In Chapter 24 of How to Read Literature Like a Professor, Thomas Foster claims that in order to understand the meaning of a work, the reader must read and analyze the text from the perspective from which it was written. In the first section of Chapter 24 Foster states that readers, in order to fully enjoy a piece of text must not take the information presented the way it was intended. Similarly readers may miss key points of what the author is attempting to say if they analyze the text with only today's culture in mind. Furthermore characters in literature are often old enough to have some prior experiences in life to make changes in their decisions, and grow. Characters in literature tend to have some prior experiences because it allows them
In How to Read Literature like a Professor by Thomas C foster he explains how works of literature are similar and how everyone of them have meaning. In Chapter 12 “Is that a symbol can relate closely to Catch 22. The overall meaning of the novel Catch 22 by Joseph Heller is freedom leads to death.
Analysis: Compare chapter 2:How to Read Literature Like a Professor-“Nice to Eat with You: Acts of Communion” to part two(chapter 11) of The Fountainhead. At the beginning of chapter 11 of The Fountainhead, it is December and the opening of one main building, the Cosmo-Slotnick building. Toohey wants to celebrate this occasion so he takes Keating out for dinner. Foster stated in How to Read Lliterature like a Professor, “Whenever people eat or drink together its communion (8).” Communion is the sharing or exchanging intimate thoughts or feelings.
Xander Carrasco Mrs. Mary Smith AP Literature 6 21 September 2017 How to Read Literature like a Professor The book, How to Read Literature like a Professor, was written by the well-known author, Thomas C. Foster, with a purpose to further educate readers who wish to better their understanding of literature and analysis strategies. Major focuses of Thomas C. Foster was to aid or train readers to recognize, patterns, symbolism, foreshadowing, etc. Throughout the work, Foster cites other pieces of fiction or classics in order to further his own arguments made on the approach of reading analysis.
In How to Read Literature like a Professor by Thomas C. Foster, the ideas from chapter 7: “Hansel and Gretel” can be directly related to the novel. This chapter of the novel solely relates to the fairy tale aspects of literature, and how they have been repeatedly re used. In the strange case of Dr. Jekyll and Dr. Hyde, it seems to have a concept of a work that had been created earlier during the Victorian era. The author Thomas Foster says “Literature grows out of other Literature”.
Thomas C. Foster's How to Read Literature Like a Professor is a very well thought out book that would be great for most students to read before taking on a professional and a more eloquent piece of literature. Foster asserts that books are constructed in a meaningful way beyond the plot, and I agree with him to a certain extent. Yes, a majority of books have meanings beyond their plots, however, there are some basic books that were written just to tell a simple and entertaining story, for example, some children's books. Although, any person in the world could take the most simplistic story and digest it so that it has an ulterior meaning than what the author intended. Overall, I do agree with Foster in the assertion that books are constructed
Meagan Sanders Mrs. Smith AP Literature and Composition September 20, 2017 How to Read Literature like a Professor Thomas Foster wrote a guide to analyzing pieces of literature to lead students in thoroughly searching through texts and documents to find hidden meanings and the reason behind what the author wrote what he did and why he used the techniques he used. Foster used a first-person point of view to help the reader relate better to the topics and his explanation. He changes his tone according to the subject matter he is discussing to change the mood of the text. As well as alluding to multiple classic pieces of literature, he creates an easy systematic guide that benefits students wishing to excel in reading and writing based classes. Foster chooses to use the first person point of view.
In the first chapter of How To Read Literature Like A Professor, Thomas C. Foster begins with the idea that every trip is a quest. Foster theorizes that every trip must meet a certain five criteria to be considered a quest as well. Foster’s theory can be found in literature throughout the ages and into media today. Foster claims the quest always grows during the underlying adventure.
Reading the book How to Read Literature Like a Professor by Thomas C. Foster helps the reader see books in a whole new light. Throughout the book, the reader progresses through a series of steps that demonstrate depth and symbolism. Foster focuses on presenting the reader with the idea that there are themes, patterns, symbols and many more literary techniques that inexperienced readers might miss initially. Re-reading Of Mice and Men by John Steinbeck and analyzing it by Foster’s book helps the reader know what to recognize and analyze. The setting is based on Lennie Smalls and George Milton move to Soledad, California, to find a job and new beginning.
Being an expert in literature may seem like a rigorous task to complete, but when you put passion into the work anything is possible. In How to Read Literature like a Professor by Thomas C. Foster it gives tips on how to analyze all types of reading like a expert. While learning how to be an expert in literature you possess skills along the way. In order to be an expert in literature you have to keep an open mind, practice, and know everything has a deeper meaning.
Imagine being a 17 year old African American kid always being judged just because of his skin color. Everywhere you go you feel like all eyes are on you, especially when you go to a school that only has eight black kids. That's exactly how Justyce McAllister felt in Dear Martin by Nic Stone. In the book, the main character Justyce goes through a lot of conflict involving his skin color. Even though he has a full scholarship at Braselton Preparatory Academy, and is a very smart student, he still gets judged.
In the woodshed they found the two brothers bleeding laying on the sawdust, and Sethe was carrying Beloved whose throat she had just cut with a saw. It was all for nothing though because the schoolteacher concluded they would all be worthless as slaves and left in disgust. Actions like these of Sethe make you question the sanity of some of those around you. Sethe assumed something and in the end harmed
Samuel Hawkins was a free black man, but his wife Emeline was a slave at a nearby plantation. All of their children were spread throughout the valley, but they were allowed to live with each other. When one of the owners died, the two eldest son’s were sent to another relative. The family was spread out now and Samuel just wanted his family back together again. So, he decided to reach out to Garrett to help plan their getaway.
As Stated by the author of How to Read Literature Like a Professor For Kids, by Thomas Foster, authors use certain varieties of weather conditions in order to set a mood in the story that’s relevant to the scenario present. Foster explains this action as saying, “But an author doesn't have a quick shower of rain, or a flurry or snow, or a flood or a blizzard, for no reason at all (Foster, 59).” What the author is trying to remark is that authors don't put unnecessary weather unless it contributes to the plot or the mood, sometimes even using it as means of ivory. One example of weather being used in the movie clip from Toy Story is rain. The rain didn't start until Sid was just about the release a rocket outside with Buzz attached, which
How to Read Literature Like a professor chapter1 In the first chapter of How to Read Literature Like a professor author Thomas C. Foster discusses how almost every story has some type of quest, the title of chapter is “ Every Trip Is a Quest (Except When It’s Not)” he clearly alludes to the fact that the chapter is about the quest aspect of a story and its significance. As the chapter developed Foster began to cover the essentials of a quest and the purpose behind a quest, according to him there are five significant aspects of a quest “(a) a quester, (b) a place to go, (c) a stated reason to go there, (d) challenges and trials en route, and (e) a real reason to go there. He then expands of each of these things.
