16. INT. SEATTLE P.D. – INTERROGATION ROOM – DAY Hannah (16, rebellious, party girl) sits in the interrogation room. Clive wonders if she knows about “Nick.” Hannah confesses she does. “He is totes cute. I mean did you check out that shirtless pic?” He and Kat had been texting each other ever since they met on a blog about Kat’s favorite techno group. Liv chimes in about her musical taste, and the girls exchange a few names of bands. Liv asks Hannah about the tattoo. Hannah says that she was there when Kat got it, and that she has a matching one. They would sneak out of their rooms at night, to go out. “Bitch knows how to party.” Kat wasn’t the nice little girl their parents thought she was. Hannah asks if they think she ran away. Clive: …show more content…
INT. SEATTLE P.D. – MORGUE – DAY Once down the stairs, Viola heads straight for Clive. “The officers upstairs told me I would find him here. I think I accidentally left my phone in your car last night. Did you happen to stumble onto it?” Clive reaches into his pocket and takes out the cell phone. The woman looks over to Ravi and Liv, and introduces herself. This is the type of woman Liv was before the transformation: smart, composed, beautiful, elegant and impressive. Liv and Viola shake hands. Viola: “I have heard a lot about you.” Liv wonders if they met recently or if the relationship has been going on for a while. Viola keeps her eyes riveted on Liv. “We only had our first date last night. But who knows? Things could escalate very quickly… especially in our world.” She quickly makes her exit, and before Ravi can start commenting, Clive instructs him not to say a word. 19. EXT. MAJOR’S HOUSE – NIGHT Across the street from Major’s house, Clive waits in his car. He sits in silence, with a file labeled “Meat Cute” on the passenger …show more content…
22. INT. SEATTLE P.D. – MORGUE - DAY Liv comes back from her vision. She has an idea of whom the kidnapper might be. “We need to call Clive.” 23. INT. SEATTLE P.D. – BULLPEN – DAY At Clive’s desk, one of SPD’s sketch artists tries to get a description of Kat’s killer from Liv. The drawing is almost done, but there aren’t many specific characteristics. “He was wearing a hood, so I couldn’t see his face, but I did see a tattoo on his neck.” Suddenly, LIEUTENANT SANCHEZ pops her head out of her office. “Babineaux! In my office. Now.” Clive asks Liv if she’s okay on her own, and when she agrees, he heads for his boss’s office. The sketch artist turns to the next page on his sketchbook. “So what did this tattoo look like?” 24. INT. SEATTLE P.D. – SANCHEZ’S OFFICE – MOMENTS LATER Clive enters the new Lieutenant’s office. Sanchez: “Don’t sit down. This will be quick.” Sanchez wants Clive to immediately stop his investigation of Major. “We have had some very concerning calls saying that you have been staking out Major Lilywhite’s house.” Clive insists that Major is somehow tied to the explosion at the Meat Cute and therefore to Lieutenant Suzuki’s death. Sanchez: “It’s over Babineaux. Move on. Now, don’t you have a case to solve and a child to