Sylvia Plath, Wilfred Owen and Emily Dickinson use a wide variety of techniques to explore the loss of identity, will and life. Plath, known as a confessional poet, suffered from severe depression for the majority of her short life. While Plath was a social commentator, Dickinson, a reclusive writer, wrote prolifically on her morbid fascination with death. Owen became an activist and anti-war poet following his traumatic time as a soldier in World War I. The theme of loss is a common thread found amongst the work of these three poets, including the loss of individuality, death and fortitude. Plath, Owen and Dickinson utilise symbolism, repetition, language, tone and imagery in order to explore this theme of loss.
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Plath’s ‘Daddy’; uses an extended metaphor to convey the speaker’s frustration regarding the abrupt death of her father. Differently, Dickinson uses a simile in ‘The Last Night That She Lived’ to explore loss from the vantage point of a distant onlooker, whilst Owen uses descriptive imagery to capture the gruesome horrors of death in the war. Plath bitterly accuses her father of being a “fascist” and compares him to her husband, who has a “meinkampf” look. This fixation on the connections between her father and the Nazi’s captures the destructive nature of the relationship between the speaker and their lost loved one. Plath’s cogent use of conceit allows the audience to empathise with the speaker. Alternatively, Dickinson describes the death of a neighbour as “lightly as a reed ben[ding] to the water” and “consent[ing]”, implying that death is graceful and easy. In contrast to this, Owen’s disturbing detailing of the “gargling from the froth-corrupted lungs” of a soldier “flound'ring like a man in fire or lime” in ‘Dulce et Decorum Est’ accomplishes the opposite effect of Dickinson’s poem, leaving the audience with the understanding that both death and war are horrific. Plath, Dickinson and Owen, utilise alternate forms of imagery to explore the loss of life from multiple different