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Religion hypocrisy in tartuffe
Tartuffe and religion
Religion hypocrisy in tartuffe
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More handpicked essays just for you.
Religion hypocrisy in tartuffe
Tartuffe and religion
Religion hypocrisy in tartuffe
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Recommended: Religion hypocrisy in tartuffe
As well as, this recognition of Tartuffe's false nature reveals the severity of Orgon’s arrogance. Moliere highlights within the second half of the play, the extremes of pride and how mankind struggles to face it. The theme of pride is accentuated by Orgon’s nature, especially, during
Moliere states to the King: “ it is a piece of great temerity on my part to come and importune a great monarch in the midst of his glorious conquest” (Moliere, Second Petition). Moliere is captivated by the King and believes that he is not worthy of his time, but seeks assistance regardless. Orgon, in contrast, believes that
The hot take that took Europeans by surprise is no longer just a thought and put into play in real life. The Enlightenment thought was transferred into books that we still read today. Some Enlightenment thoughts are individual and humanity as a whole can progress to perfection, tolerance is to be extended to other creeds and ways of life, and education should impart knowledge rather than mold feelings or develop character. Three major Enlightenment stories are Modest Proposal by Jonathan Swift, Tartuffe by Moliere, and Candide by Voltaire. Each author used different types of enlightenment ideals and put them into art.
In a setting of Salem, Massachusetts 1692, religion is the direct reflection of one's social standing. Reputation is extremely important for the town, as it is your only way to get a fair hearing and respect from the people. The protectiveness of reputation is necessary in The Crucible to justify yourself when presented with fallacious arguments. In this play the importance of reputation is revealed though the uses of ethos, logos and pathos. The protectiveness of reputation is uncovered through various characters such as Reverend Hale, Reverend Parris, and John Proctor.
Throughout Molière’s ‘Tartuffe” the true intentions of multiple characters are consistently questioned. Different characters involve themselves in self-made delusions for specific reasons, causing the label of ‘hypocrite’ to become a significantly used word. This use of the word ‘hypocrite’ throws everything off balance, forcing the audience to question every statement/event deciding whether or not they are truly sincere. Moliere’s use of hypocrisy when describing Tartuffe brings immediate awareness to the text involving central theme of reason verses emotion, deciding whether or not a characters actions were based on their pure heart or their greed.
While reading Tartuffe, I was constantly dumbfounded by the prevalence in the world today of Moliere’s, comedically portrayed, accusations regarding ignorance in arranged marriage, social class dynamics and religious hypocrisy. Moliere created the characters to the complete contrast to what society saw them as, which was intriguing and comedic. He also displayed the average practices, such as planned marriage, to be disgraceful and shameful. Lastly, but most prevalently, Moliere saturated the hypocrisy of religion by later in the story revealing the religious character’s deceitful and malign nature. In this essay, I will be using historic and literary theory to examine Moliere’s interesting views of such practices and the satire involved.
In fact, the text before the actual story explains that Molière uses satire and humor to “comment on his own immediate social scene, imagining how universal patterns play themselves out in a specific historical context” (Molière). Because of this, the king of France was made by the Catholic Church to have Tartuffe banned. He is seen, at first, by some of the household members, specifically Orgon and his mother, Madame Pernelle, as this pure, kind-hearted man. As the story progresses, it slowly becomes apparent that Tartuffe is not the person some characters have made him out to be. For example, the first time we get a feel for the idea is in scene 1.4 where Dorine begins to list off Tartuffe’s action as Orgon asks, “Ah, and Tartuffe?”
Shakespeare’s play, Hamlet, Prince of Denmark, centers around Hamlet’s contemplation of killing his uncle in order to avenge his father’s death. His decisions and values determine his fate. However, Hamlet’s intended action to avenge his father’s death is continuously postponed due to his moral dilemma. However, this moral dilemma causes him to make the decisions he does, and therefore, demonstrates the theme of his uncertainty versus his faith. Not only does faith stop him from taking alternative routes to achieve his goal, but his uncertainty causes him to either delay his revenge or make the wrong decisions.
As we read further into Acts we encounter the passage of clean and unclean meats, Acts 10:14. The passage says, “Surely not, Lord!” Peter replied. “I have never eaten anything impure or unclean.” Earlier in the reading, God speaks to Apostle Peter in a vision and says to Peter to “kill and eat” all the animals of the earth (the ones God mention to Paul in his vision).
The enlightenment thinkers believed that each person should think for themselves and not believe everything based on religious beliefs. The citizens started to bring into the light the abuse of the clergy. This is evident in Tartuffe. The power of deception is seen throughout the play. Deception is not always bad.
Jean- Baptiste Molière’s play “Tartuffe” is an unquestionably humorous comedy. The play defines the hypocritical acclaimed “Christians” we have in society. Daily, many people are blinded by admiration of religious figures who they believe are Gods disciples and can lead them to the gates of heaven. In “Tartuffe”, the author uses irony, satire, and tone to uncover a man follies of unreligious faith, the lust of women, money, and power.