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“the love-song of j. alfred prufrock”
“the love-song of j. alfred prufrock”
“the love-song of j. alfred prufrock”
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In T.S. Eliot’s work “The LoveSong of J. Alfred Prufrock”, he uses diction to give an underlying meaning and tone to his poem in order to express the downfall of a man. The author uses his diction to give this poem Its tone as if he regrets what he did in life. He also shows great tone changes in this work, giving this poem a dramatic, almost tragic outlook. Many of his word choices also give his work an underlying meaning and adds to his theme and messages. A large part of his poem is also using metaphors to add to this underlying meaning and give more force to this tone he is trying to create.
In T.S. Eliot's "The Love Song of J. Alfred Prufrock," the speaker, J. Alfred Prufrock, is depicted as a man trapped in his own personal hell. The evidence for this can be found throughout the poem, as Prufrock expresses feelings of inadequacy, insecurity, and a sense of being trapped in his own mind. One of the main pieces of evidence for Prufrock's personal hell is his constant self-doubt and insecurity. He is plagued by thoughts of inadequacy, as seen in lines such as, "Do I dare? /
We learn that he is a very anxious guy, who is afraid of being alone, and yet is paralyzed by the moment, and too scared to do anything about his unhappiness. He is also aware of this fault as well as the passage of time, and so his wheels are constantly spinning in this kind of devastating internal conversation. This is the reason why the poem is presented through a series of images and fragments thoughts because it gives us insight into Prufrock’s devastating internal conversation, random thoughts and
Edith Wharton masterfully weaves mythological references and influences throughout "The Age of Innocence" to enhance the narrative's depth and explore timeless themes. Through the characters of Newland Archer and Ellen Olenska, Wharton draws upon the foolish "hero" archetype and the figure of the forbidden temptress, connecting their struggles to those of mythological figures such as Orpheus and Helen of Troy. The Goddess Diana and the myth of Icarus symbolize the power of societal expectations and the potential consequences of deviating from them, as well as the damaging nature of man to misinterpret and discredit the true depth of the women in their life. By incorporating these mythological elements, Wharton highlights the enduring nature
The Lovesong of J. Alfred Prufrock written by T.S. Elliot, is the despondent poem of a middle-aged man named Prufrock suffering from an acute spiritual malaise due to his monotonous and tentative existence. Eliot beautifully told Prufrock's tale through careful use of literary devices. A device that appeared frequently throughout the poem was an allusion. These allusions were used to easily bring forth the impressions and characteristics conveyed by the sources alluded to, as well as creating flexibility for his readers. Hamlet, To His Coy Mistress, and The Bible are a few notable sources that Eliot alludes to within the poem.
T.S Eliot, an influential poet who had shaped the preconceived notion conveyed through the arts of his poetry. Eliot’s poem conveys the complexity of human desire, simultaneously exploiting the tension of human suffering. Moreover, Eliot explores the the concept of identity to create a deep connection to create an insight with the poet’s mind and overall, his character. This is conveyed through the poems, The Love Song of J. Alfred Prufrock and Prelude, ultimately expressing the confronting experiences that Eliot had suffered as this is explored through the contextual ideologies. The modernist era revolved around the rise of new technologies and post world war which creates a driving force for his intentional ideas.
The Ability to Persevere The boys in the Boat by Daniel James Brown, takes the reader through the life of one of the main characters named Joe Rantz. The reader follows Joe through his highs and lows he endures throughout the story. Joe is a very determined, strong, and eager young man. He is six feet and two inches, a freshman, strongly built, blonde, with gray-blue eyes (Brown, 12).
Elliot simply used these allusions to tell his own story, sometimes giving new meanings to quotes, or adding emphasis to new words or phrases. Often, these references had to be understood themselves for a reader to truly know what was being said in one of Elliot’s works. One such work that contains so many references to past writers and works, is “The Love Story of J. Alfred Prufrock”. The story of Prufrock is an intriguing one dominated by allusions and many references to earlier works of literature that Elliot himself read, and applied to a story of a modern man.
