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As I read Hunger of Memory, Chapter 4, Complexion; I feel this topic played an important role in Rodriguez’s life. As a child he was always aware of his skin color, due to the fact that his mother was also calling attention to him. His mother was very sensitive to his skin color and always reminding him to stay out of the sun. For example, they were at a pool one day she called in Spanish “to put a towel over your shoulders,” (133) this would prevent him from getting any darker. His mother would even teach him ways to lighten his skin.
As Maria Tai Wolff says “for telling to be successful, it must become a presentation of sights with words. The best talkers are “big picture talkers”. For Hurston, the construction of African American identity requires a voice that can make you see, a voice that celebrates the visible presence of black bodies.
Hurston’s metaphors help the reader to understand the great deal of oppression that the handkerchief symbolizes. The author’s metaphors such as “girl was gone”, “woman had taken her place”, and “the glory was there” emphasize that Janie is able to reveal her true beauty in overcoming her struggles. The author implies that by Janie uncovering her hair, she is revealing the constant shadow that has prevented her from her self-examination and in finding her true identity. The author’s metaphors are used to help the reader understand that the moment for an individual to overcome a struggle is profoundly beautiful and
Zora Neale Hurston, author of Their Eyes Were Watching God, introduces Joe Starks into the novel as a controlling, yet successful man who falls under the control of his own problematic characteristics. These traits influence actions of his which work for and against his favor. Joe is notably prideful; however, his insecurities cause him to verbally and physically mistreat Janie because he feels threatened by her better attributes. Joe’s pride is the drive for his ambition. It motivates him to do various activities that will bring him success, recognition, and admiration from his peers, such as when “he [unwraps] [the street lamp] and [has] it wiped off carefully and put up on a showcase… for everybody [in town] to see” (44).
Pratikshya Thapa Prof. Alex Kurian English 2328-73001 12 April 2017 Winnemucca, Hurston and Tan The American Literature consists of artists from various cultural and social background who devoted their life in literary works. There are number of female authors who are known for their magnificent writings. Sarah Winnemucca, Zora Neale Hurston and Amy Tan are some of the famous female American authors. They belong to different racial and cultural backgrounds but share a common ground when it comes to expressing their life experience and opinions through their literary art works.
By not having a set audience and Hurston is able to reach more people with her essay. Her goal is that her readers do not pity her, to do this she mentions her friend in this way, “ Music! The great blobs of purple and red emotion have not touched him. He has only heard what I felt.” (How It Feels to be Colored Me).
First, in “How It Feels to Be Colored Me,” there are many instances where Hurston refers to herself as being unbothered or not caring about being an African American. When writing about the craziness in her life, Hurson states,” No, I do not weep at the world-I am too busy sharpening my oyster knife” (65). Hurston states that she has no time be bothered by all the craziness that comes with being colored but she is ready to take on the world and experience the world.
Zora Hurston uses vivid imagery, natural diction, and several literary tools in her essay “How It Feels to Be Colored Me”. Hurston’s use of imagery, diction, and literary tools in “How It Feels to Be Colored Me” contributes to, and also compliments, the essay’s theme which is her view on life as a “colored” person. Throughout “How It Feels to Be Colored Me” Hurston carefully incorporates aspects of her African American culture in an effort to recapture her ancestral past. Hurston’s use of imagery, diction, and use of literary tools shape her essay into a piece of Harlem Renaissance work. Imagery in “How It Feels to Be Colored Me” is quite abundant.
All of this works symbolically as a measure of the characters ' integrity and freedom, which in turn demonstrates a contrast to the image of the carefree, ‘happy darky’ that prevailed in the fiction of many American novelists” ("Zora Neale Hurston. " Notable Black American Women). In the novel, Hurston explores the gender roles of African American women during this time period. It follow the story of a young lady named Janie, who was struggling to fit in the world.
Hurston tells the story of Janie, a black woman who because of her grandmother experiences and beliefs was forced to marry into a loveless marriage with Logan Killicks, a hard-working farmer who had 60 acres of land and could provide for Janie. This marriage ended when Janie ran away with Joe Stark, a man that she fell in love with and thought could give her the love absent between her and Logan. But Janie soon realized that her second marriage wouldn’t turn out better than her first. Joe was just as controlling and degrading as Logan. He hardly expressed his love for Janie and spoke to her like an incompetent child.
One major theme authors universally write their stories around concern the power of human relationships. Though writers may take different paths to communicate this, the strength that comes from these unique connections that exist between individuals resonates with everyone. Authors clearly articulate through a myriad of rhetorical devices that maintaining relationships is a fundamental part in personal growth and allows for a stronger sense of self. In finding companionship and comradery. people become capable of evolving and arriving at better understandings of who they are.
The skin color is no longer the target of discrimination. In Eatonville, the adequate supplies of food and space and Hurston’s father rank place Hurston in an upper class, where Hurston’s awareness to her black self has not yet awaken. Under the culture constrains, in her self-representation, Hurston has transcended the boundaries and somewhat inevitably become a white. The following paragraph shows Hurston’s father’s alerting of her being black. Hurston has depicted herself as a girl who likes to discover everything and enjoys being different from others: “I was always asking and making myself a crow in a pigeon’s nest.
(Hurston 8-9).” This really starts the search for identity within her. It fuels the fire to her wanting to know who she is, where she came from, and where she is going to go. Hurston is using this message to convey the theme of Identity. She uses Janie as the main representation of that theme.
It’s an image in the third person. All around the body reigns an atmosphere of certain uncertainty” (Fanon 89). This notion of people of color is eerily similar to the relation between the migrant, who in recent times is usually a person of colors, and the people who resided in the place of
Historical criticism strives to cognize a literary work by examining the social, cultural, and intellectual context that essentially includes the artist’s biography and milieu. Historical critics are more concerned with guiding readers through the use of identical connotation rather than analyzing the work’s literary significance. (Brizee and Tompkins). The journey of a historical reading begins with the assessment of how the meaning of a text has altered over time. In many cases, when the historical context of a text is not fully comprehended, the work literature cannot be accurately interpreted.