Jan Van Eyck was born circa 1395. He was employed under the service of Duke Philip. In 1432 Eyck painted “Adoration of the Lamb” the altarpiece for the church. In 1434, he created another masterpiece, “Arnofini Wedding.” Throughout his career he use oil and panel painting. He was one of the earliest Flemish oil painters. The first extant record of Eyck was from John of Bavaria court. Payments were made between 1422 and 1424 as court painter. Eyck’s age is probable self-portrait suggests to scholars in 1395. An influence on Blake remained a source of inspiration throughout his life. Eyck was likely the only surviving works in this period but half was destroyed by fire in 1904. The death of John of Bavaria in 1425. Eyck entered the service of powerful Valois …show more content…
When he first started his annual salary it was high. But it doubled twice in the first few years and often by special bonuses. Eyck’s salary alone makes him an exceptional among early Netherlander painters. Eyck’s art and person were held in high regard as a document from 1435. Eyck would leave and wouldn’t be able to find his art and science. The Duke served as godfather to one of Eyck’s children. Eyck produced painting for clients at the court. This was foremost his masterworks The Ghent Altarpiece paint. He started in 1426 and completed. The polyptyon was seen to represent ‘’ the final conquest of reality in the North.’’ It is housed in the cathedral of St. Bavo in Ghent, Belgium. After World War II it was recovered in a salt mine. Eyck finished it and identifies it as a collaborative effort. Eyck needed to practice his craft. He participates in the ability to influence and to be influenced. Valentin et al note bestowed on artists. The court had plenty of contacts. This was a high work of Flemish painters from Italy. The domestic part was very strong. Flanders was played by newly Americans in the nineteenth century. Jan Van Eyck was born in the right place at the right