Prufrock seems to mention Michelangelo in envy because of jealousy that the women in the room are talking about another guy. In lines 35 and 36, Prufrock mentions the same quote as above, which the repetition represents how Prufrock does not trust women in life and he gets jealous of other men and their success with women. The repetition representing the distrust with women is expressed through the poem by belittling the gender in various life experiences. The whole poem itself is a
Although both “Araby” and “The Love Song of J. Alfred Prufrock” are narratives revolving around the characters’ unrequited love, there are more differences than similarities in the boy and Prufrock’s love style. Apart from the obvious difference in the characters’ age, the enthusiasm level and the activeness in action are also noticeably different. James Joyce’s short story, “Araby”, is about a boy’s puppy love on his friend’s sister. The boy expresses his love in various ways. In his excessive flow of emotions, he uses a simile and poetically states, “my body was like a harp and her words and gestures were like fingers running upon the wires” (2169).
Although poems can have multiple interpretations, the poem “The Love Song of J. Alfred Prufrock” by T.S. Eliot seems to be about a pessimistic middle aged man’s midlife crisis looking towards the end of his life, the quote at the beginning, the questions he asked, and the conclusion lead me to believe this. There is a quote in Italian that starts the poem off. Translated it reads "If I thought that my reply were given to anyone who might return to the world, this flame would stand forever still; but since never from this deep place has anyone returned alive, if what I hear is true, without fear of infamy I answer thee.” It is a quote from “The Inferno”, a poem written by Dante Alighieri during the Italian Renaissance.
This self-denial gives him further resolve at the end of the poem to still refuse to propose. Eliot’s allusion to Shakespeare’s Hamlet is clever in this way because in the play Hamlet is also indecisive; so much so that he needs a reminder from his father’s ghost to kill his uncle, Claudius, who killed his father, took the throne, and married his mother (Shmoop). In this same portion of the poem as the Hamlet allusion, Prufrock admits that he thinks he’s too old to marry, that he is so old fashioned he still “wear[s] the bottoms of [his] trousers rolled” (Greenblatt 1304, line 121). This shows the reader that Prufrock still is adamant that he is not going to propose to the
Eliot uses tradition and personal innovation, combined with the revitalization of the twentieth-century British poetry, which leads to poems full of vitality. Based on the poem “The Love Song of J. Alfred Prufrock,” this paper explores the poet 's exploration and innovation in the aspects of poetic skills and content. The early works of Eliot are in a low tone, and he often uses association, metaphor, and suggestion to express modern people 's depression. The famous poem “The love song of J. Alfred Prufrock" uses the inner monolog of the protagonist’s desire to love and fear of the contradictory attitude of love to illustrate modern emptiness and cowardice. From the content, the reader gradually learns the poem is about a middle-aged man.
Alfred Prufrock” is fragmented structure itself where he uses scattered, broken pieces that eliminate the traditional linear flow of a poem. This is mostly done through his exquisite imagery. Eliot writes, “I should have been a pair of ragged claws / Scuttling across the floors of silent seas” (“Prufrock” 73-74). With this fragmented image, again, we learn more about Prufrock than we do about Eliot; it explains how Prufrock would be better off being a shelled creature, such as a crab, so he is protected by his outer-covering and doesn’t truly have to interact with anyone in the real world. Eliot also uses imagery to indicate the indecisive personality of the speaker.
People have been trying to give advice to Prufrock, and in turn, reflect that advice upon themselves. Three pieces of advice that are the most important to give to Prufrock is don’t care about your appearance, don’t care about what women think of you, and your life does matter. All throughout T. S. Eliot’s “The Love Song of J Alfred Prufrock”, he is concerned with his looks and how people will judge him. The first issue that comes up, is that Prufrock doesn’t want to look old. He says he is balding and his arms are growing thin.
