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Literary analysis essay
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In the book The Outsiders by S.E Hinton can be link to other forms of literature by symbolism and their meanings. The book can be connected to the poem “Nothing Gold Can Stay” by Robert Frost. In the poem Nothing Gold Can Stay, each line represents special symbolism in many places or characters of The Outsiders. In the first line of the poem “Nature’s first green is gold”there is more meaning than you think; the literal meaning is the start of the changing of seasons.
J.D. Salinger fully utilizes the literary device of symbolism in characterizing Holden Caulfield in the novel, Catcher in the Rye. Whether through a red hunting hat symbolizing a desire for individuality or ducks representing an escape from life’s challenges, Salinger conveys Holden’s struggles deftly, his traits elegantly, and his character development insightfully. Salinger takes one of Holden's most apparent qualities, his desire for uniqueness, and expresses it through his red hunting hat. Aside from being different through its garish red color, Salinger adds another layer of character through the way he shows Holden wearing it. "... I swung the old peak round to the back -very corny I'll admit, but I liked it that way."
Hedges develops many thematic notions from the beginning of the novel and maintains them throughout the text by intensifying their significance and increasing their levels of occurrence. In the first chapter, Arnie Grape tells Gilbert, “You’re getting littler and littler. You’re shrinking” (8). Gilbert reacts by thinking, “Stupid people sometimes say the smartest things” (8). Arnie’s moment of unintentional coherence unfolds into a series of themes that enhance the novel and help to show Gilbert’s struggle and continual shrinkage as he detaches from his character.
The Great Depression was a time when many starving individuals were desperate for a job and food. Those who learned to work together under a failing capitalist government gathered some food and money to survive. Through the utilization of diction and symbolism, John Steinbeck's “Grapes of Wrath”, conveys an organized government worked by the people is the way to go. Steinbeck's use of symbolism with turtle, he contradicts his belief for social change. The turtle represents many individuals during The Great Depression who are struggling.
John Steinbeck, in the novel, Grapes of Wrath, identifies the hardships and struggle to portray the positive aspects of the human spirit amongst the struggle of the migrant farmers and the devastation of the Dust Bowl. Steinbeck supports his defense by providing the reader with imagery, symbolism and intense biblical allusions. The author’s purpose is to illustrate the migrant farmers in order to fully exploit their positive aspects in the midst of hardships. Steinbeck writes in a passionate tone for an audience that requires further understanding of the situation.
What’s Eating Gilbert Grape is a movie that I’ve been wanting to see for quite some time. The movie stars Johnny Depp as Gilbert Grape a young, small town guy who spends his days working at a grocery store, helping his morbidly obese mother around the house, and constantly taking care of his autistic brother Arnie whose played by one of my favorite actors, a young Leonardo Dicaprio. Arnie is an eighteen year old autistic boy who uncontrollably acts as a much younger, and sometimes misbehaved child. Gilbert is the main member of the Grape family who takes care of Arnie, because the dad is gone, the mom can’t even move her legs, one of the sisters Ellen is a spoiled brat, and the oldest sister Laura is busy taking care of the house.
We see some more foreshadowing and symbolism in the story when "The empty chairs faced each other between the silent walls, and the music played.... the house began to die" (Bradbury). The music playing and the chairs facing the walls (as an act of respect) symbolized an atmosphere of a funeral which foreshadowed the "death" of the house. Suddenly, nature's fury physically attacks the house: "The wind blew. A falling tree bough crashed through the kitchen window" (Bradbury).
At first glance, the opening scene to Margaret Laurence's A Bird in the House provides descriptive insight into the home Vanessa will view as her safe haven. However, through analysis of Laurence’s use of imagery, symbolism, and foreshadowing, the Brick House is not as impenetrable of a shelter as it had been known to represent. The Brick House is, in itself, full of underlying meaning. The family members are the only ones to call it that, to the rest of the town it is known as “the old Connor place”, “plain” and “sparsely windowed”. This starkly contrasts to the imagery Vanessa creates by likening the house to a “fortress” created by her Grandfather as a “massive monument”.
In the movie, The Breakfast Club, five high school students spend their Saturday detention together. The popular girl Claire Standish, the athlete Andrew Clark, the nerd Brian Johnson, the outcast Allison Reynolds, and the rebellious delinquent John Bender must put aside their differences to survive their detention with their assistant principal, Mr. Vernon. While in detention, they are told to write about “who they really are” in one thousand words. Throughout the day, they reveal their struggles involving their cliques and their home lives. As the movie progresses, the audience finds out the reason each teen is in detention which brings up a discussion about who they really are.
The manner of perception demonstrated by the director, Lasse Hallström, of “What Eating Gilbert Grape?” is established towards people with mental disability but specifically autism. Arnie Grape who is played by Leonardo DiCaprio is a 17 year old boy with autism and shares everything with his older brother and carer Gilbert Grape who was played by Johnny Depp. Arnie elucidates basic behavioural and social aspects that a person with autism would have. Hallstrom interprets a person with autism as a minority by clearly separating the town of Endora, Iowa from not just Arnie but the entire Grape family. The media manages to incorrectly interpret the behaviour, social acceptance and understanding of people with a disability and this movie directly
A pool tinted red from the sap of life. A deflated air mattress floated meekly against the pool. The wounded mattress covered the deceased body of Jay Gatsby, the protagonist of “The Great Gatsby” written by Fitzgerald. His death sought by George Wilson, A widower who craved the twisted vengeance of his cheating wife
From the first few seconds of the movie you can tell Arnie is not normal, with his screaming and mumbling of numbers. Arnie is portrayed to the audience as a lovable but annoying character, his reactions to situations in the movie are odd and out of place compared to the other characters. He has trouble understanding the emotions and heaviness of death on his family. Early on in the movie the audience is introduced to the fact that the father of the Grape family committed suicide years before the movie takes place. Arnie does quite understand how to handle the situation, he repeatedly screams “Dad's dead!
Symbolism in The Adventures of Huckleberry Finn John Green states, “ one of the reasons that metaphor and symbolism are important in books is because they are so important to life. Like, for example say you’re in high school and you’re a boy and you say to a girl: ‘Do you like anyone right now?’- that’s not the question you’re asking. The question you’re asking is, ‘Do you like me?’” This quote is significant to Mark Twain’s novel, Huckleberry Finn because Twain uses many examples of symbolism through settings.
The Breakfast Club is not in fact a movie about bacon 'n eggs. It’s a coming of age film about five coincidentally different teenagers all linked together by one common element, Saturday detention. At first, they are all close-minded and judgmental of each other until coming to realize they may be from different circles of friends but are not so different in the end. This film is still remarkably relatable to this day. Everyone in this film is in his or her own societal bubbles, but come to understand they are all facing the same problems.
The home mourns and wishes for its family because without them, it will be what it was before, a house. Just like the empty vase, one of the few objects that remain inside, it has lost all meaning without life pumping through its core. Larkin shows this loss through a depressing personification, separated and detached tone, and the slow crumbling structure. The home is not yet a house because it is still filled with memories of the past, which it is desperately grasping onto. Those memories - the pictures, the cutlery, the music in the piano, and that vase, are the only things that remain.