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Iago Manipulates In Othello

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While reading these couple of scenes, I couldn't help but think back to Othello. In Othello, Iago cleverly plots to manipulate the other characters. Similar to Iago, these two scenes reflect a group of characters plotting to manipulate a character's motives. For example, Leonato along with Claudio and Don Pedro plot a conversation for Benedick to overhear. After hearing their conversation, Benedick is convinced that he should return Beatrice's love. However so similar, the planned conversations are playing in favor for other characters while Iago's manipulations were for his pure pleasure. Although it seems to be playing in Beatrice's and Benedick's favor, I do believe that they story will eventually fall out of place and cause acrimony. I
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One form of power is discrimination power, Iago expresses this to Othello, announcing that he is a worthless animal “an old black ram” (1:1), racial slues are used as Iago’s emotions towards Othello are jealousy, envy and the desire for his power this is to show the hatred Iago has for Othello. As we know Iago is an impolite and manipulative character throughout the play he admits that he is dishonest “I will wear my heart upon his sleeve” (1:1). This is a metaphor as Iago will never be his true self and show his true emotions. Political power is used a lot in Othello in many different contexts. After a drunk night out with Roderigo, Cassio finds himself regretting his last night decisions “Oh, I have lost my reputation!”

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Throughout the whole play Iago uses everyone for his personal gain and once he sees that his cruel plan has been set in motion he ties to kill off everyone he has befriend.  Iago picks certain important characters to be the puppets to his plan. He befriends them into thinking that he is nothing but an, “Honest Iago,” then slowly poisons them with lies. But why would any ever need to question the, “Honest

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In Shakespeare’s play Othello; the Moor of Venice, written by William Shakespeare, Iago feels overlooked and plans to take revenge against his General, Othello, also known as the Moor of Venice. Iago manipulates Othello into believing that his wife, Desdemona, is having an affair, which provokes Othello’s jealousy, Othello allows this jealousy to consume him, murders Desdemona, and then kills himself. Race affects everything throughout the drama as it shapes the plot and the behavior of the other characters, as they treat Othello significantly more poorly than how they treat each other. In Othello; the Moor of Venice, Othello’s race acts as a weapon against him that other characters could use and manipulate to treat him as an outsider and create

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Throughout history many of the great generals often had a right hand man or lieutenant to help make important decisions. When Iago was passed over for this great position he was willing to go to any length to achieve the position he felt he deserved. In the play, Othello by William Shakespeare, Iago became the antagonist in one of Shakespeare's most well-known plays. Iago used manipulation, deception, and creative thinking to hatch a plan that would cause the death of nearly every main role in the play.

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Throughout the year, we have read all different genres of novels, plays, and autobiographies. All the way from romanticism to tragedies. All of these novels had some sort of villain, victim, and/or venerable. Of all the books we have read the biggest victim to me would have been Iago from shakespeare's novel, Othello. Iago was evil hearted to the core, he was geniusly manipulative, and schemeful.

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"Bradley believes Iago 's methods are considered plausible in the play. Leavis feels that Iago displays ‘a not uncommon kind of grudging malice’ and has enough of a grievance to explain his motivation. Some critics question whether Iago understands his own motivations. Hazlitt’s view of the villain has been extended so that Iago is now considered an example of the typical stage Machiavel who ‘personifies rationality, self-interest, hypocrisy, cunning, expediency and efficient “policie”’, he is an ‘amoral artist’ who seeks to fashion a world in his own image (Leah Scragg, ‘Iago – vice or

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In many stories, there are villains who seem to control how the characters act by manipulation. These kinds of villains use multiple techniques to get what they want and to execute their plans. The techniques are used to affect the characters in a negative way in favor of the villain. In Othello, the antagonist Iago, plays that role. Iago affects the characters’ lives in a negative way by his honest reputation, his ability to “read” people, and how he “proves” to be Loyal.

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If you were to learn from anyone about the art of manipulation, look no further than Iago from the story of Othello. Othello, the popular tragedy written by William Shakespeare, is about a man named Iago who devotes all his time and energy to plotting a revenge against Othello, along with hurting many others along the way. Iago’s motives behind his actions were formed due to Othello giving Cassio the lieutenant position, although Iago believed he was best fit for the job. Iago uses his “friendliness” and confidence as weapons to sabotage the lives of those around him.

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Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the

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