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In Preachers, In Ruben's David Slaying

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Religious Resistance Against Art Restrictions The media that surrounds us today allows the viewing and communication of our thoughts and ideas on a widespread range, while also allowing us to directly show support or opposition to certain arguments that plague our every day lives. There are many supporters and opponents who have been known for their stance in specific arguments, and who are seen as spokesmen and promoters of these thoughts and ideas, these people use modern media like billboards, airplane banners, blimps, and commercials to portray their message, and gain followers for their beliefs. More specifically, religious advocates, and things like sermons and religious stories can now be seen from the comfort of viewer’s homes. Preachers, …show more content…

The main focus in this painting is on David and Goliath, they are the most monumental figures, taking up most of the space and being the most in focus, while in the background soldiers are hard to see and not very detailed, only a piece of the battle can be seen. The red tinge of David’s face shows aggression and deliberate force when swinging the sword, while the blue behind him seems to be the presence of God, which showers him in light, and gives him the strength and perseverance to continue this daunting task. The contrast of color adds to the visualization of good versus evil, as David seems illuminated, while Goliath is covered in more darkness and shadows. Rubens paints the moment when David, having knocked him down and taken his sword, is about to decapitate Goliath. This scene selection is immersive, and filled with action. There is a strong emphasis of circular movement and a sense of motion in David’s stance over Goliath, and the impending swing that will end his life. The restless motion of the swing draws ones eyes and gives off a feeling of having walked in on David about to behead Goliath, while the vivid clashes of light and shadow give the viewer hope and consolation when it comes to Catholic Counter Reformation and the

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Reflections, shadows, and earthly objects can be portrayed in this painting as well. Although they are both telling stories about

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Determining the genre of this passage and the rules will help us interpret the text and get the meaning. Next we see one of my favorite principles to use in which it helps on my every day basis of reading and understanding the Word of God. Principle #5; Be a Grammarian tells me that sometimes you have to use another version of the Bible to get the most out of it or at least get past some of the hard to understand places. Switching to the NIV, ESV, or even the HCS will help us in getting the meaning out of this scripture. And Principle #6 is a principle we need to use first the most when we start this study of David and Goliath.

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During that period, statues were sculpted in action capturing the moment, while forcefully being thrust into viewer’s space. Similar to Michelangelo, Bernini sculpts an almost perfect god-like figure of a human man. Bernini’s David had a different body position that brought emphasis on David’s next action, as if he were in battle. David is crouched low with a twist leaning towards one side ready to launch the deadly rock at Goliath. Bernini’s detail lets you see the determination and perseverance on David’s face with his tightly clinched mouth and fierce gaze at Goliath.

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As a result of David choosing to depict the initial moment that the action began to take place in The Oath of Horatii, it is charged with anticipation and intensity that would not be present in the other paintings. The emotions of the scene are also exaggerated through the shapes of their bodies; the men are characterized by strong, geometric lines, vivid colors, and the exacting light emphasize their readiness for combat while the women are in muted colors, are curved, and with soft lines to contrast with the men showing how their hopes to avoid a battle were ignored and they were pushed to the side. David used extreme emphasis to show that they men were ready for a battle that would be going on outside of the painting and the conflict between the men and the women within the painting. Rodin also uses exaggeration within his sculpture; he exaggerates the emotion and gravity of the situation. The hands and the feet of the men are literally out of proportion- they are larger than average which exaggerates their limbs.

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I think this is the viewpoint of Daedalus after he landed on ground. He’s looking down at his dead son. This interests me because once I figured it out, it gave the rest of the painting a whole new meaning, and I understood why the colour was being drained where Icarus was. 4. How do the artist’s color and lighting choices impact the message the viewer takes away from the painting?

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Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.

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The darkness in each of these scenes provides the theme of evil. In the same way, light resembles faith in God. Through these scenes an optimism is seen by many of the Jews and their religion is kept first through the darkness. This provides a light emotionally for

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The main focus of the painting is the architectural aspect. The scene is dominated by the main building and the large arched bridge that juts out in front of it. It is proportionally placed within the canvas. The width of the central façade makes up the central portion of the painting with the doorway being centered within the entire composition.

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Moreover, Michelangelo's David (see Figure 2) exhibits a tense stance with his brow furrowed, the tendons in his neck taut and his eyes focused on something in the distance. In addition, veins are visible in his arms as he clutches the stones with one hand and the slingshot in the other. Furthermore, the figure has an abnormally disproportionate head and a dramatic right hand, possibly because they were deemed more visually important for viewers. It is also possible that in order to underline David's concentration and pondered action, Michelangelo intentionally overproportioned the head and the right hand (Brucker, 1998, p. 223). On the surface, Michelangelo's David is indeed a High Renaissance interpretation of the standing heroic male

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The concept of this paper is to provide an analytical view of the various artistic influences that are present in Prometheus Bound (fig. 1) by Rubens, and how Rubens individual artistic style continued on to influence proceeding artists. This will be achieved through the comparison of Rubens work with that of other masters of his past and present time such as Michelangelo, Caravaggio, Titian, Jordaens, and Rembrandt. Prometheus Bound was painted after Rubens had moved back to Antwerp, during a short stylistic change in his career from 1608-1612 that was characterized by a strong contrast between light and dark. This phase of Rubens work was influenced by Caravaggio’s strong use of chiaroscuro and Michelangelo’s muscular figures that appeared

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The artist does a great job by making it feel as if you're looking at Jesus and Peter from a distance. The middle of the painting you can see by the depth they are far away. The people in the far back show a proportion that the buildings are bigger than a person's average height. The value of this work is light in the mid to top portion of the art.

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David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.

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David goes to battle against Goliath and defeated him with the help of God and his slingshot. In his sculpture, Michelangelo decided to focus the sculpture on the moment right before the battle with Goliath, where David was tensed up and ready to fight. He was keen on detail mainly in David’s face. His creased brows shows focus. His mouth is set in a firm line.

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Believe it or not, religion, which is “the service and worship of God or the supernatural” (Webster) is far more common than the average Joe notices on the surface. A large amount of people wouldn’t see religious aspects in their everyday life except for those they practice and even then, most are limited to a single day if even that. With the proper lens it is possible to gaze deeper into everyday occurrences and see factors such as subliminal meanings and blatant themes that have religious values to accompanying them. This theme of religion in popular culture can be seen popular aspects of everyday life. Many religious institutions see media within popular culture as an avenue to communicate to the mass their message and/or vision.

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The portrait represents the beauty of the time period. It holds simplistic colors with detailed shading. The artwork is very intriguing to me. I love the detail in the background, there are tiny brushstrokes that makes up the mountains and sky. Also, I find the shading of the mouth and eyes very interesting.

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