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In John Steinbacks “The Chrysanthemums,” the shift of the setting from the ranch to the road plays an important role in the development of the main character, Elisa. Therefore, in the first setting, Elisa is in her garden attending to her the chrysanthemums, which she loves and cares for. Immediately, we’re placed in a rural setting, where women happen to live in isolation and man is manly. Elisa sneaks quick glances towards the men by the tractor shed, who is talking to her husband, waiting for them to leave, so she can throw aside her gloves and work her fingers into the soil of the garden. However, Elisa shows her fearless side by quickly digging in the garden, with her eagerness to grow her chrysanthemums, right after the men leave.
Despite having an arduous life in Canada, he has in part fulfilled his idea of a personal heaven by living in an urban and developed setting; and primarily escaping the judgments of the apathetic islanders. Yet, this idea of a perfect life is incomplete; it lacks “some sweet island woman with whom he’d share his life, of having children and later buying a house” Many times in life, future gratification in unforeseeable, and occasionally — such as in the instance of Max — sacrifices may result in a sense of disillusioned inaptitude. Within this excerpt of the short story “Mammita’s Garden Cove” by Cyril Dabydeen, the author’s complex attitude towards place is conveyed by Dabydeen’s use of repetition, diction, and
We use fantasy to cope in many ways. We escape from reality in books, movies, and in our dreams. However, when we allow those fantasies to take more control--break into our reality-- and mask the events that we should be coping with; it becomes almost detrimental to our perception of reality itself. We begin to believe more in our imagination than reality. When that bubble of fantasy is popped, so is the peace that it had brought you in the situation.
Parker introduces her poem by using imagery to announce the simple development in the setting. It begins by saying, “as the sun rose” (line 7) and continues until she writes, “We didn’t speak until the sun overcame” (line 10). It is an uncomplicated way to provide an additional thought of change. By mentioning the small difference in the setting, Parker wants the reader to understand the importance of the many different aspects, large and small, that are evolving.
Gary Ridgway also referred to as "The Green River Killer" is among the most prolific serial killers in the United States. Ridgway was on a two-year killing spree in the 1980’s whereby almost 50 people were killed (Hickey, 2016). He was named the “Green River Killer” as most of the victims’ bodies were dumped in or around the Green River in Washington. Most of the people were killed in the Tacoma and Seattle areas of Washington State after which the Green River Task Force was formed by the country sheriff to track down the serial killer (Hickey, 2016). Most of the victims were women, presumably prostitutes, who were disappeared someday apart or once or twice yearly.
In a simile, she compares gardening to “boxing… The wins versus the losses” (Hudes 16). Through this comparison, Hudes conveys Ginny’s deep desire for a sense of control and success in her life. This desire is fed by the memory of her father, who was only bearable when he was gardening. Specifically, the assertion of this desire for control is evident as she recalls that her father “was a mean bastard…” but “became a saint if you put a flower in his hand” (Hudes 15). From those experiences of dealing with her father, a psychological analogy between nature and peace was instilled in Ginny’s mind at a young age, and is what she relies on as an adult to handle her emotional trauma.
Peter Hedges uses their fathers suicide and the structure of the house to symbolize how their life is being pulled down by their father. In the beginning of the novel Gilbert is taking his brother to look at the carnival rides drive in the lot for the carnival, like they do every year. They are having a picnic and enjoying their time but it the rides had been taking longer than they normally do. Arnie begins to grow impatient and expects the worst, “‘Gilbert! They’re not coming!’
The author, Voltaire, used this garden to show a biblical allusion to the garden of Eden. At the end of story, Candide gets a garden and cultivates it based on a recommendation of a Turkish Muslim which is ironic. The irony is that the initial garden was an allusion to Eden and the fall from grace while the final garden is still Eden but from the Muslim point of view. The castle is one of the most significant gardens because Voltaire portrayed it as the ultimate utopia that Candide gets kicked out of. Voltaire’s style and technique is shown when he starts with the fall from grace then end up in a garden like Eden is significant because it helps shape meaning for the reader in the
Peter’s only sign of straying from her plan for him is when he goes on the business trips where he “[gets] drunk” (“The Harness” 83) to cope with always having to be someone he is not. He tells his friend Ed about how his life has been “dribbled out” (“The Harness” 85) and how he has been living is
Pangloss teaches Candide about his philosophy. The location of the plant is the best of all possible planting places= Westphalia is the best of all possible castles. As we tend and nurture the plants =Candide tends and nurtures Pangloss’s philosophy and his optimism.
As stated in “The Ponds” chapter, “A field of water betrays the spirit that is in the air. It is continually receiving new life and motion from above. It is intermediate between land and sky.” (Page Number). This conveys to the reader that the study of nature could replace and oppose our enslavement by understanding that the pond is the human soul as the connection between earth and heaven, surviving in an earthly realm but suggesting a peaceful world just above, in the sky, which reflects into the pond.
In her short story “Marigolds”, Eugenia Collier, tells the story of a young woman named Lizabeth growing up in rural Maryland during the Depression. Lizabeth is on the verge of becoming an adult, but one moment suddenly makes her feel more woman than child and has an impact on the rest of her life. Through her use of diction, point of view, and symbolism, Eugenia Collier develops the theme that people can create beauty in their lives even in the poorest of situations. Through her use of the stylistic device diction, Eugenia Collier is able to describe to the reader the beauty of the marigolds compared to the drab and dusty town the story is set in.
In the short story “The Flowers”, Alice Walker sufficiently prepares the reader for the texts surprise ending while also displaying the gradual loss of Myop’s innocence. The author uses literary devices like imagery, setting, and diction to convey her overall theme of coming of age because of the awareness of society's behavior. At the beguining of the story the author makes use of proper and necessary diction to create a euphoric and blissful aura. The character Myop “skipped lightly” while walker describes the harvests and how is causes “excited little tremors to run up her jaws.”. This is an introduction of the childlike innocence present in the main character.
Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.
Peter threatens his father later in the short story. He also loves the nursery as he says later in the story that he cannot live without