A good example of this is the inserted comic, Prisoner On the Hell Planet (pg.