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How Does Tim Burton Use Literary Techniques In Beetlejuice

687 Words3 Pages

She sits isolated, covered in no color but black, as lonely music plays she slowly writes, tears falling to the page. She feels no pain, no sorrow only loneliness, while she believe it will be her last day alive in that house. To her nothing would ever be good, great, or even remotely okay, it was time to go. Lydia a character in Tim Burton’s film, Beetlejuice, showed all the visions Burton wanted his audience to perceive. Grimm yet gloomy, creepy yet funny, all used for his style. Burton’s twisted style is best conveyed through his use of eerie music, low-key lighting, and low camera angles. Burton uses low-key lighting to give everything a gloomy effect, which adds to his twisted style. In the beginning of Edward Scissorhands, Peg goes to sell Avon products to the mysterious person living on the mountain. When she reaches the top of the …show more content…

In Edward Scissorhands, Jim becomes jealous over Edward and Kim’s developing relationship. He begins to threaten and push and try to overpower Edward. Throughout of the drama and trouble, the camera was always at a low point and shot at an upward angle, to make Jim look as if he had all the power. Giving that effect to someone and making them bigger than all the others around them, added more drama and made the movie more enticing. Burton wants you to see that, that person has more can have more power and that they may be someone to watch out for throughout the movie. Another key point would be in Vincent, whenever the little boy, Vincent Malloy, would pretend to be his role model, a man who had gone crazy. Every time his mind would switch from himself to the man it would get darker around him and he would become what it seemed to be a larger more powerful man. Burton used this effect most when he wants you to worry about the danger that character may bring upon

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331 Words | 2 Pages

In the short passage by Kierstin Koppel titled “Humanizing Morticians,” she uses a lot of figurative language to give a mortician a wonderful personality. Koppel’s first sentence even depicts a very vivid scene, “The corpse lies bare under a white sheet waiting to be dissected and reconstructed through a series of surgical procedures” (Koppel). This sentence does not only describe an interesting scene, but it also grabs the reader’s attention by explaining what the passage is going to be about. Later, Koppel begins to explain her own point of view when it comes to being a mortician.

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509 Words | 3 Pages

It is very clear that the best ways he shows this is through low key lighting, music, and dialog. A dark and old house with no light gives a better example of fear than a glimmering mansion. Dark music helps enhance the mood of helplessness and suspense. Lastly dialog helps create a feeling of reality and meaning to the pictures and music that fly off the screen toward you. Through these techniques burton has made a completely unique style of directing.

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1291 Words | 6 Pages

Juxtaposition The movie I watched was Edward Scissorhands, Directed by Tim Burton, Produced by Denise Di Novi and Tim Burton, Screenplay by Caroline Thompson Starring Johnny Depp and Winona Ryder. The movie starts with an old woman telling her granddaughter a story about a boy named Edward who has scissors for hands. His childhood was sad because he was made by a creator that died when he was very young therefore he grew up alone When he gets older, an older woman finds him and welcomes him to her home where her family of four happily reside. Later on he starts developing feeling for her daughter who is approximately his age even though she was afraid of him in the beginning.

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2150 Words | 9 Pages

The film Edward Scissorhands, takes place in a suburban neighborhood with colorful houses and stereotypical neighbors who like to gossip about each other. While Edward is often given the impression that he is frightening and threatening because of his appearance, he uses his cursed hands as one his assets by grooming people’s hair and trimming down people’s plants into sculptures. Growing up, Tim Burton knew he had a creative mind and felt as though he was always misunderstood by others. Author Lynn Hirschberg expresses, “Burton has the manner of a precocious teenager who has spent a great deal of time happily alone.” As a kid, he did not have many friends and felt like an outcast (Hirschberg).

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142 Words | 1 Pages

Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.

