How does How To Read Literature Like A Professor applies to every piece of literature? This novel is written by Thomas Foster and he gives the better understanding on many things, including patterns, symbols, and other literary devices. He helps the reader to gain knowledge on how to recognize each small detail of the story. This novel makes the connection with The Scarlet Letter and makes it easier to comprehend. The Scarlet Letter is written by Nathaniel Hawthorne; this novel is about Hester Prynne, who is a young and beautiful woman and committed adultery with town’s minister, Reverend Dimmesdale.
Analysis: Compare chapter 2:How to Read Literature Like a Professor-“Nice to Eat with You: Acts of Communion” to part two(chapter 11) of The Fountainhead. At the beginning of chapter 11 of The Fountainhead, it is December and the opening of one main building, the Cosmo-Slotnick building. Toohey wants to celebrate this occasion so he takes Keating out for dinner. Foster stated in How to Read Lliterature like a Professor, “Whenever people eat or drink together its communion (8).” Communion is the sharing or exchanging intimate thoughts or feelings.
By reading “How to Read Literature like a Professor” and “The Kite Runner”, the reader is aided in his or her ability to understand the true meanings behind the text. One is able to decipher how the act of coming together to eat can mean anything from a simple meal with family, to an uncomfortable situation that leads to anger or stress in an individual character. The reader is able to understand the use of rain or other weather in a novel to transform the mood and tone of scene, or understand the cleansing or destructive qualities that weather may have on the overall plot of the story. The use of illness can be transformed, as it can lead to the reader discovering veiled means behind tuberculosis, cholera, a simple cold, or even cancers such
Thomas Foster’s book, How to Read literature Like a Professor, teaches many readers the importance of reading and understanding a book. He includes points in his book that are easy to connect to books that the readers have read, making it easy for readers to understand the meaning of each chapter. Thomas Foster’s book obviously connects to the book, Wonder, readers can identify a questor, the importance of a meal scene, and
How to Read Literature Like a Professor is a book that shows numerous ways and strategies to understand what their reading. Each chapter shows examples from books and use of literary devices that can help develop the meaning of the story. Think of this book as reading between the lines. In The Great Gatsby, F. Scott Fitzgerald used people to symbolize objects or things to let the reader have an interpretation on the characters. For example, the green light represents Gatsby's future for him and Daisy to be together.
I think that this quote is trying to convey, through metaphor, that reading enables an individual to experience the lives and emotions of the characters or people they are reading about. I necessarily don’t agree with this. I think that the power of reading books, fiction or non fiction, is that it improves your life because you can learn lessons from the experiences of the characters or people in them. The important distinction, to me, is that while words are incredibly powerful, they are not an accurate substitution for the raw emotion and reality of the experiences people have undergone. For instance, in Grade 10 I read “Then They Killed My Father” by Loung Ung for my English culminating project.
In Thomas C. Foster's How To Read Literature Like a Professor, he describes the setup of the adventure of the protagonist, dividing it into five parts: Our quester, a place to go, a stated reason to there, challenges and trials, and the real reason to go. A protagonist must experience all of these things in order to accomplish their goals and learn their lessons. In The Secret Life of Bees, Lily Owens, the main character, must encounter these things in order to unlock the mystery of what really happened to her mother the night she was killed, in addition to learning about the passion of writing and telling stories, the dangers and foolishness of racism, and female power. Our quester, Lily, is a fourteen year old girl with a passion for writing.
In How to Read Literature Like a Professor, Thomas C. Foster teaches readers the meanings behind commonly used symbols, themes, and motifs. Many readers of all ages use this book as a guide to understanding messages and deeper meanings hidden in novels. The deeper literary meanings of various symbols in Margaret Atwood’s The Handmaid’s Tale are explained in How to Read Literature Like a Professor. By using Foster’s book, readers can better understand the symbols in The Handmaid’s Tale.
As Stated by the author of How to Read Literature Like a Professor For Kids, by Thomas Foster, authors use certain varieties of weather conditions in order to set a mood in the story that’s relevant to the scenario present. Foster explains this action as saying, “But an author doesn't have a quick shower of rain, or a flurry or snow, or a flood or a blizzard, for no reason at all (Foster, 59).” What the author is trying to remark is that authors don't put unnecessary weather unless it contributes to the plot or the mood, sometimes even using it as means of ivory. One example of weather being used in the movie clip from Toy Story is rain. The rain didn't start until Sid was just about the release a rocket outside with Buzz attached, which
How to Read Literature Like a professor chapter1 In the first chapter of How to Read Literature Like a professor author Thomas C. Foster discusses how almost every story has some type of quest, the title of chapter is “ Every Trip Is a Quest (Except When It’s Not)” he clearly alludes to the fact that the chapter is about the quest aspect of a story and its significance. As the chapter developed Foster began to cover the essentials of a quest and the purpose behind a quest, according to him there are five significant aspects of a quest “(a) a quester, (b) a place to go, (c) a stated reason to go there, (d) challenges and trials en route, and (e) a real reason to go there. He then expands of each of these things.
Behind each movie lies the meaningful aspects and significant features worth noticing. All movies and books can be carefully examined and interpreted. Thomas C. Foster’s How to Read Literature Like a Professor provides a new view on interpreting literature. In the novel, Foster identifies and analyzes common patterns, themes, and motifs found in literature, many of which are also present in Disney’s film, Maleficent. This movie showcases several of his ideas, including quests, flight, geography, and symbolism.
He states that through the death of the author, the reader is born. Barthes relates this argument to Sigmund Freud’s theories on the two states of conscious, the manifest and the latent. According to Freud, manifest content is content that we as humans are cognitively aware of thinking and experiencing, whereas the latent content is the hidden meaning, the thoughts and desires that we supress in order to belong and co-exist in society. Barthes believes that the scriptor provides us with manifest content through prose and we, the readers, must gain access to its hidden layers, the latent content. It is the reader’s job to make art reach its full potential.
In the second day of school of a new year, a class of first graders returned to their room from their play time at the school’s park/playground. The teacher told the kids to take their seats, and noted that a kid seemed to be missing. She asked her trainee “Didn’t we have a red-haired kid in our class?”, but she already knew the answer. The teacher and the trainee were desperate that it was only the first day of school and she had already lost a student. The pair quickly ran back to the school’s park and began searching for the young student inside every single structure and toy in the playground, up in the trees, anywhere one would expect a child to be hidden.
In the context in which he frames literature, the acts of reading
The reader may look back and remember some of the points that stuck with him or her, but because of the lack of neutral or counter arguments within the text, the reader will begin to form their own. They may look around and see men they look up to and respect, question whether every woman sees men in the same light, or even begin to question the intention of the author. Because the reader begins to form their own counter arguments, they form an emotional connection to those opinions, regardless of validity, and will find and make holes in the author’s original work. Overall
