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Shakespeare comedy in twelfth night
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Throughout the year of 1974 to 1975 an African American male suspected to be between the years of 19 to 22 years, tall, slim and between 5’10’’ and 6 feet. In bloody year, the African American male scouts the San Francisco area looking for gay males. It is believed that his MO was homosexuals, he then doodles his victims (this it is how he got his name The Doodler or The Black Doodler) that he is interested in and stalks, harass and even rapes his victims before he kill them. Investigators noticed that all of the victims that were murdered all had stabbed wounds. Through just one year, the African American male killed over 14 men and assaulted 3.
In the comedic play “Twelfth Night”, by William Shakespeare, the idea of deception is a theme explored throughout the entire play. In the case of Viola, a shipwrecked girl who believed her brother to be dead, decides to distance herself from others after hearing about a Lady Olivia who was also mourning the death of her own brother. She then assumes the persona of a young man named Cesario and enlists in the Duke Orsino 's services. The Duke, having befriended Cesario, a.k.a. Viola, asks Cesario to head over to Lady Olivia’s in hopes of wooing her over for him.
In his play, Twelfth Night, William Shakespeare has his characters participate in the practice of deception and dishonesty of others - after all, the foundation of Shakespeare’s play resides within a lie. One of the major deceptions in the play is executed by the Illyrian countess, Olivia, as she repeatedly claims to need solitude to mourn her brother’s death in order to avoid Duke Orsino and his obsession towards her. This deception contributes to the meaning of the work as a whole by adding the thematic message, deception and dishonesty is sometimes the better option when it comes to love. From the beginning of the play, Olivia is introduced as the grieving countess that has recently lost a brother.
The famous playwright known as Shakespeare has created a variety of plays where secrecy and deceptions are recurring themes found throughout his works. William Shakespeare’s play Twelfth Night makes use of these themes through several characterizations, most notably seen with protagonist Viola. As the protagonist survived a shipwreck in the land of Illyria, she intends to aid the noble Duke Orsino in hopes of connecting with mourning Countess Olivia by using a masculine disguise. Throughout the play Twelfth Night by William Shakespeare, examples of disguises, misunderstandings, and mistaken identities contribute to the represented secrecy and deceptions portrayed in the play.
In the story it shows a love triangle between Orsino, Cesario (Viola), and Olivia. Cesario falls in love with Orsino, Viola is in love with Cesario, and Orsino is still in love with Olivia. The characters in the story all show happiness and joy throughout because it’s a story that ends in love unlike Romeo and Juliet where it ends in a tragedy. As said in Twelfth Night, “Its central plot concerns a love triangle between the Illyrian nobleman Orsino, his beloved but unattainable Olivia, and the shipwrecked Viola.” (Lee
However, love vanquishes vanity. Illyria 's Duke Orsino and Countess Olivia are vain, that is, empty, till epiphanies prepare them to love someone beyond themselves. In this manner, epiphanies resolve Twelfth Night characters ' barriers to the altar, enabling them to recognize, experience, and respond to outwardly directed love.
He sees her as a prize that can be sought after rather than a person with feelings that matter. The actions of the character Orsino are relevant because everyone has a sense of selfishness and would prefer their desires to be met before thinking of others wishes. Shakespeare’s plays usually provide a reality of a human emotion or a relatable theme. In Hamlet there is a sense of irony, in Macbeth there is grief and pride, in Twelfth Night Shakespeare provides a sense of humor.
In “Twelfth Night” Viola seeks refuge in a mistaken identity “O that I served that lady, and might not be deliver’d to the world” (I.ii. 42-43). Trying to find a way to hide herself and have others mistake her as a young man. Seeking shelter in her mistaken identity Viola shows another perspective of a misinterpreted identity that is evident throughout the plot of “Twelfth Night”. Despite the fact that Viola can conceal herself beneath her ‘Cesario’ front, she is unable to profess her deep love for Orsino, the duke.
The Age of Reason has one of the biggest impact on how our society is structured today. There was a social system where countries had absolute rulers and people wasn’t equal. The four Enlightenment thinkers who impacted our society the most are John locke, Mary Wollstonecraft, Voltaire, and Adam Smith. John Locke believed in people and their natural ability. For example, he believed that all men have the right to do what they want and the right to manage their possessions.
“Loving can hurt sometimes,” Ed Sheeran said, and this is no lie when it comes to Twelfth Night. Love is often an inevitable struggle in a plot, but in this Shakespearean play, a complete love triangle dominates as the main conflict. It cause happiness, excitement, deception, or even insanity, we still can’t seem to figure out if the benefits outweigh the consequences. Throughout Twelfth Night Shakespeare demonstrates love as a cause of suffering, a ‘knot that cannot be untied’ with Olivia’s love, Viola’s disguise, and Malvolio’s fake letter. Lady Olivia’s initial suffering contributes to the cause of this complex knot.
This raises the question over love’s true meaning and whether what Orsino feels is truly “love,” or something else entirely. Shakespeare in his play Twelfth Night uses Orsino’s feelings to prove that feelings perceived at first to be love may actually be lust. The main difference between love and lust has to do with time. Built and
The first instance which supports the notion that a lapse of communication is responsible for the unsuccessful nature of heterosexual relationships is the case of Duke Orsino and Countess Olivia’s relationship. Both start the play preoccupied with their own concerns, Orsino is worried about finding love, specifically with Olivia, meanwhile she is busy mourning the death of her brother by refusing to marry anyone for seven years. However, it is Orsino’s obsession with seeking love and how he goes about pursuing Olivia that best exemplifies the problematic nature of a male and female’s relationship. Orsino opened the play by saying of love, “Give me excess of it, that, surfeiting, / The appetite may sicken and so die” (1.1.1-3), essentially saying that he so badly craves the feeling being in love gives him, that he would like in so great a quantity that it would end his life.
In Twelfth Night, Viola and Olivia are the central characters to the play’s plot. Each are young women that take approaches to dealing with the people around them, which are mainly men. There is much trickery that goes on in Twelfth Night, but the ending is for the most part happy. Viola marries Orsino and Olivia marries Sebastian, but the events leading up to this are more or less chaotic. Ultimately, I argue that while Olivia uses her higher social status in order to maintain control of herself and others, Viola resorts to trickery in order to bring about her desires.
In the play Twelfth Night, through the depiction of Orsino’s and Viola’s desires for romantic love, Shakespeare portrays how adjustable and self-delusional human romantic attraction can be, especially when blinded by wants and needs. Viola, who puts on the appearance of a man, makes everybody think she is a male. Her disguise becomes a sexual confusion throughout the play for several characters, creating an odd love triangle where Viola loves Duke Orsino, who loves Oliva, which then on the other hand loves Viola, in disguise as Cesario. On the other hand, Malvolio dreams of marrying his beloved Olivia, and gaining authority over his superiors, like Sir Toby. Shakespeare uses disguise in the play to show several confusions and internal conflicts between the characters, proving how malleable and deluded some human attractions can be.
As he states that all lovers are, “Unstaid and skittish in all motions else / Save in the constant image of the creature / That is beloved.” (2.4, 20-22). This demonstrates Orsino’s misunderstanding of the concept of love, as it seems that true love means fickle and erratic according to his definition. Furthermore, in disguise as Cesario, Viola also unintentionally exposes the passionate nature beneath the courtly manner and mourning veil of the “virtuous maid” (1.2, 32), as she causes Olivia to fall in desperate love with Cesario.