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178 Words | 1 Pages

Through foreshadowing, Bradbury builds up the character’s feelings to express how the technology is slowly taking over their family. The house was described as “happy life home,” which foreshadows the ironic tragic death at the hands of the house (Bradbury1). The children build up a hate for their parents and begin to imagine them dying in the African Veldt; Lydia asks “Did you hear the scream” (Bradbury 2). She was hearing her own scream in the nursery because Wendy and Peter feel as if they no longer need their parents because the technology has replaced their family values. George found “an old wallet” of his, “the smell of hot grass was on it and the smell of a lion.

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373 Words | 2 Pages

The setting of the movie in a classic suburban community around the 1950’s. The community aims for perfection in a way, that nothing odd is okay. That is why the mansion, where Edward Scissorhands has got residence, is a spot of dirt of the picture of perfection the community is trying to show. The color scheme makes the good versus evil theme very clear in the movie, in the way there is a clear contrast between good and evil. For example, the ‘good’ of the movie is shown, when we see the colors of the characters and the surrounding area.

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432 Words | 2 Pages

In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films

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423 Words | 2 Pages

Rachel Varnhagen’s view of her Jewish identity is a drastic contrast of Heinrich Heine’s and even Abraham Mendelssohn’s views on their Jewish identity. She always saw her Jewish heritage as a burden, a source of pain and suffering because she believed that she had been “pushed out of the world” by this heritage of hers (Varnhagen). Varnhagen, wanting nothing more than to assimilate into German society, felt that it was her Jewish identity that prevented her from doing so and thus decided to change her last name, marry a Protestant, and convert to Protestantism. While Varnhagen saw her Jewish identity as “a source of great shame,” Abraham Mendelssohn’s view of his Jewish identity was less bitter and harsh (Varnhagen). In a letter to his daughter, Abraham Mendelssohn expressed his less emotionally driven reasoning for converting to Christianity and

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1071 Words | 5 Pages

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

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466 Words | 2 Pages

The American director, Tim Burton has a way with manipulating lighting, camera angles, and music to highlight his quirky, yet dark style of movies. Tim uses camera angles to direct the viewers’ vision to a specific setting or character to expose something from a certain character’s point of view. For example, in Tim’s movie, Big Fish, he has a low angle of Karl the Giant. The use of this cinematic technique is to emphasize Karl’s height, especially compared to Edward Bloom’s. Another employment of camera angles is in Burton’s Edward Scissorhands, when Kim was in the window of the inventor’s mansion, they had a low angle of her, which was used to show here as the townspeople below saw her.

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846 Words | 4 Pages

In Edward Scissorhands, Tim Burton uses framing/angles as emphasis in the fulfillment of one certain scene. He uses a long shot to show the vulnerability of the character. For example, when Peg is upstairs in the castle, the long shot makes her look small so the viewer is worried about her safety. Unlike the long shots that imply Edward is a frightening character, this

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531 Words | 3 Pages

Burton also uses camera movements to give off a happy mood. As Edward and Kim are hugging, the camera zooms in on them, which makes the audience feel happy and relieved. In Big Fish, the camera zooms in on the witch's face, then zooms out as she closes the door. This camera movement makes the audience feel the suspense and gives off a dark, magical feeling to make the audience intrigued by the movie. As Edward is sick in the hospital room the camera pans into the room to create a dramatic and

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793 Words | 4 Pages

His sad life he must live is inside an empty mansion which is shot in low lighting signifying the lonely reality of his home. Lighting gives you an idea of what is real and what is only a fantasy. Burton uses angles to show the level of power of characters. A good example is in the movie Edward Scissorhands during the scene where Edward is making an ice sculpture Kim is shot in a high angle. This signifies that she is truly happy and on top of the world.

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850 Words | 4 Pages

The plot of a story is only half of the battle. The other half is grabbing the viewers attention and making them interested and anxious about what happens next. Burton does that by using his skills and technique. A great example of this is shown at the beginning of the movie, “Charlie and the Chocolate Factory” when the

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