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How does How To Read Literature Like A Professor applies to every piece of literature? This novel is written by Thomas Foster and he gives the better understanding on many things, including patterns, symbols, and other literary devices. He helps the reader to gain knowledge on how to recognize each small detail of the story. This novel makes the connection with The Scarlet Letter and makes it easier to comprehend. The Scarlet Letter is written by Nathaniel Hawthorne; this novel is about Hester Prynne, who is a young and beautiful woman and committed adultery with town’s minister, Reverend Dimmesdale.
The first chapter in How to Read Literature Like a Professor: a Lively and Entertaining Guide to Reading Between the Line by Thomas Foster, that I was able to draw a parallel with was “Every Trip is a Quest”. Within this chapter the author explains how the standard creator may loosely base their writing around the design of a quest. As a result, the author starts with a character who orders another to journey somewhere, to retrieve something, and then the character comes to a revelation about their life in the greater scheme. Foster stresses the importance in the knowledge that these minuscule errands the characters always seem to detect a growth in self- knowledge. Additionally, Foster introduces the concept of a standard pattern, he describes
In Chapter 24 of How to Read Literature Like a Professor, Thomas Foster claims that in order to understand the meaning of a work, the reader must read and analyze the text from the perspective from which it was written. In the first section of Chapter 24 Foster states that readers, in order to fully enjoy a piece of text must not take the information presented the way it was intended. Similarly readers may miss key points of what the author is attempting to say if they analyze the text with only today's culture in mind. Furthermore characters in literature are often old enough to have some prior experiences in life to make changes in their decisions, and grow. Characters in literature tend to have some prior experiences because it allows them
How to Read Literature like a Professor Connections Chapter 1: Every Trip Is a Quest (Except When It’s Not) The main idea of this chapter is literally the title. Every trip is a quest, mostly, whether or not it is stated. There are certain factors that you notice while reading that will give it away.
In the book How to Read Literature like a Professor by Thomas C. Foster, the first chapter illustrates the elements and ideas of quests in literature. Foster starts off the chapter with a hypothetical story where an average sixteen year old boy named Kip goes to the A&P, a local super market, to buy a loaf of Wonder Bread. Along the way, Kip unpleasantly encounters a German shepherd but meets Karen, the girl of his dreams, laughing with Tony Vauxhall in his ‘68’ Cuba. Kip continues to search for the bread in the store, but he is disturbed by a marine asking him to join the Navy. The story is immediately paused, and Foster analytically explains how Kip’s trip to the A&P was actually a quest.
Thomas C. Foster states in his book How to Read Literature Like a Professor, that there are three main items to understanding literature. The first item is memory; Memory helps a reader connect works of literature with other experiences as a way of possibly better understating the writing at hand. Symbolism is the second item noted by Foster. Symbolism can be used to open a readers mind to the big picture being painted. Not all works of literature are as complicated, as to where symbolism is splattered through the pages.
In the book , How to Read Literature Like a Professor written by Thomas C. Foster, he explains that there are five components to a quest, a quester, place to go, stated reason to go, the challenges and trials, and the real reason to go, which Foster explains is always self-knowledge. The initial purpose of the quest is not always completed; instead over time the protagonist runs into numerous challenges that test the very core of their being, reflecting their own thoughts on their life. While reading Speaker for the Dead, by Orson Scott Card, a sci-fi novel, Andrew Wiggin is the original speaker of the dead and Novinha a woman ravaged by her past and secrets, together they have to face the community of Lusitania. He searches to find an inhabitable
In the first chapter of How To Read Literature Like A Professor, Thomas C. Foster begins with the idea that every trip is a quest. Foster theorizes that every trip must meet a certain five criteria to be considered a quest as well. Foster’s theory can be found in literature throughout the ages and into media today. Foster claims the quest always grows during the underlying adventure.
Love. Love Love. The connector in almost every story. It seems like every Disney story has a dramatic barrier keeping two lovers apart and somehow they end up living happily ever after. Rapunzel, a fairy tale written in 1812, follows the original story of love.
Reading the book How to Read Literature Like a Professor by Thomas C. Foster helps the reader see books in a whole new light. Throughout the book, the reader progresses through a series of steps that demonstrate depth and symbolism. Foster focuses on presenting the reader with the idea that there are themes, patterns, symbols and many more literary techniques that inexperienced readers might miss initially. Re-reading Of Mice and Men by John Steinbeck and analyzing it by Foster’s book helps the reader know what to recognize and analyze. The setting is based on Lennie Smalls and George Milton move to Soledad, California, to find a job and new beginning.
Symbol In Foster’s book “How to Read Literature like a Professor,” he writes a chapter on symbols. Foster explains that symbols aren’t just black and white, so to speak. Symbols can be as broad as you make them.
Thomas C. Foster’s novel How to Read Like a Professor teaches readers how to deeply analyze literary works to be able to understand deeper meanings in the work, and to be able to predict what will happen later on in the literary work. The Disney film Atlantis: The Lost Empire contains many of the aspects Foster goes over in this first ten chapters, which mostly include quests, referencing well-known literature, weather patterns, and the gathering for meals. According to Foster, a journey is never just a journey. It is a quest to discovering some sort of Holy Grail, whether it be an object, an idea, or self-discovery.
In the novel How to Read Literature Like a Professor, Thomas C Foster elucidates the significance of sharing a meal with others, and how who is included in the communion directly clarifies what type of situation is occurring, whether it be peaceful or not. It is said that whenever people eat or drink together, it is considered to be a communion. In chapter one “Nice to Eat with You: Acts of Communion” Foster states that the most common assumption that readers make when contemplating the subject of communions is that they assume the gatherings are religious, however that is not always the case. Generally communions are situations where intimate thoughts and feelings are shared primarily because the process of eating is particularly a personal
How to Read Literature Like a Professor by Thomas Foster offers a variety of different ways to analyze literature so the reader can understand all levels of a literary piece to get the most out of their reading. His ideas can be applied to almost any kind of work, including movies, such as Beauty and the Beast. The chapters of HTRLLAP that can best interpret and explicate all levels of meaning in Beauty and the Beast are: Every Trip Is a Quest (Except When It’s Not); …More Than It’s Gonna Hurt You: Concerning Violence; and Is That a Symbol? “The real reason for a quest,” states Foster, “Is always self-knowledge.
It is with this that narrative pace is used to help dramatize the heroine’s adventure to the top of an unknown
